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"Liminal Space, A Collection of Short Stories" examines liminality, the in-between space that individuals encounter during a time of transition. The protagonists experience transformation, physically, mentally, or spiritually. In "Baptism, the protagonist transitions from being an observer of life to a participant. "Singed" examines the protagonist's struggle with identity. "The Classroom," a non-fiction piece, examines the experience of the protagonist as she discovers the independence of adolescence and encounters an adult world that challenges her sense of security. In "October 5th," another piece of non-fiction, the protagonist struggles with the grieving process and finding closure. Both non-fiction pieces examine the effects of memory.
This book is a study of the short story, one of the widest taught genres in English literature, from an innovative methodological perspective. Both liminality and the short story are well-researched phenomena, but the combination of both is not frequent. This book discusses the relevance of the concept of liminality for the short story genre and for short story cycles, emphasizing theoretical perspectives, methodological relevance and applicability. Liminality as a concept of demarcation and mediation between different processual stages, spatial complexes, and inner states is of obvious importance in an age of global mobility, digital networking, and interethnic transnationality. Over the last decade, many symposia, exhibitions, art, and publications have been produced which thematize liminality, covering a wide range of disciplines including literary, geographical, psychological and ethnicity studies. Liminal structuring is an essential aspect of the aesthetic composition of short stories and the cultural messages they convey. On account of its very brevity and episodic structure, the generic liminality of the short story privileges the depiction of transitional situations and fleeting moments of crisis or decision. It also addresses the moral transgressions, heterotopic orders, and forms of ambivalent self-reflection negotiated within the short story's confines. This innovative collection focuses on both the liminality of the short story and on liminality in the short story.
“An awe-inspiring, helter-skelter journey through mind-blowing SF, western dime novel, noir mystery, and near-future dystopian horror” (Publishers Weekly, starred review). The debut novel from Zack Parsons, editor of the Something Awful website and author of My Tank Is Fight!, is a mind-bending journey through time and genres. Beginning in 1874, with a blood-soaked western story of revenge, Liminal States follows a trio of characters through a 1950s noir detective story and twenty-first-century sci-fi horror. Their paths are tragically intertwined—and their choices have far-reaching consequences for the course of American history. It’s a remarkable mashup that “somehow manages to become a cohesive, thought-provoking whole . . . There’s no way a novel with this many moving parts should hold together, but it does, and even readers initially daunted by the jumble will soon be glad to go wherever Parsons takes them” (Publishers Weekly, starred review). “Parsons’s debut is a tour-de-force, a justifiably showy demonstration of the author’s chameleon-like ability to write in several genres all at once, and it emerges as one of the scariest and bleakest tales I can remember.” —Cory Doctorow
Taking on the neglected issue of the short story's relationship to literary Modernism, Claire Drewery examines works by Katherine Mansfield, Dorothy Richardson, May Sinclair, and Virginia Woolf. Drewery argues that the short story as a genre is preoccupied with transgressing boundaries, and thus offers an ideal platform from which to examine the Modernist fascination with the liminal. Embodying both liberation and restriction, liminal spaces on the one hand enable challenges to traditional cultural and personal identities, while on the other hand they entail the inevitable negative consequences of occupying the position of the outsider: marginality, psychosis, and death. Mansfield, Richardson, Sinclair, and Woolf all exploit this paradox in their short fiction, which typically explores literal and psychological borderline states that are resistant to rational analysis. Thus, their short stories offered these authors an opportunity to represent the borders of unconsciousness and to articulate meaning while also conveying a sense of that which is unsayable. Through their concern with liminality, Drewery shows, these writers contribute significantly to the Modernist aesthetic that interrogates identity, the construction of the self, and the relationship between the individual and society.
Liminal Spaces features a collection of 8 Short Stories. Featuring ghosts, murder, stalkers, and everything in-between.
"In a small village, there are whispers in the market square that William is not who he says he is. They say he skinny-dips and talks to trees. He was once a doctor, but now he only prescribes books - for Emily, Marco and James, whose lives have become entangled with his. Emily is in a troubled relationship and has spent most of her life sheltering in the library. James is coming undone as he struggles to live up to his father's expectations. While Marco, who measures his self-worth by the size of his bank account, has returned to the village with nothing. They have all been thrown into a liminal space and can no longer stay as they are"--Publisher information.
This edited book provides a unique opportunity for international scholars to contribute to the exploration of liminality in the field of Anglo-American literature written by or about women between the Victorian period and the Second World War.
When the masks come off, only one law matters... Half-human. Half-succubus. All work and no play. Ambitious prosecutor Lily Knight fights like a demon in the courtroom, but she's as dangerous to herself as others. Touch-starved by choice, she refuses to live beholden to any lover. "Innocent" doesn't describe Sebastian Ritter's craving for dominance in bedroom and boardroom. But one brush of his fingers over her skin tells Lily that he didn't commit the horrific crime he's charged with. With her life and secrets on the line, Lily races to find the real culprit. From the infuriating incubus who taught her to tempt and take, to intrigues and indiscretions at a masked cabaret, each unraveling thread entangles her further in a perilous game of seduction and lies. To survive, she must embrace her power, unleash her hunger, and surrender control...at the risk of becoming the monster she fears most of all. Cambion's Law offers trope-flipping paranormal suspense, modern noir fantasy, and dark romantic tension with a slow burn, subversive power dynamic grounded in mutual consent. Perfect for fans of Book of Azrael, Ninth House, and TV's Jessica Jones or Lucifer.
"Why do some people succeed at change while others fail? It's the way they think! Liminal thinking is a way to create change by understanding, shaping, and reframing beliefs. What beliefs are stopping you right now? You have a choice. You can create the world you want to live in, or live in a world created by others. If you are ready to start making changes, read this book."
In this collection of curious but delightful short stories by S. K. Kruse, you never know who you're going to meet or where you're going to end up. You can be certain, however, that whether you follow Schrodinger's cat into the zeroth dimension or have drinks with a woman who's seen Gertrude Stein in the condensation on her window, you'll find yourself smack dab in the middle of some befuddling predicament of existence. Using humor and horror, satire and allegory, fabulism and realism, Tales from the Liminal takes you for an extraordinary ride, submerging you in spaces where anything is possible, especially transformation.