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Explores a lavishly illustrated look at an important part of our industrial history with Lime Kilns.
Lime is a white, powdery substance widely used in construction, agriculture, and industry. It is manufactured by heating limestone. Small amounts may be produced in an open fire but more effectively when enclosed. Early pits were lined with stone and in time enclosed in an oven or kiln. The 19th-century lime kiln, of Roman design, was a large "pot" dug into a hillside, surrounded by a stone box resembling a huge fireplace. Many thousands were built in the Susquehanna River valley. During settlement of "Penn's Woods," large tracts were subdivided many times, and by 1925 we find 12,000 farms in Lancaster County alone, and nearly every farmer wanted to produce his own lime to sweeten the fields and make mortar, plaster, and whitewash. In the most recent record, the 1875 county atlas, we find more than 500 kilns, a peak time for "do it yourself" lime burning. Commercialization relieved the farmer of the hard and dangerous work of lime burning, and the kilns fell idle around the turn of the century. Today we find evidence of 128 extant kilns in the county. Some are little more than remnants of former stonework, but others remain sturdy and sound. Their photos in this book reveal the art and labor of our ancestors who played a major role in the development of our nation.
Waterford harbour has centuries of tradition based on its extensive fishery and maritime trade. Steeped in history, customs and an enviable spirit, it was there that Andrew Doherty was born and raised amongst a treasure chest of stories spun by the fishermen, sailors and their families. As an adult he began to research these accounts and, to his surprise, found many were based on fact. In this book, Doherty will take you on a fascinating journey along the harbour, introduce you to some of its most important sites and people, the area's history, and some of its most fantastic tales. Dreaded press gangs who raided whole communities for crew, the search for buried gold and a ship seized by pirates, the horror of a German bombing of the rural idyll during the Second World War – on every page of this incredible account you will learn something of the maritime community of Waterford Harbour.
This volume is an essential addition to the Bechers' body of work, devoted to their images of rock-processing plants and lime kilns taken in Germany, France, The Netherlands, Belgium, Switzerland, Austria, and Great Britain throughout the 1980s and '90s. Each structure is unique, its details dependent upon the region and the date of its construction, and the book features buildings whose essential function is ancient but remain important today. Although a small number of these images have been included in previous monographs, this is the first publication to showcase a comprehensive collection of the Bechers' study of stonework and lime kilns. Whether presenting single shots or their signature typological grids, the Bechers created a photographic testament to the industrial revolution that so emphatically shaped the nineteenth and twentieth centuries. At the same time, however, they also captured a much-older manufacturing tradition: the quarrying and processing of stones.
The Small Scale Vertical Shaft Lime Kiln covers in depth the design, construction, and operation of a particular type of lime kiln: a continuous, natural draught, mixed feed, vertical shaft kiln (VSK). The manual focuses on 'small-scale' production and is aimed at lime-burners, technologists and fieldworkers in developing countries, as well as those interested in burning lime on any scale.
Rotary Kilns—rotating industrial drying ovens—are used for a wide variety of applications including processing raw minerals and feedstocks as well as heat-treating hazardous wastes. They are particularly critical in the manufacture of Portland cement. Their design and operation is critical to their efficient usage, which if done incorrectly can result in improperly treated materials and excessive, high fuel costs. This professional reference book will be the first comprehensive book in many years that treats all engineering aspects of rotary kilns, including a thorough grounding in the thermal and fluid principles involved in their operation, as well as how to properly design an engineering process that uses rotary kilns. This new edition contains an updated CFD section with inclusion of recent case studies and in line with recent developments covers pyrolysis processes, torrefaction of biomass, application of rotary kilns in C02 capture and information on using rotary kilns as incinerators for hydrocarbons. - Provides essential information on fluid flow, granular flow, mixing and segregation, and aerodynamics during turbulent mixing and recirculation - Gives guidance on which fuels to choose, including options such as natural gas versus coal-fired rotary kilns - Covers principles of combustion and flame control, heat transfer and heating and material balances - New edition contains information on pyrolysis processes with low temperatures and torrefaction of biomass. It also covers calcination of petcoke, how rotary kilns are used as incinerators for chlorinated hydrocarbons. - Includes updated material on CFD simulation of kiln gas and solids flow with a selection of recent case studies.
For centuries, statuary décor was a main characteristic of any city, sanctuary, or villa in the Roman world. However, from the third century CE onward, the prevalence of statues across the Roman Empire declined dramatically. By the end of the sixth century, statues were no longer a defining characteristic of the imperial landscape. Further, changing religious practices cast pagan sculpture in a threatening light. Statuary production ceased, and extant statuary was either harvested for use in construction or abandoned in place. The Afterlife of Greek and Roman Sculpture is the first volume to approach systematically the antique destruction and reuse of statuary, investigating key responses to statuary across most regions of the Roman world. The volume opens with a discussion of the complexity of the archaeological record and a preliminary chronology of the fate of statues across both the eastern and western imperial landscape. Contributors to the volume address questions of definition, identification, and interpretation for particular treatments of statuary, including metal statuary and the systematic reuse of villa materials. They consider factors such as earthquake damage, late antique views on civic versus “private” uses of art, urban construction, and deeper causes underlying the end of the statuary habit, including a new explanation for the decline of imperial portraiture. The themes explored resonate with contemporary concerns related to urban decline, as evident in post-industrial cities, and the destruction of cultural heritage, such as in the Middle East.