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Novelist, poet, playwright, and short story writer Joaquim Maria Machado de Assis (1839–1908) is widely regarded as Brazil's greatest writer, although his work is still too little read outside his native country. In this first comprehensive English-language examination of Machado since Helen Caldwell's seminal 1970 study, K. David Jackson reveals Machado de Assis as an important world author, one of the inventors of literary modernism whose writings profoundly influenced some of the most celebrated authors of the twentieth century, including José Saramago, Carlos Fuentes, and Donald Barthelme. Jackson introduces a hitherto unknown Machado de Assis to readers, illuminating the remarkable life, work, and legacy of the genius whom Susan Sontag called “the greatest writer ever produced in Latin America” and whom Allen Ginsberg hailed as “another Kafka.” Philip Roth has said of him that “like Beckett, he is ironic about suffering.” And Harold Bloom has remarked of Machado that “he's funny as hell.”
Presents a collection of unusual and entertaining facts and myths about writers, books, word origins, publishers, critics, grammar, and other aspects of the world of literature
As Carolyn See says, writing guides are like preachers on Sunday—there may be a lot of them, but you can’t have too many, and there’s always an audience of the faithful. And while Making a Literary Life is ostensibly a book that teaches you how to write, it really teaches you how to make your interior life into your exterior life, how to find and join that community of like-minded souls you’re sure is out there somewhere. Carolyn See distills a lifetime of experience as novelist, memoirist, critic, and creative-writing professor into this marvelously engaging how-to book. Partly the nuts and bolts of writing (plot, point of view, character, voice) and partly an inspirational guide to living the life you dream of, Making a Literary Life takes you from the decision to “become” a writer to three months after the publication of your first book. A combination of writing and life strategies (do not tell everyone around you how you yearn to be a writer; send a “charming note” to someone you admire in the industry five days a week, every week, for the rest of your life; find the perfect characters right in front of you), Making a Literary Life is for people not usually considered part of the literary loop: the non–East Coasters, the secret scribblers. With sagacity, a magical sense of humor, and an abiding belief in the possibilities offered to “ordinary” people living “ordinary” lives, Carolyn See has summed up her life’s work in a book so beguiling, irreverent, and giddily inspiring that you won’t even realize it’s changing your life until it already has.
This book charts the major events of Stoker's life, including friendships with many of the major figures of the age and as manager of Henry Irving's Lyceum, with his literary career. It offers critical evaluation of Dracula and of Stoker's lesser-known works, yielding much interest when reinserted into their original cultural contexts.
This book consists of approximately fifty 'Literary Life' cartoons which were serialised weekly every Saturday in the Guardian's Review section from November 2002 until December 2004, and two short stories, 'Murder at Matabele Mansions' and 'Cinderella'. Posy Simmonds examines the pretensions of the literary world with her customary flair for light, witty satire and social observation. Women writers suffer 'Rustic Block' after moving to the countryside, type their sexual fantasies into their laptop, and (in 'Enemies of Promise') juggle the dilemmas of feminism and motherhood. Male authors are shown suffering the ego-perils of coming into contact with the public at book signings, and complain about reviewers and 'media hoops'. Jealousies and rivalries emerge out of reading groups; struggling small booksellers have to deal with recalcitrant customers or sales reps pushing the latest celebrity book. Simmonds' penchant for literary pastiche and parody is given full rein, as in 'Murder at Matebele Mansions'. And she wickedly suggests a family's fixed smiles as a young girl explains the plot of her Harry Potter book ... Funny, insightful and beautifully drawn, Literary Life will delight fans of Gemma Bovery.
Of all the many biographies of Theodore Roosevelt, none has presented the twenty-sixth president as he saw himself: as a man of letters. This fascinating account traces Roosevelt’s lifelong engagement with books and discusses his writings from childhood journals to his final editorial, finished just hours before his death. His most famous book, The Rough Riders—part memoir, part war adventure—barely begins to suggest the dynamism of his literary output. Roosevelt read widely and deeply, and worked tirelessly on his writing. Along with speeches, essays, reviews, and letters, he wrote history, autobiography, and tales of exploration and discovery. In this thoroughly original biography, Roosevelt is revealed at his most vulnerable—and his most human.
Ramona, continuously in print for over a century, has become a cultural icon, but Jackson's prolific career left us with much more, notably her achievements as a prose writer and her work as an early activist on behalf of Native Americans. This long-overdue biography of Jackson's remarkable life and times reintroduces a distinguished figure in American letters and restores Helen Hunt Jackson to her rightful place in history.".
Art for Art's Sake and Literary Life is a dynamic history of literary aestheticism from the eighteenth century to academic deconstruction in our own time. Gene H. Bell-Villada examines an enormous range of writings by critics, philosophers, and writers from Europe, Latin America, and the United States. Uniting all is his conviction that "there are concrete social, economic, political, and cultural reasons for the emergence, growth, diffusion, and triumph of l'art pour l'art over the past two centuries." Bell-Villada begins by considering how such thinkers as Shaftesbury, Kant, and Schiller described beauty as a phenomenon to be weighed not in isolation from other aspects of our existence but as part of our general development as human beings. He recounts how the original vision of Kant and Schiller was simplified and debased within new cultural, political, and economic contexts, leading to the "aesthetic separatism" promoted by lyric poets in France. Bell-Villada then examines how the ideology of Art for Art's Sake took on new forms in Europe and the Americas, culminating in present-day versions associated with the academicization (and ever greater marginalization) of literature. Artfully combining an exceptional amount of learning with a sharp polemical focus, Art for Art's Sake and Literary Life will appeal to a wide range of scholars and general readers for whom literature, aesthetics, and the relations of culture and society are vitally important matters.
This first English language biography of Bertolt Brecht (1898–1956) in two decades paints a strikingly new picture of one of the twentieth century's most controversial cultural icons. Drawing on letters, diaries and unpublished material, including Brecht's medical records, Parker offers a rich and enthralling account of Brecht's life and work, viewed through the prism of the artist. Tracing his extraordinary life, from his formative years in Augsburg, through the First World War, his politicisation during the Weimar Republic and his years of exile, up to the Berliner Ensemble's dazzling productions in Paris and London, Parker shows how Brecht achieved his transformative effect upon world theatre and poetry. Bertolt Brecht: A Literary Life is a powerful portrait of a great, compulsively contradictory personality, whose artistry left its lasting imprint on modern culture.
What happens when we push past the surface and allow real, grounded, mutually challenging, and edifying friendships to develop? We need only look at the little-known friendship between eminent Christian thinkers Dorothy L. Sayers and C. S. Lewis to find out. Born out of a fan letter that celebrated mystery novelist Sayers wrote to Lewis as his star was just beginning to rise, this friendship between a married woman and a longtime bachelor developed over years of correspondence as the two discovered their mutual admiration of each other's writing, thinking, and faith. In a time when many Christians now aren't even sure that a man and a woman can be "just friends" and remain faithful, Gina Dalfonzo's engaging treatment of the relationship between two of Christianity's most important modern thinkers and writers will resonate deeply with anyone who longs for authentic, soul-stirring friendships that challenge them to grow intellectually and spiritually. Fans of Lewis and Sayers will find here a fascinating addition to their collections.