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The book that made a legend -- and captures America's sport in detail that's never been matched, featuring a foreword by Nicholas Dawidoff and never-before-seen content from the Plimpton Archives. George Plimpton was perhaps best known for Paper Lion, the book that set the bar for participatory sports journalism. With his characteristic wit, Plimpton recounts his experiences in talking his way into training camp with the Detroit Lions, practicing with the team, and taking snaps behind center. His breezy style captures the pressures and tensions rookies confront, the hijinks that pervade when sixty high-strung guys live together in close quarters, and a host of football rites and rituals. One of the funniest and most insightful books ever written on football, Paper Lion is a classic look at the gridiron game and a book The Wall Street Journal calls "a continuous feast...The best book ever about football -- or anything!"
"Fascinating. . . . One of the best books ever written on the rise and fall of a great college football coach." —Allen Barra, San Francisco Chronicle The Lion in Autumn takes readers inside Penn State’s storied football program as legendary coach Joe Paterno fights to turn his struggling team into a winner once again. In more than a half century at Penn State, Paterno has won more bowl games (21) than any other coach and more games (354) than all but one, en route to two national championships and five perfect seasons. But in the new millennium hard times arrived in Happy Valley. His Nittany Lions had losing seasons in four of five years, dropping sixteen of twenty-three games in 2003 and 2004. There were boos at Beaver Stadium and increasing calls for the aging Paterno to step down. Award-winning sportswriter Frank Fitzpatrick followed JoePa through the 2004 season as the beloved coach struggled to save himself and his storied program. Fitzpatrick trailed Paterno from fund-raisers to the spring practices to the sidelines, detailing how the coach endured another losing season while building a team that would win the Orange Bowl and compete for the national championship in 2005. Interweaving stories from past seasons into the narrative, Fitzpatrick fleshes out the legend of Paterno.
It was in 1978, that Viv Anderson became the first black player to be selected for England. It is a measure of how life for black footballers has improved that in 2002 Arsenal could field nine non-white players at Leeds’ Elland Road ground without comment. A tenth, Jermaine Pennant, came on as a substitute.While it would be wrong to claim that racism has been entirely banished from English football, the problem is not as bad as on the European continent.Rodney Hinds, sports editor of The Voice, Britain’s leading black newspaper, examines the attitudes of the football establishment over the years and talks to players who had to suffer abuse from visiting fans and players, and sometimes their own team-mates.
An illustrated exploration of the design, meaning and symbolism of world football club crests. Why is there a devil shown on the crest of Manchester United? Which club's crest motto is 'To Dare Is To Do'? And whose emblem depicts a bear and a strawberry tree? From the seahorses of Newcastle United to the royal crown of Real Madrid, via the riveting hammers of West Ham United, Valencia's famous bat design and German club St Pauli's unofficial skull-and-crossbones emblem, there is a story behind every crest, a tale of identity. Covering more than 200 clubs from 20 different leagues, World Football Club Crests explores the design, meaning and symbolism of the game's most famous club crests to reveal why the badges look as they do. This carefully curated collection charts the continuing evolution of the designs and describes the changing styles, varied influences and remarkable controversies that have shaped football's most iconic crests. These important symbols of football heraldry will never be viewed in the same way again.
Finalist for the 2014 Lambda Literary Award in the Lesbian Memoir/Biography Category presented by the Lambda Literary Foundation This vivid memoir speaks the intense truth of a Bronx tomboy whose 1960s girlhood was marked by her father's lullabies laced with his dissociative memories of combat in World War II. At four years old, Annie Rachele Lanzillotto bounced her Spaldeen on the stoop and watched the boys play stickball in the street; inside, she hid silver teaspoons behind the heat pipes to tap calls for help while her father beat her mother. At eighteen, on the edge of ambitious freedom, her studies at Brown University were halted by the growth of a massive tumor inside her chest. Thus began a wild, truth-seeking journey for survival, fueled by the lessons of lasagna vows, and Spaldeen ascensions. From the stoops of the Bronx to cross-dressing on the streets of Egypt, from the cancer ward at Memorial Sloan-Kettering to New York City's gay club scene of the '80s, this poignant and authentic story takes us from underneath the dining room table to the stoop, the sidewalk, the street, and, ultimately, out into the wide world of immigration, gay subculture, cancer treatment, mental illness, gender dynamics, drug addiction, domestic violence, and a vast array of Italian American characters. With a quintessential New Yorker as narrator and guide, this journey crescendos in a reluctant return home to the timeless wisdom of a peasant, immigrant grandmother, Rosa Marsico Petruzzelli, who shows us the sweetest essence of soul.
The touching, magical story of a boy in a war-torn country and the stone lion that rescues him. Renato loves his home in Florence, Italy. He loves playing with his friends in the Piazza della Signoria. He loves walking home by the beautiful buildings and fountains with his father in the evenings. And he especially loves the stone lion who seems to smile at him from a pedestal in the piazza. The lion makes him feel safe. But one day his father tells him that their family must leave. Their country is at war, and they will be safer in America. Renato can only think of his lion. Who will keep him safe? With luminous watercolor paintings, Barbara DiLorenzo captures the beauty of Florence in this heartwarming and ultimately magical picture book.
George Plimpton's follow-up to Paper Lion, one of his personal favorites among his classic books -- repackaged and including a foreword from Steve Almond and never-before-seen content from the Plimpton archives. In Mad Ducks and Bears, George Plimpton's engaging companion to Paper Lion, Plimpton focuses on two of the most entertaining and roguish linemen and former teammates -- Alex Karras ("Mad Ducks") and John Gordy ("Bears"), both of whom went on to achieve brilliant post-football success. A more reflective, less madcap book than Plimpton's other work, Mad Ducks and Bears is no less truthful and searching. In this fond exploration of football's values and follies, Plimpton rejoins his two teammates to discuss their careers in this brutal but captivating game. The result is an astute exploration into the fascinating lives and motivations of the players at home, in the locker room, and on the field.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.