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William Burroughs, author of Naked Lunch and Junky, has been in every sense an outlaw: he has spent time in jail: he shot and killed his wife; he was a drug addict, forced to spend most of his life in exile from America, often on the run; he was openly homosexual at a time when homosexuality was a criminal offence. Literary Outlaw is the compulsively readable biography of one of the most outrageous, most original and most influential figures of our time.
“Almost indecently readable . . . captures [Burroughs’s] destructive energy, his ferocious pessimism, and the renegade brilliance of his style.”—Vogue With a new preface as well as a final chapter on William S. Burroughs’s last years, the acclaimed Literary Outlaw is the only existing full biography of an extraordinary figure. Anarchist, heroin addict, alcoholic, and brilliant writer, Burroughs was the patron saint of the Beats. His avant-garde masterpiece Naked Lunch shook up the literary world with its graphic descriptions of drug abuse and illicit sex—and resulted in a landmark Supreme Court ruling on obscenity. Burroughs continued to revolutionize literature with novels like The Soft Machine and to shock with the events in his life, such as the accidental shooting of his wife, which haunted him until his death. Ted Morgan captures the man, his work, and his friends—Allen Ginsberg and Paul Bowles among them—in this riveting story of an iconoclast.
“Almost indecently readable . . . captures [Burroughs’s] destructive energy, his ferocious pessimism, and the renegade brilliance of his style.”—Vogue With a new preface as well as a final chapter on William S. Burroughs’s last years, the acclaimed Literary Outlaw is the only existing full biography of an extraordinary figure. Anarchist, heroin addict, alcoholic, and brilliant writer, Burroughs was the patron saint of the Beats. His avant-garde masterpiece Naked Lunch shook up the literary world with its graphic descriptions of drug abuse and illicit sex—and resulted in a landmark Supreme Court ruling on obscenity. Burroughs continued to revolutionize literature with novels like The Soft Machine and to shock with the events in his life, such as the accidental shooting of his wife, which haunted him until his death. Ted Morgan captures the man, his work, and his friends—Allen Ginsberg and Paul Bowles among them—in this riveting story of an iconoclast.
Fifty years ago, Norman Mailer asserted, "William Burroughs is the only American novelist living today who may conceivably be possessed by genius." Few since have taken such literary risks, developed such individual political or spiritual ideas, or spanned such a wide range of media. Burroughs wrote novels, memoirs, technical manuals, and poetry. He painted, made collages, took thousands of photographs, produced hundreds of hours of experimental recordings, acted in movies, and recorded more CDs than most rock bands. Burroughs was the original cult figure of the Beat Movement, and with the publication of his novel Naked Lunch, which was originally banned for obscenity, he became a guru to the 60s youth counterculture. In Call Me Burroughs, biographer and Beat historian Barry Miles presents the first full-length biography of Burroughs to be published in a quarter century-and the first one to chronicle the last decade of Burroughs's life and examine his long-term cultural legacy. Written with the full support of the Burroughs estate and drawing from countless interviews with figures like Allen Ginsberg, Lucien Carr, and Burroughs himself, Call Me Burroughs is a rigorously researched biography that finally gets to the heart of its notoriously mercurial subject.
William S. Burroughs's fiction and essays are legendary, but his influence on music's counterculture has been less well documented—until now. Examining how one of America's most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the Cult of Rock 'n' Roll reveals the transformations in music history that can be traced to Burroughs. A heroin addict and a gay man, Burroughs rose to notoriety outside the conventional literary world; his masterpiece, Naked Lunch, was banned on the grounds of obscenity, but its nonlinear structure was just as daring as its content. Casey Rae brings to life Burroughs's parallel rise to fame among daring musicians of the 1960s, '70s, and '80s, when it became a rite of passage to hang out with the author or to experiment with his cut-up techniques for producing revolutionary lyrics (as the Beatles and Radiohead did). Whether they tell of him exploring the occult with David Bowie, providing Lou Reed with gritty depictions of street life, or counseling Patti Smith about coping with fame, the stories of Burroughs's backstage impact will transform the way you see America's cultural revolution—and the way you hear its music.
Being the son of counter-culture author William S. Burroughs is bound to be a trial. After all, the man who frequented lesbian dives and had a fascination with firearms couldn't possibly make that great of a father. Perhaps inevitably, William Jr. (called Billy) referred to himself as "cursed from birth" and in the book of the same name editor David Ohle collects parts of Billy's third and unfinished novel Prakriti Junction, his last journals and poems, and correspondence and conversations to recreate this tortured life. Endowed with the sufferings — but not the patience — of Job, Billy's life was often characterized by tragedy and frustration, although there were also pockets of success and levity. More than just the memoir of a casualty of the Beat Generation, Cursed From Birth provides rare insight in Billy's father, as well as his scene, friends, and times. It also provides an all-too-familiar story of familial difficulties that anyone with difficult parents can understand and appreciate.
A collection of the interviews granted by William Burroughs, both published and unpublished, as well as conversations with writers, artists and musicians such as Tenessee Williams, Patti Smith and Keith Richards.
The Wild Boys is a futuristic tale of global warfare in which a guerrilla gang of boys dedicated to freedom battles the organized armies of repressive police states. Making full use of his inimitable humor, wild imagination, and style, Burroughs creates a world that is as terrifying as it is fascinating.
This definitive book on Burroughs’ decades-long cut-up project and its relevance to the American twentieth century, including previously unpublished works. William S. Burroughs’s Nova Trilogy (The Soft Machine, Nova Express, and The Ticket That Exploded) remains the best-known of his textual cut-up creations, but he committed more than a decade of his life to searching out multimedia for use in works of collage. By cutting up, folding in, and splicing together newspapers, magazines, letters, book reviews, classical literature, audio recordings, photographs, and films, Burroughs created an eclectic and wide-ranging countercultural archive. This collection includes previously unpublished work by Burroughs such as cut-ups of work written by his son, cut-ups of critical responses to his own work, collages on the Vietnam War and the Watergate scandal, excerpts from his dream journals, and some of the few diary entries that Burroughs wrote about his wife, Joan. William S. Burroughs Cutting Up the Century also features original essays, interviews, and discussions by established Burroughs scholars, respected artists, and people who encountered Burroughs. The essays consider Burroughs from a range of perspectives—literary studies, media studies, popular culture, gender studies, post-colonialism, history, and geography. “A landmark in scholarship.” —Choice
A portrait of the iconoclastic literary pioneer describes his early life and education, his growing addiction to heroin, his role in the Beat movement, his landmark works, and his influence on the late twentieth century arts.