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"Nestled between Texas and Mexico, the city of Laredo was a conventional border town, nurturing cultural ties across the border, attracting occasional tourists, and populated with people living there for generations. This book examines the existing economic and cultural infrastructure of the city, its interdependence with its sister city across the national boundary, and, most importantly, the resilience of the community to adapt to and even challenge the national narrative on the border"--
Nestled between Texas and Tamaulipas, Laredo was once a quaint border town, nurturing cultural ties across the border, attracting occasional tourists, and serving as the home of people living there for generations. In a span of mere decades, Laredo has become the largest inland port in the United States and a major hub of global trade. Listening to Laredo is an exploration of how the dizzying forces of change have defined this locale, how they continue to be inscribed and celebrated, and how their effects on the physical landscape have shaped the identity of the city and its people. Bringing together issues of growth, globalization, and identity, Mehnaaz Momen traces Laredo’s trajectory through the voices of its people. In contrast to the many studies of border cities defined by the outside—and seldom by the people who live at the border—this volume collects oral histories from seventy-five in-depth interviews that collectively illuminate the evolution of the city’s cultural and economic infrastructure, its interdependence with its sister city across the national boundary, and, above all, the strength of its community as it adapts to and even challenges the national narrative regarding the border. The resonant and lively voices of Laredo’s people convey proud ownership of an archetypal border city that has time and again resurrected itself.
From the Pulitzer Prize–winning author Larry McMurtry comes the final book in the Lonesome Dove tetralogy—an exhilarating tale of legend and heroism, Streets of Laredo is classic Texas and Western literature at its finest. Captain Woodrow Call, August McCrae's old partner, is now a bounty hunter hired to track down a brutal young Mexican bandit. Riding with Call are an Eastern city slicker, a witless deputy, and one of the last members of the Hat Creek outfit, Pea Eye Parker, now married to Lorena—once Gus McCrae's sweetheart. This long chase leads them across the last wild stretches of the West into a hellhole known as Crow Town and, finally, into the vast, relentless plains of the Texas frontier.
Since 1898, residents of Laredo, Texas, and Nuevo Laredo, Tamaulipas, have reached across the US-Mexico border to celebrate George Washington's birthday. The celebration can last a whole month, with parade goers reveling in American and Mexican symbols; George Washington saluting; and “Pocahontas” riding on horseback. An international bridge ceremony, the heart and soul of the festivities, features children from both sides of the border marching toward each other to link the cities with an embrace. ¡Viva George! offers an ethnography and a history of this celebration, which emerges as both symbol and substance of cross-border community life. Anthropologist and Laredo native Elaine A. Peña shows how generations of border officials, civil society organizers, and everyday people have used the bridge ritual to protect shared economic and security interests as well as negotiate tensions amid natural disasters, drug-war violence, and immigration debates. Drawing on previously unknown sources and extensive fieldwork, Peña finds that border enactments like Washington's birthday are more than goodwill gestures. From the Rio Grande to the 38th Parallel, they do the meaningful political work that partisan polemics cannot.
This unique collaboration between a musicologist and two pianists – all experts in Russian music – takes a fresh look at the supercharged music and polarizing reception of the Russian composer Alexander Scriabin. From his Chopin-inspired miniatures to his genre-bending symphonies and avant-garde late works, Scriabin left a unique mark on music history. Scriabin’s death centennial in 2015 brought wider exposure and renewed attention to this pioneering composer. Music lovers who are curious about Scriabin have been torn between specialized academic studies and popular sources that glamorize his interests and activities, often at the expense of historical accuracy. This book bridges the divide between these two branches of literature, and brings a modern perspective to his music and legacy. Drawing on archival materials, primary sources in Russian, and recently published books and articles, Part One details the reception and performance history of Scriabin’s solo piano and orchestral music. High quality recordings are recommended for each piece. Part Two explores four topics in Scriabin’s reception: the myths generated by Scriabin’s biographers, his claims to synaesthesia or “color-hearing,” his revival in 1960s America as a proto-Flower Child, and the charges of anti-Russianness leveled against his music. Part Three investigates stylistic context and performance practice in the piano music, and considers the domains of sound, rhythm, and harmony. It offers interpretive strategies for deciphering Scriabin’s challenging scores at the keyboard. Students, scholars, and music enthusiasts will benefit from the historical insights offered in this interdisciplinary book. Armed with this knowledge, readers will be able to better appreciate the stylistic innovations and colorful imagination of this extraordinary composer.
Everybody in the bar had to drop a quarter in the jukebox or be shamed by “Momo” Villarreal. It wasn’t about the money, Mary Ann Villarreal’s grandmother insisted. It was about the music—more songs for all the patrons of the Pecan Lounge in Tivoli, Texas. But for Mary Ann, whose schoolbooks those quarters bought, the money didn’t hurt. When as an adult Villarreal began to wonder how the few recordings of women singers made their way into that jukebox, questions about the money seemed inseparable from those about the music. In Listening to Rosita, Villarreal seeks answers by pursuing the story of a small group of Tejana singers and entrepreneurs in Corpus Christi, Houston, and San Antonio—the “Texas Triangle”—during the mid-twentieth century. Ultimately she recovers a social world and cultural landscape in central south Texas where Mexican American women negotiated the shifting boundaries of race and economics to assert a public presence. Drawing on oral history, interviews, and insights from ethnic and gender studies, Listening to Rosita provides a counternarrative to previous research on la música tejana, which has focused almost solely on musicians or musical genres. Villarreal instead chronicles women’s roles and contributions to the music industry. In spotlighting the sixty-year singing career of San Antonian Rosita Fernández, the author pulls the curtain back on all the women whose names and stories have been glaringly absent from the ethnic and economic history of Tejana music and culture. In this oral history of the Tejana cantantes who performed and owned businesses in the Texas Triangle, Listening to Rosita shows how ethnic Mexican entrepreneurs developed a unique identity in striving for success in a society that demeaned and segregated them. In telling their story, this book supplies a critical chapter long missing from the history of the West.
Ajijic, is a lakefront town and the site where many waters converge. In its picturesque streets, the original inhabitants of the town intermingle with the expats, the community of Lakesiders who have chosen to make this town their retirement destination. In much the same way, on a bookcase in any bookstore, like La Renga, the voices of hundreds of authors come together, and here they are read and discussed at the La Colmena cafe, as a soundtrack punctuates the narration: Patti Smith, Bob Dylan, The Pogues, U2, José Alfredo Jiménez, "The Boss" Bruce Springsteen, and a host of songs enliven the reading. In this landscape, painted (and sung) by the author, lives Bob, a character that stands out of from the norm with his brown skin and dog-blue eyes. Bob lives in the anguish of yearning to know his origins, of pursuing the lost part of the double-root of his life. Taciturn by nature, Bob spends his days secluded at home, going out only to stock up on books and readings that multiply his melancholy. This is how he spends his days, his years, until a conversation with Sugar and Niagara (two cheerful Lakesiders) makes him decide to face his destiny and leave for New York.
The twin cities of Laredo can stand as a beacon of wealth for some and a cauldron of despair to others. Ernesto Acosta, Los Zenetas top sicario, is currently caught somewhere in between. That dichotomy describes Ernesto Acosta's life almost perfectly. Acosta's early years were rife with pitfalls, from the death of his mother to the constant school problems. Even after his father was murdered, the streets became his refuge as an escape from his aunt's clutches. Ernesto found his calling early in life, willing to fight anyone, anywhere, and at any time. Why not, he was good at it, making sure who ever he fought never wanted to fight him again. His second calling was his willingness to learn, to adapt; taking tutelage from the drug gangs that ravaged to nation. He quickly adapted to the brutality that the cartels unleashed on a daily basis, inflicting new and innovative acts of terror on Los Zenetas enemies while expanding the legend of Ernesto Acosta. Somewhere along the way the complications start to mount. Acosta soon finds himself caught up in a war that he neither started, nor wanted. His boss, Victor 'Casper' Guzman, head of Los Zenetas cartel, has ordered Acosta to avenge the murder of his nephew. This sets of a series of assassination's that soon reveals a picture that threatens to tear Los Zenetas apart, pitting Acosta against his boss. Adding more fuel to the fire, while the American DEA start to dismantle Los Zenetas top lieutenants one at a time and the Mexican government threatens to send in the Army to stop the Cartel's violent outburst, Acosta discovers his boss might be responsible for his father's murder.Of course this was very hard for Acosta to fathom, but the clues keep mounting. With a new reality hitting Acosta squarely in the face in the form of a failed assassination attempt, he sets off on a quest to bring down Los Zenetas by any means necessary. Starting with the murder of Felix 'Tiny' Reyes, head of the Tijuana drug Cartel and Cesar Castro, head of the Gulf Cartel, Acosta exacts his revenge. His piece de resistance comes in the form of an assassination attempt on President Rivera, The President of Mexico. Tearing apart the fabric of society on both sides of the border has finally caught up with Los Zenetas and its boss, Casper. The Nation of Mexico comes to grips with the threat at its doorstep and the Los Zenetas Cartel becomes public enemy number 1. As the walls close in Acosta confronts Casper and his sister, Alicia. The final confrontation leads to a multitude of revelations that end in a blaze of gunfire. Will Ernesto Acosta survive or will he be just another criminal whose time ran out?
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