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Ernie Wan is very excited for the Chinese New Year festival. He is dancing the lion dance for the first time
A Junior Library Guild Selection Former best friends become bitter rivals when one returns to lion dancing after a long absence in this vibrant and heartfelt middle grade graphic novel perfect for fans of Haikyu!! and Fence. Young Wei dreamed of being a legendary lion dancer just like his dad. With his best friend Hung performing as the tail and Wei controlling the head, he knew they could become the next generation of lion dance champions. But after his dad’s sudden passing, Wei abruptly quits lion dancing—and his friendship with Hung. Years later, Wei is stuck…in life, in school, and on the bench at games. That is, until he crashes a junior lion dance practice and feels his long-sleeping passion wake up within him once more. The team is happy to have another member to carry on the tradition, especially as one as preternaturally talented as Wei. There’s just one person who doesn’t want him there: the self-proclaimed star, Hung. As Wei and Hung fight to be considered the top lion dancer, both will have to learn how to face their mistakes head-on and remember what it really means to be part of a team.
The first book from the new Joey Yap Cultural Series Despite its popularity as a form of cultural entertainment and competitive sport, the Lion Dance has a mystical aspect which is often not told and it is only known by the most traditional masters of the art. Now, for the first time, Joey Yap’s The Art of Lion Dance will lift the veil and bring to light the metaphysical elements, rich cultural history and symbolism behind the ancient dance.
Sam, Sebbie and Di-Di-Di are three siblings who love doing things together. Today is extra-special because they are going to see a lion dance. Doong doong chang went the lion dance band. Doong doong chang went the lion dance gong. Doong doong chang! But where is the lion? Is he still at the zoo? Or stuck backstage? When the siblings open the curtain to find the lion, they are surprised to see a lion costume. They decide to put on the costume and start performing for everyone. And no one is more surprised than their parents to see that the lion dancers were none other than Sam, Sebbie, and Di-Di-Di.
Lion dance has been in Singapore since the 1930s and is closely connected with the Chinese clans that organised the first troupes, with some of these clans hailing as far back as the 1800s. Chronicling the history of lion dance, therefore, is akin to chronicling the pioneering years of our nation. However, few books document the history of this art form in Singapore.This book is the first of its kind to introduce the history, culture, sport and performance art that is lion and dragon dance in English. It will cover the types of dances and costumes, symbolisms and values embedded in the lion and dragon dance communities. It will tell the stories of Singaporean lion and dragon dance pioneers which have never before appeared in any English publications. It will also feature interviews with current leaders in the community and share our hopes for the future of the art form in Singapore.
"First published in the United Kingdom in 2015 by Lantana Publishing Ltd."--Copyright page.
Martin Green is a retiree/free-lance writer living in Roseville, California. In 1991, the year after he retired, he started writing articles for a weekly alternative newspaper in Sacramento, Suttertown News.. In the same year, he began free-lancing for the Neighbors section of the Sacramento Bee, contributing over 100 articles until Neighbors was discontinued in 2002.. Since 2000, Hes been writing for a monthly newspaper, the Sun Senior News, which goes to over 10,000 households in two retirement communities, Sun City Roseville (where he lives) and Sun City Lincoln Hills. He currently does two monthly features, Observations and Favorite Restaurants. This book is a collection of all, or almost all, of Martins journalistic pieces. It starts with his first story for Suttertown News, about how a water district was coping with a then years-long drought, and ends with a piece he wrote about his father for the Sun Senior News. The stories include profi les of people such as David Freeman, then head of SMUD; two notable writers in Davis, Kim Stanley Robinson and Karen Joy Fowler; a number of artists, musicians and other writers; many active senior citizens, and survivors of Pearl Harbor. They also cover places such as art galleries, restaurants, museums, coffee houses and swim and tennis clubs, and events such as the Elk Grove Strauss Festival, the Folsom rodeo and the first Saturday Night Art Walk. In addition to his journalism, Martin has had over 200 short stories published in online magazines and has so far self-published three collections of these stories (2006, 2007 and 2008) as well as a longer work, One Year in Retirement (2009) and a collection of his Observations (2010). He has been married to Beverly (a water-color artist) for 46 years, has three sons (David, Michael and Christopher), three grandsons (Mason, Morgan and Logan), one granddaughter (Stephanie) and two cats (Bun-Bun and Shandyman).
From Oklahoma! and West Side Story, to Spring Awakening and Hamilton, dance remains one of the most important and key factors in musical theatre. Through the integration of song and dance in the 'dream ballets' of choreographers like Agnes De Mille; the triple threat performances of Jerome Robbins' dancers; the signature style creation by choreographers like Bob Fosse with dancers like Gwen Verdon; and the contemporary, identity-driven work of choreographers like Camille A. Brown, the history of the body in movement is one that begs study and appreciation. Dance in Musical Theatre offers guidelines in how to read this movement by analyzing it in terms of composition and movement vocabulary whilst simultaneously situating it both historically and critically. This collection provides the tools, terms, history, and movement theory for reading, interpreting, and centralizing a discussion of dance in musical theatre, importantly, with added emphasis on women and artists of color. Bringing together musical theatre and dance scholars, choreographers and practitioners, this edited collection highlights musical theatre case studies that employ dance in a dramaturgically essential manner, tracking the emergence of the dancer as a key figure in the genre, and connecting the contributions to past and present choreographers. This collection foregrounds the work of the ensemble, incorporating firsthand and autoethnographic accounts that intersect with historical and cultural contexts. Through a selection of essays, this volume conceptualizes the function of dance in musical: how it functions diegetically as a part of the story or non-diegetically as an amplification of emotion, as well as how the dancing body works to reveal character psychology by expressing an unspoken aspect of the libretto, embodying emotions or ideas through metaphor or abstraction. Dance in Musical Theatre makes dance language accessible for instructors, students, and musical theatre enthusiasts, providing the tools to critically engage with the work of important choreographers and dancers from the beginning of the 20th century to today.