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From the Preface: The following study aims to give a fairly comprehensive survey of the literary contributions in colonial newspapers from 1704 to 1750. Aside from the well-known essays of Benjamin Franklin in The New England Courant and in The Pennsylvania Gazette, the literary material in the colonial weeklies has been hitherto neglected. Especially is this true of the Southern papers. Quotations of some length from the essays and verse published in colonial journals have therefore been considered advisable in the present work. In most instances the originals of these extracts are accessible only in the collections of Historical Societies, or in the files of some especially favored library. The student who wishes to examine The South Carolina Gazette, for example, must go to the Charleston Library Society for the only file known to be extant. All quotations in the present volume follow literally the punctuation, spelling, and capitalization of the originals, no matter how inconsistent these may seem to the modern reader. The only exceptions to this rule are a few corrections of obvious printers' errors, the retention of which would add needless confusion.
From the Preface: The following study aims to give a fairly comprehensive survey of the literary contributions in colonial newspapers from 1704 to 1750. Aside from the well-known essays of Benjamin Franklin in The New England Courant and in The Pennsylvania Gazette, the literary material in the colonial weeklies has been hitherto neglected. Especially is this true of the Southern papers. Quotations of some length from the essays and verse published in colonial journals have therefore been considered advisable in the present work. In most instances the originals of these extracts are accessible only in the collections of Historical Societies, or in the files of some especially favored library. The student who wishes to examine The South Carolina Gazette, for example, must go to the Charleston Library Society for the only file known to be extant. All quotations in the present volume follow literally the punctuation, spelling, and capitalization of the originals, no matter how inconsistent these may seem to the modern reader. The only exceptions to this rule are a few corrections of obvious printers' errors, the retention of which would add needless confusion.
Excerpt from Literary Influences in Colonial Newspapers: 1704-1750 Literature in the American colonies in the earlier half of the eighteenth century was produced chiefly' by ecclesiastics and by extremely practical men of 1 affairs. The New England divines were volumi nous writers. Any catalogue or bibliography of ante-revolutionary publications shows a large pro portion of sermons and theological treatises. Wherever such works have possessed literary or historical value, they have been fully analyzed by the literary historian. On the other hand, men of aflairs like Benjamin Franklin and Colonel Wil liam Byrd, whose writings represent the overflow from varied activities, have also been studied. And these two classes of men produced all the well known literature of the period. Men of letters did not exist. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Tropics of Savagery is an incisive and provocative study of the figures and tropes of "savagery" in Japanese colonial culture. Through a rigorous analysis of literary works, ethnographic studies, and a variety of other discourses, Robert Thomas Tierney demonstrates how imperial Japan constructed its own identity in relation both to the West and to the people it colonized. By examining the representations of Taiwanese aborigines and indigenous Micronesians in the works of prominent writers, he shows that the trope of the savage underwent several metamorphoses over the course of Japan's colonial period--violent headhunter to be subjugated, ethnographic other to be studied, happy primitive to be exoticized, and hybrid colonial subject to be assimilated.
". . . a book that will break new ground in African cultural studies. . . . [it] will appeal not only to literary scholars but also to social historians and cultural anthropologists." —Karin Barber Focusing on the broad educational aims of the colonial administration and missionary societies, Stephanie Newell draws on newspaper archives, early unofficial texts, and popular sources to uncover how Africans used literacy to carve out new cultural, social, and economic spaces for themselves. Newly literate Africans not only shaped literary tastes in colonial Africa but also influenced how and where English was spoken; established standards for representations of gender, identity, and morality; and created networks for African literary production, dissemination, and reception throughout British West Africa. Newell reveals literacy and reading as powerful social forces that quickly moved beyond the missionary agenda and colonial regulation. A fascinating literary, social, and cultural history of colonial Ghana, Literary Culture in Colonial Ghana sheds new light on understandings of the African colonial experience and the development of postcolonial cultures in West Africa.
World Literature and the Question of Genre in Colonial India describes the way Marathi literary culture, entrenched in performative modes of production and reception, saw the germination of a robust, script-centric dramatic culture owing to colonial networks of literary exchange and the newfound, wide availability of print technology. The author demonstrates the upheaval that literary culture underwent as a new class of literati emerged: anthologists, critics, theatre makers, publishers and translators. These people participated in global conversations that left their mark on theory in the early twentieth century. Reading through archives and ephemera, Kedar Arun Kulkarni illustrates how literary cultures in colonised locales converged with and participated fully in key defining moments of world literature, but also diverged from them to create, simultaneously, a unique literary modernity.