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Lionel and his friends have dinner, trade sandwiches at school, evesdrop on Louise and Emily, and play baseball.
Lionel the lion does NOT like to share. After all, he’s learned that lions always get the lion's share. He gets all the best instruments from the music shop, all the handsomest hats from the hat shop, and all the brightest balloons from the balloon cart. But at Chloe’s birthday party Lionel goes too far, eating ALL the cake. If Lionel’s not careful, he’ll have the best of everything . . . except friends. Can he turn things around in time?
For Lionel, fall means starting a new school year, raking leaves, and getting to dress up as a knight and chase a dragon from house to house on Halloween.
Allen Ginsberg, Lionel and Diana Trilling, Lillian Hellman, Hannah Arendt, and Norman Mailer -- all are ex-friends of Norman Podhoretz, the renowned editor and critic and leading member of the group of New York intellectuals who came to be known as "the Family." As only a family member could, Podhoretz tells the story of these friendships, once central to his life, and shows how the political and cultural struggles of the past fifty years made them impossible to sustain. With wit, piercing insight, and startling honesty, we are introduced as never before to a type of person for whom ideas were often matters of life and death, and whose passing from the scene has left so large a gap in American culture. Podhoretz was the trailblazer of the now-famous journey of a number of his fellow intellectuals from radicalism to conservatism -- a journey through which they came to exercise both cultural and political influence far beyond their number. With this fascinating account of his once happy and finally troubled relations with these cultural icons, Podhoretz helps us understand why that journey was undertaken and just how consequential it became. In the process we get a brilliantly illuminating picture of the writers and intellectuals who have done so much to shape our world. Combining a personal memoir with literary, social, and political history, this unique gallery of stern and affectionate portraits is as entertaining as a novel and at the same time more instructive about postwar American culture than a formal scholarly study. Interwoven with these tales of some of the most quixotic and scintillating of contemporary American thinkers are themes that are introduced, developed, and redeveloped in a variety of contexts, with each appearance enriching the others, like a fugue in music. It is all here: the perversity of brilliance; the misuse of the mind; the benightedness of people usually considered especially enlightened; their human foibles and olympian detachment; the rigors to be endured and the prizes to be won and the prices to be paid for the reflective life. Most people live their lives in a very different way, and at one point, in a defiantly provocative defense of the indifference shown to the things by which intellectuals are obsessed, Norman Podhoretz says that Socrates' assertion that the unexamined life was not worth living was one of the biggest lies ever propagated by a philosopher. And yet, one comes away from Ex-Friends feeling wistful for a day when ideas really mattered and when there were people around who cared more deeply about them than about anything else. Reading of a time when the finest minds of a generation regularly gathered in New York living rooms to debate one another with an articulateness, a passion, and a level of erudition almost extinct, we come to realize how enviable it can be to live a life as poignantly and purposefully examined as Norman Podhoretz's is in Ex-Friends.
This pioneering effort links history and personality by pairing intellectual friends, most notably Lionel Trilling and Irving Howe, but also Thomas Carlyle and John Stuart Mill, D. H. Lawrence and Bertrand Russell, George Eliot and Emanuel Deutsch, Theodore Roethke and Robert Heilman. Chronologically the essays range from the early 1830s, when Carlyle and Mill discovered each other, to 1975, when Lionel Trilling died. The essay that gives this volume its title is also the most ambitious. Alexander examines Trilling and Howe in relation to one another and to Jewish quandaries, Henry James, politics and fiction, antisemitic writers, literary radicals, 1960s insurrectionists, the state of Israel, the nature of friendship itself. The chapter on the friendships (and ex-friendships) of Carlyle and Mill, Lawrence and Russell, views their stories against the background of the modern conflict between reason and feeling, positivism and imagination. Though some relationships began in adversity, they developed into friendships. This happened with Roethke and Heilman, and with Eliot and Deutsch. As a young woman, Eliot disparaged Jews as candidates for "extermination," but her friendship with the Talmudic scholar Deutsch changed her into one of the major Judeophiles of the Victorian period. The quartet of Carlyle and Mill, Lawrence and Russell shows how quickly-formed literary friendships, especially those based on hunger for disciples, can dissolve into ex-friendships. This volume offers new perspectives on leading literary figures and their relationship, and shows how friendship influences art.
Following the death of her worthy liberal parents, Corlis McCrea moves back into her family's grand Reconstruction mansion in North Carolina, willed to all three siblings. Her timid younger brother has never left home. When her bullying black-sheep older brother moves into "his" house as well, it's war. Each heir wants the house. Yet to buy the other out, two siblings must team against one. Just as in girlhood, Corlis is torn between allying with the decent but fearful youngest and the iconoclastic eldest, who covets his legacy to destroy it. A Perfectly Good Family is a stunning examination of inheritance, literal and psychological: what we take from our parents, what we discard, and what we are stuck with, like it or not.
The inspiration for the film starring Tilda Swinton and John C. Reilly, this resonant story of a mother’s unsettling quest to understand her teenage son’s deadly violence, her own ambivalence toward motherhood, and the explosive link between them remains terrifyingly prescient. Eva never really wanted to be a mother. And certainly not the mother of a boy who murdered seven of his fellow high school students, a cafeteria worker, and a much–adored teacher in a school shooting two days before his sixteenth birthday. Neither nature nor nurture exclusively shapes a child's character. But Eva was always uneasy with the sacrifices and social demotion of motherhood. Did her internalized dislike for her own son shape him into the killer he’s become? How much is her fault? Now, two years later, it is time for her to come to terms with Kevin’s horrific rampage, all in a series of startlingly direct correspondences with her estranged husband, Franklin. A piercing, unforgettable, and penetrating exploration of violence and responsibility, a book that the Boston Globe describes as “impossible to put down,” is a stunning examination of how tragedy affects a town, a marriage, and a family.
Puffin Easy-to-Read Level 3.
A tale of two mouse children, Lionel and Amelia, one very neat and the other very messy, who become friends.