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The Portuguese Association for Arti cial Intelligence (APPIA) has been re- larly organising the Portuguese Conference on Arti cial Intelligence (EPIA). This ninth conference follows previous ones held in Porto (1985), Lisboa (1986), Braga (1987), Lisboa (1989), Albufeira (1991), Porto (1993), Funchal (1995) and Coimbra (1997). Starting in 1989, the conferences have been held biennially (alternating with an APPIA Advanced School on Arti cial Intelligence) and become truly international: English has been adopted as the o cial language and the proceedings are published in Springer’s LNAI series. The conference has recon rmed its high international standard this year, largely due to its programme committee, composed of distinguished researchers in a variety of specialities in Arti cial Intelligence, half of them from Portuguese universities. This has attracted a signi cant international interest, well expressed by the number of papers submitted (66), from 17 di erent countries, 29 of which are by Portuguese researchers. From the 66 papers submitted, about one third of them (23) were selected for oral presentation and have been published in this volume. The review process enabled the selection of high quality papers, each paper being reviewed by two or three reviewers, either from the programme committee or by their appointment. We would like to thank all of the reviewers for their excellent and hard work.
Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs ’literary’ writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers, organised in three themed sections. ’Making Litpop’ explores how hybrids of writing and popular music have been created by musicians and authors. ’Thinking Litpop’ considers what critical or intellectual frameworks help us to understand these hybrid cultural forms. Finally, ’Consuming Litpop’ examines how writers deal with music’s influence, how musicians engage with literary texts, and how audiences of music and writing understand their own role in making ’Litpop’ happen. Discussing a range of genres and periods of writing and popular music, this unique collection identifies, theorizes, and problematises connections between different forms of expression, making a vital contribution to popular musicology, and literary and cultural studies.
This Festschrift volume, published in honor of Michael Gelfond on the occasion of his 65th birthday, contains a collection of papers written by his closest friends and colleagues. Several of these papers were presented during the Symposium on Constructive Mathematics in Computer Science, held in Lexington, KY, USA on October 25-26, 2010. The 27 scientific papers included in the book focus on answer set programming. The papers are organized in sections named “Foundations: ASP and Theories of LP, KR, and NMR”, “ASP and Dynamic Domains”, and “ASP – Applications and Tools”.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.