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Instrumentos Matemáticos complexos permitiram realizar com sucesso tarefas tão distintas como a programação de um voo a Marte, a previsão de resultados eleitorais, a explicação do funcionamento de alguns mecanismos do sistema nervoso, ou a abordagem crítica de obras de arte e de textos literários. Da Ciência à Sociedade, dos grandes avanços técnicos à solidez de uma argumentação lógica, a Matemática constrói Teias de uma imensa flexibilidade resultante do carácter universal da sua linguagem. Neste livro personalidades de diferentes universos dão o seu testemunho sobre a forma como usam as Teias Matemáticas para tecer a sua própria visão do mundo.
Para aqueles que não se intimidam em confessar que gostam de "xeretar" e se divertir, até mesmo com palavras, e consequentemente, com línguas. Dividido em seis capítulos sendo que cada um deles corresponde a um fenômeno linguístico. Assim temos: expressões idiomáticas; provérbios ou ditos populares; falsos cognatos; como o português e o inglês se utilizam de nomes de cores em suas expressões linguísticas; a linguagem peculiar dos jovens; a linguagem vulgar ou obscena.
The series Religion and Society (RS) contributes to the exploration of religions as social systems- both in Western and non-Western societies; in particular, it examines religions in their differentiation from, and intersection with, other cultural systems, such as art, economy, law and politics. Due attention is given to paradigmatic case or comparative studies that exhibit a clear theoretical orientation with the empirical and historical data of religion and such aspects of religion as ritual, the religious imagination, constructions of tradition, iconography, or media. In addition, the formation of religious communities, their construction of identity, and their relation to society and the wider public are key issues of this series.
All over Africa, an explosion in cultural productions of various genres is in evidence. Whether in relation to music, song and dance, drama, poetry, film, documentaries, photography, cartoons, fine arts, novels and short stories, essays, and (auto)biography; the continent is experiencing a robust outpouring of creative power that is as remarkable for its originality as its all-round diversity. Beginning from the late 1970s and early 1980s, the African continent has experienced the longest and deepest economic crises than at any other time since the period after the Second World War. Interestingly however, while practically every indicator of economic development was declining in nominal and/ or real terms for most aspects of the continent, cultural productions were on the increase. Out of adversity, the creative genius of the African produced cultural forms that at once spoke to crises and sought to transcend them. The current climate of cultural pluralism that has been produced in no small part by globalization has not been accompanied by an adequate pluralism of ideas on what culture is, and/or should be; nor informed by an equal claim to the production of the cultural packaged or not. Globalization has seen to movement and mixture, contact and linkage, interaction and exchange where cultural flows of capital, people, commodities, images and ideologies have meant that the globe has become a space, with new asymmetries, for an increasing intertwinement of the lives of people and, consequently, of a greater blurring of normative definitions as well as a place for re-definition, imagined and real. As this book Contemporary African Cultural Productions has done, researching into African culture and cultural productions that derive from it allows us, among other things, to enquire into definitions, explore historical dimensions, and interrogate the political dimensions to presentation and representation. The book therefore offers us an intervention that goes beyond the normative literary and cultural studies main foci of race, difference and identity; notions which, while important in themselves might, without the necessary historicizing and interrogating, result in a discourse that rather re-inscribes the very patterns that necessitate writing against. This book is an invaluable compendium to scholars, researchers, teachers, students and others who specialize on different aspects of African culture and cultural productions, as well as cultural centers and general readers.