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Eight centuries from now-- long after the Big Mistake and the death of Old Earth-- humanity is again on the brink of war. Galactic war this time.
“Lions and tigers are animals that belong to the cat family. They are big, strong animals and clever hunters. They hide in bushes or long grass when they go hunting.”--Back cover.
Throughout the 19th century animals were integrated into staged scenarios of confrontation, ranging from lion acts in small cages to large-scale re-enactments of war. Initially presenting a handful of exotic animals, travelling menageries grew to contain multiple species in their thousands. These 19th-century menageries entrenched beliefs about the human right to exploit nature through war-like practices against other animal species. Animal shows became a stimulus for antisocial behaviour as locals taunted animals, caused fights, and even turned into violent mobs. Human societal problems were difficult to separate from issues of cruelty to animals. Apart from reflecting human capacity for fighting and aggression, and the belief in human dominance over nature, these animal performances also echoed cultural fascination with conflict, war and colonial expansion, as the grand spectacles of imperial power reinforced state authority and enhanced public displays of nationhood and nationalistic evocations of colonial empires. Fighting nature is an insightful analysis of the historical legacy of 19th-century colonialism, war, animal acquisition and transportation. This legacy of entrenched beliefs about the human right to exploit other animal species is yet to be defeated. "Peta Tait brings to the book an impressive scholarly command of the documentary material, from which she draws a range of vivid examples and revealing analyses of human–animal confrontation in popular entertainments ... The book is written with verve and clarity, and will be of interest to a wide readership in performance studies and cultural history." Professor Jane R. Goodall, Western Sydney University Peta Tait FAHA is Professor of Theatre and Drama at La Trobe University and Visiting Professor at the University of Wollongong, and author of Wild and dangerous performances: animals, emotions, circus (2012).
Fifty more essays from famous writers on their incurable love affair with the Big Apple What do Francine Prose, Suketu Mehta, and Edwidge Danticat have in common? Each suffers from an incurable love affair with the Big Apple, and each contributed to the canon of writing New York has inspired by way of the New York Times City Section, a part of the paper that once defined Sunday afternoon leisure for the denizens of the five boroughs. Former City Section editor Constance Rosenblum has again culled a diverse cast of voices that brought to vivid life our metropolis through those pages in this follow-up to the publication New York Stories (2005). The fifty essays in More New York Stories unite the city’s best-known writers to provide a window to the bustle and richness of city life. As with the previous collection, many of the contributors need no introduction, among them Kevin Baker, Laura Shaine Cunningham, Dorothy Gallagher, Colin Harrison, Frances Kiernan, Nathaniel Rich, Jonathan Rosen, Christopher Sorrentino, and Robert Sullivan; they are among the most eloquent observers of our urban life. Others are relative newcomers. But all are voices worth listening to, and the result is a comprehensive and entertaining picture of New York in all its many guises. The section on “Characters’’ offers a bouquet of indelible profiles. The section on “Places” takes us on journeys to some of the city’s quintessential locales. “Rituals, Rhythms, and Ruminations” seeks to capture the city’s peculiar texture, and the section called “Excavating the Past” offers slices of the city’s endlessly fascinating history. Delightful for dipping into and a great companion for anyone planning a trip, this collection is both a heart-warming introduction to the human side of New York and a reminder to life-long New Yorkers of the reasons we call the city home.
The regal lion, the magnificent tiger and the mighty polar bear are among the largest carnivores and most formidable predators on Earth. They live in diverse parts of the planet, but, threatened by the loss of their habitats, they all share an uncertain future. In Predatory Light is a superb tribute to the striking beauty of this trio of almost mythic creatures. Dramatic duotone images by Cyril Christo and Marie Wilkinson capture the animals roaming their natural environments, revealing not only their awesome power, but also their vulnerability. The images are accompanied by the photographers' reminiscences of their expeditions to Africa, Asia and the Arctic, and by heartfelt responses by three nature writers to the plight of these majestic mammals. Simultaneously thought-provoking and captivating, In Predatory Light is the perfect book for anyone concerned about the conservation of endangered species.
A New York Times bestseller about how cats conquered the world and our hearts in this “deep and illuminating perspective on our favorite household companion” (Huffington Post). House cats rule bedrooms and back alleys, deserted Antarctic islands, even cyberspace. And unlike dogs, cats offer humans no practical benefit. The truth is they are sadly incompetent mouse-catchers and now pose a threat to many ecosystems. Yet, we love them still. In the “eminently readable and gently funny” (Library Journal, starred review) The Lion in the Living Room, Abigail Tucker travels through world history, natural science, and pop culture to meet breeders, activists, and scientists who’ve dedicated their lives to cats. She visits the labs where people sort through feline bones unearthed from the first human settlements, treks through the Floridian wilderness in search of house cats-turned-hunters on the loose, and hangs out with Lil Bub, one of the world’s biggest celebrities—who just happens to be a cat. “Fascinating” (Richmond Times-Dispatch) and “lighthearted” (The Seattle Times), Tucker shows how these tiny felines have used their relationship with humans to become one of the most powerful animals on the planet. A “lively read that pounces back and forth between evolutionary science and popular culture” (The Baltimore Sun), The Lion in the Living Room suggests that we learn that the appropriate reaction to a house cat, it seems, might not be aww but awe.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
Renowned primatologist Robert Sapolsky offers a completely revised and updated edition of his most popular work, with over 225,000 copies in print Now in a third edition, Robert M. Sapolsky's acclaimed and successful Why Zebras Don't Get Ulcers features new chapters on how stress affects sleep and addiction, as well as new insights into anxiety and personality disorder and the impact of spirituality on managing stress. As Sapolsky explains, most of us do not lie awake at night worrying about whether we have leprosy or malaria. Instead, the diseases we fear-and the ones that plague us now-are illnesses brought on by the slow accumulation of damage, such as heart disease and cancer. When we worry or experience stress, our body turns on the same physiological responses that an animal's does, but we do not resolve conflict in the same way-through fighting or fleeing. Over time, this activation of a stress response makes us literally sick. Combining cutting-edge research with a healthy dose of good humor and practical advice, Why Zebras Don't Get Ulcers explains how prolonged stress causes or intensifies a range of physical and mental afflictions, including depression, ulcers, colitis, heart disease, and more. It also provides essential guidance to controlling our stress responses. This new edition promises to be the most comprehensive and engaging one yet.
"Originally published in single magazine as Lions, tigers & bears, vol. 1 #1-4"--Volume 1.