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Whenever her life hits a crisis--romantic upheaval, divorce, a career stalling--Dora escapes into a carefully selected stack of books, shutting herself away from the outside world until she emerges from her book binge capable of facing her problems. Reprint. 60,000 first printing.
Some women shop. Some eat. Dora cures the blues by bingeing on books—reading one after another, from Flaubert to bodice rippers, for hours and days on end. In this wickedly funny and sexy literary debut, we meet the beguiling, beautiful Dora, whose unique voice combines a wry wit and vulnerability as she navigates the road between reality and fiction. Dora, named after Eudora Welty, is an indiscriminate book junkie whose life has fallen apart—her career, her marriage, and finally her self-esteem. All she has left is her love of literature, and the book benders she relied on as a child. Ever since her larger-than-life father wandered away and her book-loving, alcoholic mother was left with two young daughters, Dora and her sister, Virginia, have clung to each other, enduring a childhood filled with literary pilgrimages instead of summer vacations. Somewhere along the way Virginia made the leap into the real world. But Dora isn’t quite there yet. Now she’s coping with a painful separation from her husband, scraping the bottom of a dwindling inheritance, and attracted to a seductive book-seller who seems to embody all that literature has to offer—intelligent ideas, romance, and an escape from her problems. Joining Dora in her odyssey is an elderly society hair-brusher, a heartbroken young girl, a hilarious off-the-wall female teamster, and Dora’s mother, now on the wagon, trying to make amends. Along the way Dora faces some powerful choices. Between two irresistible men. Between idleness and work. And most of all between the joy of well-chosen words and the untidiness of real people and real life.
Bring on the Books for Everybody is an engaging assessment of the robust popular literary culture that has developed in the United States during the past two decades. Jim Collins describes how a once solitary and print-based experience has become an exuberantly social activity, enjoyed as much on the screen as on the page. Fueled by Oprah’s Book Club, Miramax film adaptations, superstore bookshops, and new technologies such as the Kindle digital reader, literary fiction has been transformed into best-selling, high-concept entertainment. Collins highlights the infrastructural and cultural changes that have given rise to a flourishing reading public at a time when the future of the book has been called into question. Book reading, he claims, has not become obsolete; it has become integrated into popular visual media. Collins explores how digital technologies and the convergence of literary, visual, and consumer cultures have changed what counts as a “literary experience” in phenomena ranging from lush film adaptations such as The English Patient and Shakespeare in Love to the customer communities at Amazon. Central to Collins’s analysis and, he argues, to contemporary literary culture, is the notion that refined taste is now easily acquired; it is just a matter of knowing where to access it and whose advice to trust. Using recent novels, he shows that the redefined literary landscape has affected not just how books are being read, but also what sort of novels are being written for these passionate readers. Collins connects literary bestsellers from The Jane Austen Book Club and Literacy and Longing in L.A. to Saturday and The Line of Beauty, highlighting their depictions of fictional worlds filled with avid readers and their equations of reading with cultivated consumer taste.
From the critically acclaimed authors of the #1 "Los Angeles Times" bestseller "Literacy and Longing in L.A." comes a novel for anyone who's ever had to risk it all to be the person they've always wanted to be. A thoughtful version of the girl-done-good tale.--"Kirkus Reviews."
In 1663 Oxford, a servant girl confesses to a murder. But four witnesses--a medical student, the son of a traitor, a cryptographer, and an archivist--each finger a different culprit...
“A thrilling story of seduction, betrayal, and loss, Freud’s Mistress will titillate fans of Memoirs of a Geisha and The Other Boleyn Girl.”—Booklist In fin-de-siècle Vienna, it was not easy for a woman to find fulfillment both intellectually and sexually. But many believe that Minna Bernays was able to find both with one man—her brother-in-law, Sigmund Freud. At once a portrait of two sisters—the rebellious, independent Minna and her inhibited sister, Martha—and of the compelling and controversial doctor who would be revered as one of the twentieth century’s greatest thinkers, Freud’s Mistress is a novel rich with passion and historical detail and “a portrait of forbidden desire [with] a thought-provoking central question: How far are you willing to go to be happy?”* *Publishers Weekly
With wit and wisdom, the bibliophile's Ebert & Roeper recommend more than 600 books based on what women care about most. Between the Covers is organized around their wide-ranging curiosity—about themselves, friends and family, the larger world—and their concerns, from health to sex to managing their finances. With such sections as “Babes We Love” (Role Models Real and Imagined), “The Babe Inside” (Focusing on Body and Soul), and “Love, Sex & Second Chances,” this unique collection of fiction and nonfiction reflects how women really read.
Alex, whose birthday it is, hijacks a story about Birthday Bunny on his special day and turns it into a battle between a supervillain and his enemies in the forest--who, in the original story, are simply planning a surprise party.
This book explores Japanese women's desire for English as a means of identity transformation and as access to the West and its masculinity. Drawing on ethnographic data and critical discourse analysis, the book illuminates how such desire impacts upon the linguistic, social, and romantic choices made by young women in Japan and overseas.