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Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
This work traces the origins and evolution of extreme right wing thought in France from the end of the 19th century to the end of the 20th. It establishes the presence of an ideological tradition or organicist, exclusive nationalism initiated at the end of the 19th century, which adapts itself post-World War I and re emerges forcibly during the Occupation. Elements of this same tradition are present in the discourse of the extreme right in post-war France. This helps the student of modern French politics to see movements like the Front National their historical perspective.
In a wide-ranging set of essays on political, literary, and cultural figures, this book traces the history of nationalism in France in all its permutations?its myths, obsessions, possibilities, and dangers.
Caleb Powell always wanted to become an artist, but he overcommitted to life; his former professor David Shields always wanted to become a human being, but he overcommitted to art. The stay-at-home dad (three young girls) and the workaholic writer (eighteen books) head to the woods to spend four days together in a cabin, arguing life vs. art. I Think You’re Totally Wrong is an impassioned, funny, probing, fiercely inconclusive, nearly-to-the-death debate. Shields and Powell talk about everything—marriage, family, sports, sex, happiness, drugs, death, betrayal, and (of course) writers and writing—in the name of exploring and debating their central question: the lived life versus the examined life. There are no teachers or students here, no interviewers or interviewees, no masters of the universe—only a chasm of uncertainty, in a dialogue that remains dazzlingly provocative and entertaining from start to finish. James Franco’s film adaptation of I Think You’re Totally Wrong, starring the authors, premiered in 2015.
Quoting is all around us. But do we really know what it means? How do people actually quote today, and how did our present systems come about? This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the near.Drawing from anthropology, cultural history, folklore, cultural studies, sociolinguistics, literary studies and the ethnography of speaking, Ruth Finnegan 's fascinating study sets our present conventions into crosscultural and historical perspective. She traces the curious history of quotation marks, examines the long tradition of quotation collections with their remarkable recycling across the centuries, and explores the uses of quotation in literary, visual and oral traditions. The book tracks the changing defi nitions and control of quoting over the millennia and in doing so throws new light on ideas such as imitation, allusion, authorship, originality and plagiarism .
The Limba are rice farmers living in the hills of northern Sierra Leone who have, until recently, been somewhat despised by their neighbours. Yet they possess a subtle and fascinating literature, as illustrated by this detailed study of their stories, collected and translated by Dr. Finnegan. Their literary and artistic value emerges clearly when the significance of their 'oral' character is realized. The introductory chapters full consider such points as the importance of the actual delivery, the part played by the story-teller, and the changing forms arising from the originality of individual narrators. The book throws light on the general study of oral composition and performance as well as on the literary spirit of a previously unstudied West African people.
In Communicating, the anthropologist Ruth Finnegan considers the many and varied modes through which we humans communicate and the multisensory resources we draw on. The book uncovers the amazing array of sounds, sights, smells, gestures, looks, movements, touches and material objects which humans use so creatively to interconnect both nearby and across space and time - resources consistently underestimated in those western ideologies that prioritise 'rationality' and referential language.
In this innovative work, Salman H. Bashier challenges traditional views of Islamic philosophy. While Islamic thought from the crucial medieval period is often depicted as a rationalistic elaboration on Aristotelian philosophy and an attempt to reconcile it with the Muslim religion, Bashier puts equal emphasis on the influence of Plato's philosophical mysticism. This shift encourages a new reading of Islamic intellectual tradition, one in which boundaries between philosophy, religion, mysticism, and myth are relaxed. Bashier shows the manner in which medieval Islamic philosophers reflected on the relation between philosophy and religion as a problem that is intrinsic to philosophy and shows how their deliberations had the effect of redefining the very limits of their philosophical thought. The problems of the origin of human beings, human language, and the world in Islamic philosophy are discussed. Bashier highlights the importance of Ibn Ṭufayl's Ḥayy ibn Yaqẓān, a landmark work often overlooked by scholars, and the thought of the great Sufi mystic Ibn al-ʿArabī to the mainstream of Islamic philosophy.
An enlarged and updated edition of Ruth Finnegan's authoritative and fully evidenced classic.