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Don’t just read the Bible literally—read it Literarily. A lot of times, we treat Scripture like it’s all the same from Genesis to Revelation. After all, it only has one Author. Isn’t it just one big book, identical from beginning to end? While it’s true that the Bible is unified, it is also diverse. The Bible can be grouped according to key categories, called genres, that help us to read and properly interpret the Scriptures. An understanding of these genres, and the literary themes and devices used within them, makes all the difference when encountering God’s Word. Long-time Bible teacher Kristie Anyabwile discovered as she prepared her lessons that a single inductive approach doesn’t do justice to the variety of genres that make up the Word of God. Because Scripture is a collection of writings that spans 1,500 years, many literary styles are represented and each must be taken into account for the fullest understanding of God’s Word. Kristie shows you the immense value of studying the Bible literarily—that is, according to the literary style presented in a particular book, chapter, or passage. In Literarily, Kristie will take you through these eight distinct genres: Law History Prophecy Poetry Gospels Epistles Wisdom Apocalyptic The Bible is an epic story that God has revealed to us through diverse genres and literary features. Its message and method are both meant to transform our hearts. Our goal as interpreters isn’t to meld the Scriptures into a bland conglomerate, but to recognize the multiple forms in which God’s Word comes to us. In so doing, we’ll encounter the ongoing story of Jesus’s redemption and learn how He calls His people to live in our complex world today.
Stella greets Christopher when he shrinks and falls through the cracks in the school floor due to boredom. The two decide to look around and discover some classrooms where children are actively participating in their education and enjoying learning.
WINNER OF THE 2019 GOLDSMITHS PRIZE • SHORTLISTED FOR THE 2019 BOOKER PRIZE • A NEW YORKER BEST BOOK OF 2019 • A NEW YORK TIMES NOTABLE BOOK OF 2019 • A TIME MUST-READ BOOK OF 2019 "This book has its face pressed up against the pane of the present; its form mimics the way our minds move now toggling between tabs, between the needs of small children and aging parents, between news of ecological collapse and school shootings while somehow remembering to pay taxes and fold the laundry."—Parul Sehgal, New York Times Baking a multitude of tartes tatins for local restaurants, an Ohio housewife contemplates her four kids, husband, cats and chickens. Also, America's ignoble past, and her own regrets. She is surrounded by dead lakes, fake facts, Open Carry maniacs, and oodles of online advice about survivalism, veil toss duties, and how to be more like Jane Fonda. But what do you do when you keep stepping on your son's toy tractors, your life depends on stolen land and broken treaties, and nobody helps you when you get a flat tire on the interstate, not even the Abominable Snowman? When are you allowed to start swearing? With a torrent of consciousness and an intoxicating coziness, Ducks, Newburyport lays out a whole world for you to tramp around in, by turns frightening and funny. A heart-rending indictment of America's barbarity, and a lament for the way we are blundering into environmental disaster, this book is both heresy―and a revolution in the novel.
THIS HIGHLY GIFTABLE DELUXE EDITION OF THE BESTSELLER INCLUDES THREE ALL-NEW CHAPTERS Motherhood is hard. In a world of five-step lists and silver-bullet solutions to become perfect parents, mothers are burdened with mixed messages about who they are and what choices they should make. If you feel pulled between high-fives and hard words, with culture’s solutions only raising more questions, you’re not alone. But there is hope. You might think that Scripture doesn’t have much to say about the food you make for breakfast, how you view your postpartum body, or what school choice you make for your children, but a deeper look reveals that the Bible provides the framework for finding answers to your specific questions about modern motherhood. Emily Jensen and Laura Wifler help you understand and apply the gospel to common issues moms face so you can connect your Sunday morning faith to the Monday morning tantrum. Discover how closely the gospel connects with today’s motherhood. Join Emily and Laura as they walk through the redemptive story and reveal how the gospel applies to your everyday life, bringing hope, freedom, and joy in every area of motherhood.
"A.W. Strouse's entrancing epigrams combine tough-minded bawdiness and neoclassical beauty. In his deft hands, acute sociological analysis arrives via subway voyeurism. Take this fearless book on your next ride. Notice how Strouse's lines and Patty Barth's lucid drawings sharpen your yearnings and make them newly available for blame-free inspection." Wayne Koestenbaum "Literarily incorrect." John Waters, on why he didn't want to review this book. Cruising the New York City subway, the Transfer Queen is on the prowl! These voyeuristic figure drawings-both poetic and visual-sketch the men of Gotham's transportation system. A.W. Strouse and Patty Barth spy on strangers with a special kind of anonymous intimacy. Transfer Queen is ideal reading material for kinky commuters. But remember: "A crowded subway car is no excuse for unlawful sexual conduct!"
A Newbery Medal Winner An Incan boy who tends llamas in a hidden valley in Peru learns the traditions and secrets of his ancestors. "The story of an Incan boy who lives in a hidden valley high in the mountains of Peru with old Chuto the llama herder. Unknown to Cusi, he is of royal blood and is the 'chosen one.' A compelling story."—Booklist
A princess must win back her kingdom, save a prince, and restore peace in this fantasy by the #1 New York Times–bestselling author of the Splintered series. After Lyra—a princess incapable of speech or sound—is cast out of her kingdom of daylight by her wicked aunt, a witch saves her life, steals her memories, and raises her in an enchanted forest…disguised as a boy known only as Stain. Meanwhile, in Lyra’s rival kingdom, the prince of thorns and night is dying, and the only way for him to break his curse is to wed the princess of daylight—for she is his true equal. As Lyra finds her way back to her identity, an imposter princess prepares to steal her betrothed prince and her crown. To win back her kingdom, save the prince, and make peace with the land of the night, Lyra must be loud enough to be heard without a voice, and strong enough to pass a series of tests—ultimately proving she’s everything a traditional princess is not. “A decadent fantasy anchored in childhood delights with vibrantly detailed writing and brilliantly theatrical subplots.” —Kirkus Reviews “[A] reimagining of “The Princess and the Pea” . . . An emotionally complex tale of fate, inner beauty, and found family that illustrates the strength of love born from friendship.” —Publishers Weekly
Ella Fitzgerald sang the blues and she sang them good. Ella and her fellas were on the way up! It seemed like nothing could stop her, until the biggest club in town refused to let her play… and all because of her colour. But when all hope seemed lost, little did Ella imagine that a Hollywood star would step in to help. This is the incredible true story of how a remarkable friendship between Ella Fitzgerald and Marilyn Monroe was born – and how they worked together to overcome prejudice and adversity. An inspiring story, strikingly illustrated, about the unlikely friendship between two celebrated female icons of America’s golden age.
Generically, theologically, and concerning content, Mark and Joseph and Aseneth are quite different. The former is a product of the nascent Jesus movement and influenced by the Greco-Roman Bioi (“Lives”). It details the life, ministry, death, and resurrection of a wandering Galilean. The latter is a Hellenistic Jewish narrative influenced by Greek romances and Jewish novellas. It expands the laconic account of Joseph's marriage to Aseneth in Genesis 41 into a full-fledged love and adventure story. Despite these differences, Elder finds remarkable similarities that the texts share. Elder uses both texts to examine media and modes of composition in antiquity, arguing that they were both composed via dictation from their antecedent oral traditions. Elder's volume offers a fresh approach to the composition of both Joseph and Aseneth and Mark as well as to many of their respective interpretive debates.