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Roberta Gately’s lyrical and authentic debut novel—inspired by her own experiences as a nurse in third world war zones—is one woman’s moving story of offering help and finding hope in the last place she expected. Gripped by haunting magazine images of starving refugees, Elsa has dreamed of becoming a nurse since she was a teenager. Of leaving her humble working-class Boston neighborhood to help people whose lives are far more difficult than her own. No one in her family has ever escaped poverty, but Elsa has a secret weapon: a tube of lipstick she found in her older sister’s bureau. Wearing it never fails to raise her spirits and cement her determination. With lipstick on, she can do anything—even travel alone to war-torn Afghanistan in the wake of 9/11. But violent nights as an ER nurse in South Boston could not prepare Elsa for the devastation she witnesses at the small medical clinic she runs in Bamiyan. As she struggles to prove herself to the Afghan doctors and local villagers, she begins a forbidden romance with her only confidant, a charming Special Forces soldier. Then, a tube of lipstick she finds in the aftermath of a tragic bus bombing leads her to another life-changing friendship. In her neighbor Parween, Elsa finds a kindred spirit, fiery and generous. Together, the two women risk their lives to save friends and family from the worst excesses of the Taliban. But when the war waging around them threatens their own survival, Elsa discovers her only hope is to unveil the warrior within. Roberta Gately’s raw, intimate novel is an unforgettable tribute to the power of friendship and a poignant reminder of the tragic cost of war.
A moving and timely novel about human trafficking—from the author of the acclaimed debut Lipstick in Afganistan. Newly heartbroken and searching for purpose in her life, Abby Monroe is determined to make her mark as a UN worker in one of the world’s most unstable cities: Peshawar, Pakistan. But after witnessing the brutal murder of a woman thrown from a building, she is haunted by the memory of an intricate and sparkling bracelet that adorned the victim’s wrist. At a local women’s shelter, Abby meets former sex slaves who have miraculously escaped their captors. As she gains the girls’ trust and documents their horrifying accounts of unspeakable pain and betrayal, she joins forces with a dashing New York Times reporter who believes he can incriminate the shadowy leader of the vicious human trafficking ring. Inspired by the women’s remarkable bravery—and the mysterious reappearance of the bracelet— the duo traces evidence that spreads from remote villages of South Asia to the most powerful corners of the West, risking their lives to offer a voice to the countless innocents in bondage.
In a moving tale of oppression and courageous defiance, sixteen-year-old Latifa tells her story of growing up in war torn Afghanistan.
In a riveting debut novel infused with uncommon insight, Janet Gilsdorf draws readers into an unforgettable story of love, heartache, family, and renewal. After six years of marriage, Anna and Jake Campbell have settled into a routine of daily responsibility and familiar comforts. The demands of raising two small children—three-year-old Chris and baby Eddie—take a toll, especially combined with Jake’s schedule as an orthopedic surgeon. But together, cautious Anna and calm, optimistic Jake negotiate, sometimes gracefully, sometimes not so much, every obstacle that comes their way. Until the night Eddie gets sick. When Anna phones Jake at work to seek advice, he reassures her that Eddie has just caught her cold. But with the morning light comes the terrible realization that her baby is seriously ill. Guilt-ridden, deeply angry, and shell-shocked, Anna spends bottomless hours alone in the ICU where Eddie teeters on between life and death. In the days that follow Eddie’s diagnosis, grief gives way to recrimination and accusations. Anna, focused only on her younger son, ignores Chris’s need for attention, while Jake is drawn to an old temptation. And the six steady years Anna and Jake have spent together—years of give and take, hope and hardship, inside jokes and shared memories—seem suddenly fragile and fleeting. Ten Days is a beautifully written and compelling story of the simple, momentary choices that come to shape our lives, of love tested to the limit, and of the myriad small triumphs that can become our greatest joys. Praise for Janet Gilsdorf and TEN DAYS "A heart-twisting spiral through one family's nightmare and their journey home. Authentic and insightful, Ten Days is a mesmerizing gem that reminds you to laugh, to weep, and to relish all that binds us together in love." —Carol Cassella, national bestselling author of Oxygen and Healer "One doesn't have to be a parent to be deeply affected by the story of the Campbells. From the opening scene tension rides high and there were moments when my hand trembled turning the page. Janet Gilsdorf writes with a surety that allows her to bring this difficult, dramatic tale to its life-affirming conclusion and leave the reader wanting more." —Holly Chamberlin, author of Last Summer "An absorbing can't-put-down novel. A page-turner to the end, Ten Days is a must read. . .a book that you will long remember."—Roberta Gately, author of Lipstick in Afghanistan "I was riveted by this family's journey to the edge and back. There is just enough medical detail to make the events crisp and authentic. Anyone who has ever cared for a child will feel for Anna and Jake as they fight to save their baby. This is a novel you won't want to miss." —Rosalind Noonan, author of The Daughter She Used to Be
Roberta Gately is a nurse and humanitarian aid worker who has served in war zones ranging from Africa to Afghanistan aiding refugees. Just the word refugee sparks conversation and fuel emotion. There are more than 22 million refugees worldwide and another 65 million who have been forcibly displaced. But who are these people? Images filter into our consciousness via dramatic photographs—but these photos only offer a glimpse into their stories. Footprints in the Dust aims to share the real stories of these refugees in hopes of revealing the truth about their experience. As a young ER nurse in Boston, Roberta was stopped cold by stark images of big-bellied babies with empty haunting stares in the news. She called the aid organization featured in the news story and within two months, she was on her way. Roberta would soon learn that world into which millions of children around the globe were born was fraught with unspeakable horrors. The only certainties for so many of these children were, and remain to this day—disease and devastating injury.Footprints in the Dust reveals the humanity behind the headlines, beginning where the newscasters end their reports. The people we meet within this riveting book are neither all saints nor all sinners—and impossible to forget.
The “exquisite and richly illustrated” New York Times bestseller from the renowned makeup artist, “a retrospective written for all women, everywhere” (Vogue France). Makeup, as we know it, has only been commercially available in the last 100 years, but applying decoration to the face and body may be one of the oldest global social practices. In Face Paint, Lisa Eldridge reveals the entire history of the art form, from Egyptian and Classical times up through the Victorian age and golden era of Hollywood, and also surveys the cutting-edge makeup science of today and tomorrow. Face Paint explores the practical and idiosyncratic reasons behind makeup’s use, the actual materials employed over generations, and the glamorous icons that people emulate, it is also a social history of women and the ways in which we can understand their lives through the prism and impact of makeup. “Makeup artist and Lancome global creative director Lisa Eldridge drops serious knowledge in Face Paint, her book on the history of beautifying.” —Marie Claire “Clear your coffee table and turn off YouTube—Lisa Eldridge’s book is a must read.” —Teen Vogue “The book is not only rich with history but also with a series of paintings, sketches and photographs in an intense array of colors, selected by the make-up artist herself in the most aesthetically pleasing universal statement to women you’ll ever see.” —Vogue France “Face Paint delves into the history of makeup, with glossy pictures to match . . . the book’s cover is striking.” —New York Post
After the attacks of September 11, 2001, the plight of Afghan women under Taliban rule was widely publicized in the United States as one of the humanitarian issues justifying intervention. Kabul Carnival explores the contradictions, ambiguities, and unintended effects of the emancipatory projects for Afghan women designed and imposed by external organizations. Building on embodiment and performance theory, this evocative ethnography describes Afghan women's responses to social anxieties about identity that have emerged as a result of the military occupation. Offering one of the first long-term on-the-ground studies since the arrival of allied forces in 2001, Julie Billaud introduces readers to daily life in Afghanistan through portraits of women targeted by international aid policies. Examining encounters between international experts in gender and transitional justice, Afghan civil servants and NGO staff, and women unaffiliated with these organizations, Billaud unpacks some of the paradoxes that arise from competing understandings of democracy and rights practices. Kabul Carnival reveals the ways in which the international community's concern with the visibility of women in public has ultimately created tensions and constrained women's capacity to find a culturally legitimate voice.
A riveting and powerful story of an unforgiving time, an unlikely friendship and an indestructible love
Anna Sanderson is not your average thirty-something. She’s a war journalist based in one of the most troubled countries in the world—Afghanistan. Sexy, tough as nails, and ballsy as hell, she won’t stop at anything to get her scoop or the man she wants. But the game changes when she meets Mr Delectable—handsome, aloof, and secretive, he frustratingly keeps Anna guessing if he’s into her or not. Things take a nasty turn when Anna’s best friend Kelly discovers that her boyfriend, Rich, has been cheating on her and Anna unearths a series of secrets which tie in her man. The mission—Operation Lipstick—takes Anna on a journey into the heart of the Helmand Province and the lair of the most feared movements of the world—the Taliban. Will Kelly get her revenge? Will Anna survive to tell her story? Will she get her man?
Since 9/11 there has been a cultural and political blossoming among those of the Afghan diaspora, especially in the United States, revealing a vibrant, active, and intellectual Afghan American community. And the success of Khaled Hosseni's The Kite Runner, the first work of fiction written by an Afghan American to become a bestseller, has created interest in the works of other Afghan American writers. One Story, Thirty Stories (or "Afsanah, Seesaneh," the Afghan equivalent of "once upon a time") collects poetry, fiction, essays, and selections from two blogs from thirty-three men and women—poets, fiction writers, journalists, filmmakers and video artists, photographers, community leaders and organizers, and diplomats. Some are veteran writers, such as Tamim Ansary and Donia Gobar, but others are novices and still learning how to craft their own "story," their unique Afghan American voice. The fifty pieces in this rich anthology reveal journeys in a new land and culture. They show people trying to come to grips with a life in exile, or they trace the migration maps of parents. They navigate the jagged landscape of the Soviet invasion, the civil war of the 1990s and the rise of the Taliban, and the ongoing American occupation.