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Secret lives and lethal passions between three former classmates with lesbiandesires and the husband of one of them leads to a savage murder. Original.
4-Sided Love Triangle Michelle Hetzel, Keary Renner, and Devon Guzman were three high school girls who shared a secret: their lesbian desires. After high school, Michelle married Brandon Bloss, 25, while Keary and Devon lived together. Michelle used her husband's credit card to finance a trip for herself and Devon to the island of St. Croix, where they were secretly wed. Back home in Easton, Pennsylvania, on a night in June 2000, Devon broke up with Michelle, and a series of violent quarrels ensued among the foursome. The next day, Devon was found dead in her car. Geometry Of Murder Devon's death was murder made to look like suicide. Her throat had been cut clear through to the spine. Who was the killer? Keary Renner had been physically abusive to Devon in their relationship. Michelle was furious at being rejected by Devon. And Brandon Bloss wanted his wife to stay faithful to him. Forensic evidence indicated that Brandon and Michelle were the culprits. A jury agreed, sentencing them both to life prison terms. Here is a searing true account of secret lives, lethal passions--and savage murder. Includes 16 pages of shocking photos. John Kearney has been an award-winning newspaper and science writer for fifteen years and served for three years as a writer and editor for Diagnostics Intelligence, a scientific publication on blood and DNA testing. He lives in New Jersey.
While working on a project translating letters from sixteenth-century Prague, high school senior Nora Kane discovers her best friend murdered with her boyfriend the apparent killer and is caught up in a dangerous web of secret societies and shadowy conspirators, all searching for a mysterious ancient device purported to allow direct communication with God.
The Just-Right Shade of Grace Hmmm….Kissable Kiwi or Fire Engine Red? To hold your child tight like you desperately want to, or let him go like he needs? Every woman grapples with such life issues and intangibles as faith, mercy, grace, and hope…but few have the ability to dress theology in blue jeans and flip-flops like Nancy Kennedy. A compilation of witty weekly columns written by Nancy for the Citrus County Chronicle in Florida, Lipstick Grace contains many musings–not all of which wrap up in nice, neat packages (because the important things in life rarely do!). In this reflective collection, you’ll find the sufficiency of God holding you steady. It’s big enough for all of you: your greatest fears, your deepest doubts, and your bathroom drawer full of all the wrong shades of lipstick.
Dr. Susan Shader is the most fascinating -- and sexiest -- heroine to come along since Clarice Starling made her debut in The Silence of the Lambs. Introduced in Joseph Glass's widely praised first novel, Eyes, Susan is a renowned psychiatrist and criminal profiler for the Chicago Police Department whose uncanny gift of second sight has made her a celebrity among law enforcement professionals. However, Susan is increasingly reluctant to devote her psychic powers to the cause of tracking down criminals. Last time, her efforts led to the abduction and near death of her eight-year-old son. But when a young woman is found dead in a body bag in Chicago's Lincoln Park, Detective David Gold, Susan's longtime friend at the Chicago Police Department, once again calls upon her psychic powers. Traces of foreign blood and strange markings found on the body make one thing certain: a killing this ornate could only be the work of a deranged serial killer. They call him the Undertaker. Susan is quickly drawn in by the bizarre psychology of the killer, a man who preys on, and prays over, beautiful young women like a fanatic executioner. Plagued by psychic messages that allude to abortion, virginity, and seemingly random quotations from Romeo and Juliet, Susan scrambles for answers. When the best efforts of a determined police force fail to solve the riddle, Susan Shader's controversial gift may be the only way to stop the madman. Combining the disturbing imagery and virtuosic writing of Thomas Harris and the intricate plot twists of John le Carré, Joseph Glass catapults the suspense thriller to an entirely new dimension. In Blood, he has fashioned a relentless, masterly psychological drama that leads to a most unexpected and bone-chilling climax. And he has given us Susan Shader, a hauntingly appealing heroine we've definitely not seen the last of.
A survivor of the bubonic plague that has laid waste to much of Europe, nineteen-year-old Hanna is sent to a convent near Kosice by her wealthy father. She finds a wounded man named Cayo in the snow outside the convent and begins to nurse him back to health. There is something different about Cayo: his wounds heal much faster than expected, and Hanna becomes aroused whenever she is near him. Cayo seduces her. Hanna falls ill and Cayo urges her to flee the convent when he learns a priest has examined her. With those who once loved her now intent on her death, Hanna turns into a creature of lust and base desire: a succubus. She believes she will never know what true and pure love is again--until she meets a handsome paladin named Tartu...
This edition has been updated to "cover new trends and includes the underpinning knowledge for the skills you will need in your practice as a beauty therapist. Covering areas such as nutrition and lifestyle, and spa treatments as well as all the main therapies, this book will support you in your day-to-day work. The anatmoy and physiology section has been completely revised to include extensive diagrams of all body systems." - back cover.
Ever been almost-beheaded by a snow-plow? Turned into an undead by a homeless vampire? Cheated and betrayed by your lying sack of s**t husband? Welcome to my life… or, more correctly, my crazy after-life. To everyone behind the gates of our wealthy community in Charming, Mississippi, my husband and I were the Joneses everyone tried to keep up with. A beautiful house, the perfect gated community, two gorgeous kids, and a supposedly flawless marriage. Until I came home and caught him rolling around in our bed, hip-deep in my best friend. Which led to the aforementioned snow plow incident. I woke up with a fear of the sun and a propensity for drinking blood. Or in laymen’s terms, a vampire. I thought vampires were supposed to be hot and irresistible. But my Maker smells like he just stepped out of a sewer and he has the appeal of a turd in a punch bowl. But you know how life is as one of the Joneses...gotta keep up. Keep up appearances, that is. I’ve swapped my Triple, Venti, Sugar-Free, Non-Fat Caramel Macchiato for a stainless steel rambler that keeps my O-Negative at the perfect room temperature. I can still manage the carpool lane, with the right sunglasses to hide my crazy eyes. But between daytime soccer games, a missing college student who might have been a vampire kill, trying not to drain my soon-to-be-ex-husband, and keeping my neighbors in the dark, I’m shaking in my Jimmy Choos. I'm not sure I can do this. My name is Rachel Jones, and I’m the vampire housewife Keywords: Charlaine Harris, Karen Marie Moning, Nora Roberts, JR Ward, Deanna Chase, Donna Grant, Nalini Singh, Deborah Harkness, Yasmine Galenorn, Heather Long, Gina Showalter, Larissa Ione, Patricia Biggs, Rebecca Zanetti, Faith Hunter, Sherrilyn Kenyon, Lynsay Sands, Ilona Andrews, Sarah J Maas
Why does Western culture remain fascinated with and saturated by cannibalism? Moving from the idea of the dangerous Other, Priscilla L. Walton's Our Cannibals, Ourselves shows us how modern-day cannibalism has been recaptured as in the vampire story, resurrected into the human blood stream, and mutated into the theory of germs through AIDS, Ebola, and the like. At the same time, it has expanded to encompass the workings of entire economic systems (such as in "consumer cannnibalism"). Our Cannibals, Ourselves is an interdisciplinary study of cannibalism in contemporary culture. It demonstrates how what we take for today's ordinary culture is imaginatively and historically rooted in very powerful processes of the encounter between our own and different, often "threatening," cultures from around the world. Walton shows that the taboo on cannibalism is heavily reinforced only partly out of fear of cannibals themselves; instead, cannibalism is evoked in order to use fear for other purposes, including the sale of fear entertainment. Ranging from literature to popular journalism, film, television, and discourses on disease, Our Cannibals, Ourselves provides an all-encompassing, insightful meditation on what happens to popular culture when it goes global.
The stakes are higher. The witches are deadlier. And the romance is red-hot. The eagerly anticipated sequel to the New York Times and Indiebound bestseller Serpent & Dove is perfect for fans of Sarah J. Maas and is an instant New York Times bestseller! Lou, Reid, Coco, and Ansel are on the run from coven, kingdom, and church—fugitives with nowhere to hide. To survive, they need allies. Strong ones. But as Lou becomes increasingly desperate to save those she loves, she turns to a darker side of magic that may cost Reid the one thing he can’t bear to lose. Bound to her always, his vows were clear: where Lou goes, he will go; and where she stays, he will stay. Until death do they part. Don't miss Gods & Monsters, the spellbinding conclusion of this epic trilogy!