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Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point – Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai –the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between international scholars from different research fields, such as exile studies, art history, social history, architectural history, architecture, and urban studies.
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
Why are the paleolithic Venus of Willendorf, Michelangelo's Sistine Chapel frescoes, and Marcel Duchamp's ready-made urinal all considered works of art? Why, strictly speaking, is a Cindy Sherman photograph more "art-like" than a Da Vinci portrait? How did the painters and sculptors of the Renaissance see their creations? And who decides what art is today? In the tradition of Marshall McLuhan and John Berger, this learned and deliciously subversive book gives us a new way of seeing our artistic heritage. Believing Is Seeing is a work of multicultural scope and glittering intelligence that bridges the gulf between classical Japanese painting and the films of Spike Lee, between high theory and pop culture. Probing beyond the rhetorical surface of standard art histories and drawing on a panoramic array of illustrative material, Mary Anne Staniszewski throws a fresh light on individual works and the often mystifying criteria by which they are valued.
Whether spurred by religious images or academic history books, hardly a day goes by in South Asia without an incident or court case occurring as a result of hurt religious feelings. The sharp rise in blasphemy accusations over the past few decades calls for an investigation into why offence politics has become so pronounced, and why it is observable across religious and political differences. Outrage offers an interdisciplinary study of this growing trend. Bringing together researchers in Anthropology, Religious Studies, Languages, South Asia Studies and History, all with rich experience in the variegated ways in which religion and politics intersect in this region, the volume presents a fine-grained analysis that navigates and unpacks the religious sensitivities and political concerns under discussion. Each chapter focuses on a recent case or context of alleged blasphemy or desecration in India, Pakistan, Bangladesh and Myanmar, collectively exploring common denominators across national and religious differences. Among the common features are the rapid introduction of social media and smartphones, the possible political gains of initiating blasphemy accusations, and the growing self-assertion of marginal communities. These features are turning South Asia into a veritable flash point for offence controversies in the world today, and will be of interest to researchers exploring the intersection of religion and politics in South Asia and beyond.
This book details the legal ramifications of existing anti-blasphemy laws and debates the legitimacy of such laws in Western liberal democracies.
"The Freedom of the Migrant presents a series of reflections on national, ethnic, and cultural identity, offering a unique perspective on such topics as communication, nomadism, housing, nationalism, migrant cultures, and Jewish identity."--BOOK JACKET.
An in-depth look at the urban history of British Bombay.
Ch. 1. Social reform, state control, and the origins of mass housing -- ch. 2. Mass housing in Chicago -- ch. 3. The concrete cordon around Paris -- ch. 4. Slabs versus tenements in East and West Berlin -- ch. 5. Bras?lia, the slab block capital -- ch. 6. Mumbai : mass housing for the upper crust -- ch. 7. Prefab Moscow -- ch. 8. High-rise Shanghai -- ch. 9. Global architecture, locally conditioned.
This volume investigates the implications of breaking ritual rules, of failed performances and of the extinction of ritual systems. The essays thus break new ground in the comparative analysis of rituals and introduce new perspectives to ritual studies.
People’s transnational mobilities, their activities to build homes in their countries of residence and their connectivities have resulted in multiplicities of belonging to encountered, imagined and represented communities operating within various political contexts. Migrants and their descendants labor to form and transform relations with their country of origin and of residence. People who see their origins in India but are now living elsewhere are a case in point. They have been establishing worldwide home places, whose growing number and vibrancy invite reconsideration of Indian diasporic communities and contexts in terms of ‘India(s) beyond India.’ Issues of belonging in Indian diasporas include questions of membership not only in the nation of previous and present residence and/or the nation of origin, but also in other communities and networks in political, economic, religious and social realms at local, regional or global levels. Yet, belonging – and especially simultaneous belonging – to various formations is rarely unambiguous. Rather, belonging in all its modes may entail dilemmas that arise from inclusions and exclusions. Bearing in mind such processes, the contributions to this volume endeavor to provide answers to the question of what kinds of difficulties members of Indian communities abroad encounter in connection with their identifications with and participation in specific collectivities. The underlying argument of all the essays collected is that members of Indian diasporas develop strategies to cope with the dilemmas they face in connection with their sense of belonging to particular communities, while they are subjected to specific power relationships. Thus, the volume sheds light on the ways in which dilemmas of belonging are being negotiated in intercultural fields.