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One of six sisters, Dortchen Wild lives in the small German kingdom of Hesse-Cassel in the early 19th century. She finds herself irresistibly drawn to the boy next door, the handsome but very poor fairy tale scholar Wilhelm Grimm. It is a time of tyranny and terror. Napoleon Bonaparte wants to conquer all of Europe, and Hesse-Cassel is one of the first kingdoms to fall. Forced to live under oppressive French rule, Wilhelm and his brothers quietly rebel by preserving old half-forgotten tales that had once been told by the firesides of houses grand and small over the land. As Dortchen tells Wilhelm some of the most powerful and compelling stories in what will one day become his and Jacob's famous fairy tale collection, their love blossoms. But Dortchen's father will not give his consent for them to marry and war, death, and poverty also conspire to keep the lovers apart. Yet Dortchen is determined to find a way. Evocative and richly-detailed, Kate Forsyth's The Wild Girl masterfully captures one young woman's enduring faith in love and the power of storytelling.
After a distressing date with a respected member of the community, a bookmobile librarian on an island in Puget Sound decides to press charges and is comforted by a courthouse dog trained to help victims through the difficult judicial process.
The anthology comprises 43 stories, non-fiction pieces, flash fiction and poetry, the winning entries from an international competition to capture the best of Queer writing today. This is writing that explores characters, stories and experiences beyond the mainstream. Celebrating the fascinating, the forbidden, the subversive, and even the mundane, but in essence, the view from outside. The book will be dedicated to the memory of Lucy Reynolds, the trans daughter of Sarah Beal, Publisher at Muswell Press, and niece of co-Publisher Kate Beal. A student, musician and strong advocate of LGBTQI rights, she died in March 2020 at the age of 20.
Offering a fresh approach to ancient Greek architecture, Shaping Ceremony focuses on the overlooked subject of monumental steps. Written in a clear and readable style, the book presents three complementary ways of studying steps: examining how the human body works on steps; theoretical perspectives on the relationship between architecture and human behavior; and the socio-political effects of steps' presence. Although broad steps are usually associated with emperors and political dominance, Mary B. Hollinshead argues that earlier, in Greek sanctuaries, they expressed and reinforced communal authority. From this alternate perspective, she expands the traditional intellectual framework for studying Greek architecture. The heart of the study is a close reading of thirty-eight sites with monumental steps from the sixth through second centuries B.C. Organized by century, the book tracks the development of built pathways and grandstands for crowds of worshippers as evidence of the Greeks' increasing awareness of the power of architecture to shape behavior and concentrate social energy. With photographs and illustrations of plans, Shaping Ceremony offers a clear account of how Greeks' adaptation of terrain for human use promoted social cohesion and integrated architectural compositions. "
On the heels of I Am the Brother of XX and These Possible Lives, here is Jaeggy's fabulously witchy first book in English, with a new Peter Mendelsund cover A novel about obsessive love and madness set in postwar Switzerland, Fleur Jaeggy’s eerily beautiful novel begins innocently enough: “At fourteen I was a boarder in a school in the Appenzell.” But there is nothing innocent here. With the off-handed remorselessness of a young Eve, the narrator describes her potentially lethal designs to win the affections of Fréderique, the apparently perfect new girl. In Tim Parks’ consummate translation (with its “spare, haunting quality of a prose poem,” TLS), Sweet Days of Discipline is a peerless, terrifying, and gorgeous work.
“NinaSankovitch has crafted a dazzling memoir that remindsus of the most primal function of literature-to heal, to nurture and to connectus to our truest selves." —Thrity Umrigar, author of The Space Between Us Catalyzedby the loss of her sister, a mother of four spends one year savoring a greatbook every day, from Thomas Pynchon to Nora Ephron and beyond. In the tradition ofGretchen Rubin’s The Happiness Project and Joan Dideon’sA Year of Magical Thinking, Nina Sankovitch’ssoul-baring and literary-minded memoir is a chronicle of loss,hope, and redemption. Nina ultimately turns to reading as therapy andthrough her journey illuminates the power of books to help us reclaim ourlives.
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
An agonizing turbulence lies just beneath the surface of this skillfully wrought novel by the French phenom who caused a sensation with the publication of her novel Incest. Reaching back into a world before she was born, Christine Angot describes the inevitable encounter of two young people at a dance in the early 1950s: Rachel and Pierre, her mother and father. Their love is acute. It twists around Pierre's decisive judgments about class, nationalism, and beauty, and winds its way towards dissolution and Christine's own birth. Though it's Pierre whose ideas are most often voiced, it's Rachel who slowly comes into view, her determination and patience forming a radiant, enigmatic disposition. Equal parts subtle and suspenseful, An Impossible Love is an unwavering advance toward a brutal sequence of events that mars both Christine's and Rachel's lives. Angot the author carves Angot the narrator out of this corrosive element, exposing an unmendable rupture, and at the same time offering a portrait of a striking, ineradicable bond between mother and daughter.
A memoir of a friendship with Michel Foucault that changed the author's life. “I loved Michel as Michel, not as a father. Never did I feel the slightest jealousy or the slightest embitterment or exasperation when it came to him. … I was intensely close to Michel for a full six years, until his death, and I lived in his apartment for close to a year. Today I see that time as the period that changed my life, my cut-off from a fate leading to the precipice. In no specific way I'm grateful to Michel, without knowing for exactly what, for a better life." —from Learning What Love Means In 1978, Mathieu Lindon met Michel Foucault. Lindon was twenty-three years old, part of a small group of jaded but innocent, brilliant, and sexually ambivalent friends who came to know Foucault. At first the nominal caretakers of Foucault's apartment on rue de Vaugirard when he was away, these young friends eventually shared their time, drugs, ambitions, and writings with the older Foucault. Lindon's friend, the late Herve Guibert, was a key figure within this group. The son of the renowned founder of Editions de Minuit, Lindon grew up with Marguerite Duras, Alain Robbe-Grillet, and Samuel Beckett as family friends. Much was expected of him. But, as he writes in this remarkable spiritual autobiography, it was through his friendship with Foucault—who was neither lover nor father but an older friend—that he found the direction that would influence the rest of his life. As Bruce Benderson writes in his introduction, “The book is a collage of free-associated episodes and interpretatons that together compose for the reader a kind of manual about how to love. … As he runs from apartment to apartment, job to job, or lover to lover, the book becomes a story of conversion testifying to an author's radical change of viewpoint, which leads to his invitation into the social world through lessons about love.” A brilliant meditation on friendship, Learning What Loves Means provides an insight into a part of Foucault's life and work that until now, remained unkown. The book won the prestigious Prix Médicis in 2011 when it was published in French.
When people speak about love and money, they usually are referring to a conflict: love distorted by the desire for money. Such statements imply that love has a distinct form before economics interferes, but this book aims to show that such a view simplifies what is going on, because people have always been deeply shaped by everything in the social order, including economics. So when people say that money is distorting love, what they are really saying is that the current relationship of love and economics is different from an earlier relationship. This book seeks then to demonstrate the intertwining of the discourses of love and money over a long history by focusing on moments when parallel conceptions appear in economic theories and love stories. The two discourses intersect because both seek to define qualities and behaviors of human beings which are most valuable and hence most desirable. Similar descriptions of valuable behaviors appear at roughly the same time in economic theories of how to acquire wealth and literary stories of how to find ideal lovers. By tracking mutual expressions of desire, value, and acquisition in economics and love stories, this book argues for the ubiquity of the intertwining of these discourses, while exploring shifts in conceptions of value. It focuses on four eras when economic and romantic conceptions of what is most desirable were actively changing in English discourses: the early modern 17th century, the Victorian 19th, the modernist 20th, and the postmodern present.