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Lily loves all things dark and mysterious, so when she discovers a magic mirror in a locked room it's like a dream come true. Or is it ... Lily now has a new friend who desperately needs her help. But she's also got an older brother who really needs to get a life. Lily will require all eleven fingers, plus a hefty slice of Grandad's chocolate ganache cake, to fix a long-forgotten tragedy that's very close to home.
Seventh grade is hard. You count on having your friends around you to share your experiences. But what if that doesn’t happen? This is what Kelly faces in author Jodie Keeling’s book, The Mirror in the Woods. She looked forward to seventh grade with her best friend, Lily, by her side. But then she loses Lily to makeup, cheerleading, boys, and even new friends. All things Kelly isn’t really interested in. Then what starts out as a normal, boring day at school ends in a four-wheeler wreck in front of a mirror in the woods. All it takes is one mixed-up reflection to learn that, sometimes, what is on the other side of the glass might not be what we expect to see. Kelly could be someone you know—even you. Things are going great, and then everything seems upside down. Friendships you thought were forever are torn apart. Maybe you, like Kelly, also have issues with being a middle child. You’ll find The Mirror in the Woods a fun and inspiring read.
Lily and Little A and Kashmir , She lives within her Books looking for her Prince, Her Story of her life is Beyond her imagination ,But she will never find her love , She and her friends Kashmir and little A, Would seek out the Books, But Lily was always trapped, Within her own Prison walls of the Mirror Glass ,She lives within her own prison of her books and library and runs through the halls looking for her prince that she reads about in all her books but she will never find him, he is always in all her stories that she reads but her prison is locked away from her footsteps to her cries and dismays , her dress is 1800 and her bows in her hair , she longs for love but never will find Him , he must find her .Her story of her life is beyond her imagination day in and day out she will find fairy tales of adventures but will she ever find her Love, she only wants to go to the Ball, and it is up to her Prince to bestow her , her own freedom of the love she once knew, and wants again.The friends in the book Little A he is a little feisty Wolf , and her friend Kashmir , he helps her find her way through the books of the evergreens , beyond the valleys of the windows of the darkness, he tells her of her fantasies to find , and gives her freedom beyond her dreams to her underworlds and her worlds beyond her dreams, she must fight the battle of many of demons to make it to her next Book, of her never ending nightmares, he will help her with her wings, To fly beyond this world into her dream .
An action-packed, high concept, time-travelling adventure. Full of animal magic and with an epic wolf character. Linked to a website with ‘Meet the Character’ profiles, book excerpt and background stories
Harriet Rose, 26, is an American photographer just winning recognition for her work. A travel fellowship brings her to visit her best friend and former roommate, Anne Gordon, in Switzerland. In an ongoing letter to her boyfriend, Harriet reports on strange developments in Anne's life, most notably her affair with a much older married man, which seems to be leading to a disastrous conclusion. Before she can rescue Anne, events take a series of unexpected turns, and Harriet must reexamine her own life and past, and come to terms with the difficulties and possibilities of human relationships. Already excerpted in The New Yorker, Katharine Weber's witty first novel of attraction and deception, a tale with the sensibility of a Margaret Atwood, pulses with cultural references and word games that echo Nabokov.
A gorgeous new Cecelia mini-book which contains two powerful and unforgettable short stories.
House as a Mirror of Self presents an unprecedented examination of our relationship to where we live, interwoven with compelling personal stories of the search for a place for the soul. Marcus takes us on a reverie of the special places of childhood--the forts we made and secret hiding places we had--to growing up and expressing ourselves in the homes of adulthood. She explores how the self-image is reflected in our homes/ power struggles in making a home together with a partner/ territory, control, and privacy at home/ self-image and location/ disruptions in the boding with home/ and beyond the "house as ego" to the call of the soul. As our culture is swept up in home improvement to the extent of having an entire TV network devoted to it, this book is essential for understanding why the surroundings that we call home make us feel the way we do. With this information we can embark on home improvement that truly makes room for our soul.
When Lily Griffin finds a girl trapped inside a magic mirror, she uncovers a long-forgotten family secret and sets in motion a remarkable chain of events. Lily is a singular character, hilariously funny, sweetly poignant, and deeply daggy. Plagued by social doubts and her own peculiarities, she is the perfect person to investigate the many secrets of her grandfather's house and, along the way, mend some family relationships, discover enduring friendship, and learn to play netball.
Lily Hemp wasn't looking for love. After losing her family in an accident, surviving was enough. She grew her flowers and kept to herself, until the day a magic mirror showed her the face of a man who was supposed to be her true love. Les was no stranger to the magic mirror. He knew people who were matched through its power, and knew he would one day see his true love's face staring back at him in the reflection. He never expected his true love to be unhappy to find him. Can Les win her grief-broken heart? And with even the most innocent left lost and alone, can Lily learn to open her heart and accept the new opportunity being offered to her?
Examines four discourses by Kierkegaard, arguing that they play a critical and surprising role in his oeuvre and contribute to the philosophy of figural language. How do texts speak with authority? That is the question at the heart of Kierkegaard’s theory and practice of “indirect communication.” None of Kierkegaard’s texts respond to this question more concisely and powerfully than the four discourses he wrote about the lily in the Gospel. The Lily’s Tongue is a nuanced, sustained reading of these Lily Discourses. Kierkegaard takes the lilies as authoritative, rather than merely “figural” or “metaphorical.” This book is a careful exploration of what Kierkegaard means by this authority. Frances Maughan-Brown demonstrates how Kierkegaard argues that the key is in the act of reading itself—no text can have authority unless the reader grants it that authority because no text can entirely avoid figural language. Texts don’t speak directly; their tongue is always the lily’s tongue. What is revealed in the Lily Discourses is a groundbreaking theory of figure, which requires a renewed reading of Kierkegaard’s major pseudonymous works. “Closely analyzing one of the least known yet most exacting series of texts in Kierkegaard’s authorship, his discourses on ‘the lily in the field and the bird of the air,’ Maughan-Brown breaks apart disciplinary barriers between theology, philosophy, aesthetics, and critical theory, while at the same time showing how Kierkegaard’s discourses can quietly illuminate a constellation of ideas drawn from Plato, Kant, Hegel, Benjamin, and Derrida. Following Kierkegaard’s texts to the letter, Maughan-Brown attends to what his texts do as much as to what they say.” — Peter Fenves, author of The Messianic Reduction: Walter Benjamin and the Shape of Time