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Winner of the 2020 Paraclete Poetry Prize, Litany of Flights is a luminous examination of the journey of the soul, from moments of loss to moments of incandescent transformation. These poems remind us to behold the extraordinary in the ordinary, and that the secret workings of the divine occur even through the difficult: “the painful paring of your hollow bones has made you light.” Drawing on the beauty of the natural world, the devastating effects of drought and wildfires, tender moments of daily experience, and lessons of the saints, the poet creates a landscape of light and darkness, with unexpected turns into divine presence and absence. Through a spiral of red-tailed hawks, the nest of a mourning dove, the parting of waters, and the ripeness of a persimmon, this shimmering collection invites the reader to singular and transfiguring flight. Litany of Flights (from the forthcoming collection) First, the winged movement, steady, forward. Scrub jays in flitting progress, hawks in predator glide, a ringing up, a knife-sharp slope down. Second, the effortless type, wind-splayed, motionless pinions in thermal recline, as the Psalmist says, blessings breeze his love even in sleep. Third, the hungry, against the gale, the destination singular and the sun dipping crimson. Fourth, the metallic, business or pleasure. Fifth, the whirring kind, all hummingbird. A picnic, apples and chocolate in the garden with roses, both flower and child. You miss it when it’s gone. Sixth, a baffling flight of stairs, winding upward, passage and yet vehicle, spiraling to unseen landings—hope courses in the kaleidoscopic lights. Seventh, soar to the sun. Eighth, melt in bitter hubris. You know the story. Ninth, escape. A flight out of Egypt, a path through the sea cleared by divine hand. The times you ran, the times you were left behind in lament. Tenth, only rotting in the belly of a whale tames your stubborn turn from Nineveh. Eleventh, flights of despair and of yearning, two sides of one letting go, hard-earned release back into the wild, unbound by expectation, featherlike. Twelfth, in a moment, caught up high by the Beloved, the one making all things work together, wings, body, arch, air—caught up, like the Shulamite bride, to regions beyond aeronautical wisdom, transported in joy. See, he says, the painful paring of your hollow bones has made you light.
You don’t have to be a skilled poet to see yourself living In a Strange Land. The poets found in this collection, however, not only recognize it, but express their varying experiences in ways that bring us along with them. We see their experiences—whether similar to our own or completely different—and find their poems ringing true in beautiful, painful, amusing, and fascinating ways. None of these ten poets has previously had a full-length poetry collection of their own—yet—but they are certainly all worthy of that honor. Keep an eye out for these poets in literary journals, chapbooks, and new books over the next while. Contributing poets: Ryan Apple, Susan Cowger, Jen Stewart Fueston, Laura Reece Hogan, Burl Horniachek, Miho Nonaka, Debbie Sawczak, Bill Stadick, James Tughan, Mary Willis
In a grand sweeping narrative, Pacific Air tells the inspiring story of how, despite initial disastrous defeats, a generation of young naval aviators challenged and ultimately vanquished a superior Japanese air force and fleet in the Pacific. The instruments of the United States aviators' triumphs were the elegantly designed F4F Wildcat, F6F Hellcat, as well as the lethal TBF Avenger torpedo bomber. With superbly trained U.S. Navy and Marine Corps aviators at their controls, these planes became the most successful aerial weapons in naval history. A majestic portrait of a proud era from dual perspectives--the inventive minds of young aeronautical engineers and the deadly artistry of even younger combat pilots -- Pacific Air brings this important yet underappreciated chapter of World War II vividly to life.
Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze’s notion of “the cinematic”—not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself —Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible. Keeling draws on the thought of Frantz Fanon, Angela Davis, Karl Marx, Antonio Gramsci, and others in addition to Deleuze. She pursues the elusive figure of the black femme through Haile Gerima’s film Sankofa, images of women in the Black Panther Party, Pam Grier’s roles in the blaxploitation films of the early 1970s, F. Gary Gray’s film Set It Off, and Kasi Lemmons’s Eve’s Bayou.
This omnibus of "Nightside of the Long Sun" and "Lake of the Long Sun" is this "modern-day Homer" ("Washington Post Book World") at his best.
A wide-ranging survey of predictions about the future development and impact of science and technology through the twentieth century.
Dzogchen, a tradition of the Nyingma school of Tibetan Buddhism, is considered by many to be an extremely powerful path to enlightenment. This ground-breaking book offers translations of four sacred texts of the Dzogchen tradition: Secret Instruction in a Garland of Vision, The Flight of the Garuda, Emptying the Depths of Hell, and the Wish-Granting Prayer of Kuntu Zangpo. With an informative introduction by the translator, Flight of the Garuda is an invaluable resource for both practice and scholarship. Flight of the Garuda conveys the heart advice of one of the most beloved nonsectarian masters of Tibet. Ordained as a Gelug monk, the itinerant yogi Shabkar was renowned for his teachings on Dzogchen, the heart practice of the Nyingma lineage. He wandered the countryside of Tibet and Nepal, turning many minds toward the Dharma through his ability to communicate the essence of the teachings in a poetic and crystal-clear way. Buddhists of all stripes, including practitioners of Zen and Vipassana, will find ample sustenance within the pages of this book, and be thrilled by the lyrical insights conveyed in Shabkar's words. Along with the song by Shabkar, translator Keith Dowman includes several other seminal Dzogchen texts. Dzogchen practice brings us into direct communion with the subtlemost nature of our experience, the unity of samsara in nirvana as experienced within our own consciousness. Within the Nyingma school, it is held higher than even the practices of tantra for bringing the meditator face to face with the nature of reality.
Pete Fusco is a captain on Boeing 737s for a major US airline. He has had two aviation careers, In between which he worked as a newspaper reporter. He lives in Kingwood, Texas and writes when the mood strikes him, which is all the time.As Pete Fusco moved from one wretched flying job to another in the early days of his aviation career, he displayed a knack for elevating the most ordinary situations to grand debacle. He maintains that it wasn't entirely his fault. He assigns part of the blame on the Gods of Aviation Misfortune, who seemed to stalk him for their own entertainment. The gods had help; along the way they enlisted the services of an ex-biker named Moondog, The Cleveland Mafia, a mythical beast known as the Curtiss C-46, a Miami smuggler of shrunken heads and a con artist named Three-fingered Hank. Fusco's story is the story of all pilots who ever chanced the long odds against making a living flying airplanes and lived to laugh about it.
This is a story written by a pilot who followed his father into commercial aviation. It is, on one hand, the biography of a professional pilot and, on other levels, provides us with insight into the mental disciplines necessary to follow such a career path. The story begins with a description of his life as a kid in rural New Jersey and follows him from his first flight to his last, some fifty years latter.As each passage of life ends, a new begins. The author provides us with an understanding of what it means to be a professional aviator and what he has learned along the way about his profession and about life. We see him grow as a person and as a pilot. We see the world through his eyes and gain an appreciation of his accumulated experiences both funny and those no so.Anyone who has spent years looking down on the world most certainly develops a different view of things than those who meander along the surface. This is certainly true of the author who provides the reader with a sense of his understanding along the way.