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The diarist’s account of her life in the early 1920s explores “the conflict she felt between artistic longings and her pre-ordained female fate” (The Detroit News). Continuing the journey of self-education and self-discovery she began in Linotte, Anaïs Nin discloses a part of her life that had previously remained private. She discusses the period in which she met Hugo Guiler, the young man who later became her husband, and made the wrenching transition from the shelter of her family to the world of artists and models. She also reveals the struggle she faced between her expected role as a woman and her determination to be a writer—a negotiation that still poses difficulties for many of us almost a century after Nin wrote this diary. “Through sheer nerve, confidence, and will, Nin made of the everyday something magical. This was a gift, indeed, and it’s a fascinating process to witness.” —The Christian Science Monitor With a preface by Joaquin Nin-Culmell
A revealing look at the life of this “extraordinary and unconventional writer” during the mid-1920s (The New York Times Book Review). In this volume of her earlier series of personal diaries, Anaïs Nin tells how she exorcised the obsession that threatened her marriage—and nearly drove her to suicide. “Through sheer nerve, confidence, and will, Nin made of the everyday something magical. This was a gift, indeed, and it’s a fascinating process to witness.” —The Christian Science Monitor With an editor’s note by Rupert Pole and a preface by Joaquin Nin-Culmell
This “amazingly precocious” diary of girlhood in the early twentieth century is filled with a “special charm” (The Christian Science Monitor). Born in Paris, Anaïs Nin started her celebrated diary at age eleven, when she was immigrating to New York with her mother and two young brothers. The diary became her confidant, her beloved friend, in which she recorded her most intimate thoughts and kept watch on the state of her character. Offering an amusing view of Nin’s early life, from age eleven to seventeen, it is also a self-portrait of an innocent girl who is transformed, through her own insights, into an enlightened young woman. “An enchanting portrait of a girl’s constant search for herself . . . will delight her admirers as well as new readers.” —Library Journal “One of the most extraordinary documents in the annals of literature.” —Providence Sunday Journal “[The Early Diary is] not merely an overture to the great performance. It deserves our attention on its own as a revelation of the rites of passage of a young girl in the early part of the [twentieth] century and as an expression of the collision of cultures between Europe and America.” —Los Angeles Times Preface by Joaquin Nin-Culmell
In New England, American Indian people have left their ancient footprints in many of the current names for mountains, rivers, lakes, animals, fish, cities, towns, and byways. The first English settlers, who put most of the American Indian words on the map, borrowed names from local tribes. In the process, they often misheard, mispronounced, or misreported what they heard - that is how the place Wequapaugset was given as Boxet or how Musquompskut became Swampscott. In many cases the Indian terms have changed so much over time that linguists are unable to recognize the original spelling and meaning. Others have tried their hand at translations, and have come up with fanciful interpretations that are incorrect, but that have stood the test of time. On the East Coast, the Native cultures and their Algonquian tongues had long faded before most scholarly studies began, so a great many translations of place names often represent a scholar's best guess. In this landmark volume, Dr. Frank Waabu O'Brien of the Aquidneck Indian Council, provides the first indigenous method and process for interpreting regional American Indian place names. Included is a dictionary of the most common misspellings, along with numerous examples of the Indian place names for Rhode Island, Massachusetts, and Connecticut. Based on years of research, Understanding Indian Place Names is a landmark publication.
The New Diary is about a completely modern concept of journal writing. It has little to do with the rigid daily calendar diary you may have kept as a child or the factual travelogue you wrote to recall the Grand Canyon. Instead, it is a tool for tapping the full power of your inner resources. The New Diary is as much for those who already keep a journal as it is for those who have never kept one. It does not tell you the "right" way to keep a diary; rather, it offers numerous possibilities for using the diary to achieve your own purposes. It is a place for you to clarify goals, visualize the future, and focus your engergies; a means of freeing your intuition and imagination; a workbook for exploring your dreams, your past, and your present life. It is for everyone seeking concrete methods for dealing with personal problems. It is for women and men interested in achieving self-reliance and inner liberation, for artists and writers seeking new techniques for overcoming blocks to creativity.
The author of this book achieved international recognition with the publication of her Journals, begun in 1931 and spanning over 40 years. This book is a record of the years from 1923 to 1927 and covers the early part of her marriage to Hugh Guiler, beginning with their eventful stay in New York. Before long they moved to Paris, a place that was to have a profound effect upon her.
The renowned diarist continues the story begun in Henry and June and Incest. Drawing from the author’s original, uncensored journals, Fire follows Anaïs Nin’s journey as she attempts to liberate herself sexually, artistically, and emotionally. While referring to her relationships with psychoanalyst Otto Rank and author Henry Miller, as well as a new lover, the Peruvian Gonzalo Moré, she also reveals that her most passionate and enduring affair is with writing itself.