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Most of us, at various moments in our lives, either adopt a `tourist' identity of are framed within another's tourist experience. Travellers' Tales investigates the future for travelling in a world whose boundaries are shifting and dissolving. The contributors bring together popular and critical discourses of travel to explore questions of identity and politics; history and narration; collecting and representing other cultures. Travellers' tales oscillate between the thrill of novel experiences and unexpected pleasures, and the alienation and loneliness of exile in a strange land. The contributions review recent work on the discourses of tourism, travel and cultural politics; the effects of global interactions and local resistances, and the ways in which records, memorials and signs have all been used to describe the experience of encountering the `other'.
This engaging study appreciably advances recent critical developments in the way the playwright created his worlds to reflect concurrent cartographic, geopolitical and social anxieties. In seeking to expose the dynamics and fluctuations of power on the stage, Shakespeare's liminal spaces provides a unique set of perspectives through which Shakespeare’s forests, battlefields, shores and gardens are revealed as deliberate dramatic devices with the capacity to destabilise social structures. Haworth’s nuanced consideration of these spaces reveals that they were ideally suited to the staging of social frictions as he traces the shifting balance of power between opposing ideological standpoints and the internal struggles between an emergent subjectivity and conformity with the centralised authorities of Church and Court.
Emphasizes how travel situates Eastern Indonesian women at the intersection of ethnicity/place, class and gender politics. Investigates theoretical issues of travel within feminist geography frameworks. Field research focuses on contemporary rural women and was conducted mainly in parts of East Nusa Tenggara and while travelling on boats in the region.
The last half of the twentieth century has seen the emergence of literary theory as a new discipline. As with any body of scholarship, various schools of thought exist, and sometimes conflict, within it. I.R. Makaryk has compiled a welcome guide to the field. Accessible and jargon-free, the Encyclopedia of Contemporary Literary Theory provides lucid, concise explanations of myriad approaches to literature that have arisen over the past forty years. Some 170 scholars from around the world have contributed their expertise to this volume. Their work is organized into three parts. In Part I, forty evaluative essays examine the historical and cultural context out of which new schools of and approaches to literature arose. The essays also discuss the uses and limitations of the various schools, and the key issues they address. Part II focuses on individual theorists. It provides a more detailed picture of the network of scholars not always easily pigeonholed into the categories of Part I. This second section analyses the individual achievements, as well as the influence, of specific scholars, and places them in a larger critical context. Part III deals with the vocabulary of literary theory. It identifies significant, complex terms, places them in context, and explains their origins and use. Accessibility is a key feature of the work. By avoiding jargon, providing mini-bibliographies, and cross-referencing throughout, Makaryk has provided an indispensable tool for literary theorists and historians and for all scholars and students of contemporary criticism and culture.
A modern aviator crashes in the Sahara--and finds himself in the middle of WW II. A conoisseur of classic Japanese culture finds a priceless artifact in the midst of modernization. Future space travelers discover the diary of the last man on Earth. Nine engrossing and poignant tales of human nature told by the author of Destiny of Souls.
This book is a study of the short story, one of the widest taught genres in English literature, from an innovative methodological perspective. Both liminality and the short story are well-researched phenomena, but the combination of both is not frequent. This book discusses the relevance of the concept of liminality for the short story genre and for short story cycles, emphasizing theoretical perspectives, methodological relevance and applicability. Liminality as a concept of demarcation and mediation between different processual stages, spatial complexes, and inner states is of obvious importance in an age of global mobility, digital networking, and interethnic transnationality. Over the last decade, many symposia, exhibitions, art, and publications have been produced which thematize liminality, covering a wide range of disciplines including literary, geographical, psychological and ethnicity studies. Liminal structuring is an essential aspect of the aesthetic composition of short stories and the cultural messages they convey. On account of its very brevity and episodic structure, the generic liminality of the short story privileges the depiction of transitional situations and fleeting moments of crisis or decision. It also addresses the moral transgressions, heterotopic orders, and forms of ambivalent self-reflection negotiated within the short story's confines. This innovative collection focuses on both the liminality of the short story and on liminality in the short story.
This edited book provides a unique opportunity for international scholars to contribute to the exploration of liminality in the field of Anglo-American literature written by or about women between the Victorian period and the Second World War.
Old Dog is an elderly rescue dog with extraordinary insight, and an urgent message for humankind. As his current caretaker works on various writing projects, Old Dog reminisces about his own past: his joyful youth, bleak years chained to a porch rail, a heartrending abandonment on a remote highway, life among the homeless, a formal education by a woman struggling with mental illness, his time with a pack of feral dogs, his capture and confinement in a pound, and his eleventh-hour rescue by the writer. While recounting these events, Old Dog reflects on what it means to be a dog--and, along the way, what it means for humans to be entangled in the web of an all-consuming civilization. Old Dog takes us on a journey into the very heart of the human condition, highlighting the mismatch between modern life and our evolved expectations as a foraging species. Destruction of the natural world, loss of authentic connection with each other, crushing dependence on technology, the outsourcing of morality--these problems are all consequences of a civilized lifestyle that we were never meant to live. And the answers, according to Old Dog, are staring us right in the face.