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Lily longs for Amelia's Angel Academy to win the trophy for snow sports. But when she sees her worst enemy, Wanda Westbrook, she is worried that Wanda may make mischief as usual. Can Lily beat the rival All Saints Angel School?
Lily is the littlest angel at Amelia's Angel Academy and wants to help the other angels win the Archangel Trophy which is currently held by All Saints Angel School. The contest is snow sports which Lily is not very good at. Lily's nemesis from the Bossy Boots' Boarding House, Wanda Westbrook, is determined to thwart Lily at every stage. However when Wanda gets into difficulty in the last round of the competition Lily goes to her aid and thereby loses points which could have won them the trophy. Lily's good deed does not go unnoticed and the Amelia's Angel Academy wins the trophy. Suggested level: junior, primary.
A New York Times Book Review Notable Book of the Year • A New York Times Book Review Editors' Choice • Winner of the Alex Award and the Massachusetts Book Award • Named a Best Book of the Year by NPR, San Francisco Chronicle, Entertainment Weekly, The Huffington Post, BuzzFeed, Grantland Booklist, St. Louis Post-Dispatch, Shelf Awareness, Book Riot, School Library Journal, Bustle, and Time Our New York The acclaimed debut novel by the author of Little Fires Everywhere and Our Missing Hearts “A taut tale of ever deepening and quickening suspense.” —O, the Oprah Magazine “Explosive . . . Both a propulsive mystery and a profound examination of a mixed-race family.” —Entertainment Weekly “Lydia is dead. But they don’t know this yet.” So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.
"Lily auditions for the choir but then falls sick with spottimonities and is quarantined in the sick bay. Despite the rules all her friends visit her. Then Frumplepuss (cat) goes missing and Lily has an idea where he may have hidden and slips out of bed to look for him. During the chase both Framplepuss and Lily end up in the soapie bubbles of the laundry wash. Needless to say Lily has to get the cat cleaned up for the party and adds a few extra decorations to make him really pretty. The finale is everyone going to the celebration and Lily getting the honour of lighting the candles."--Publisher. Suggested level: junior, primary.
"Even on ordinary days Hannah thought Mr McPherson's second-hand shop was somehow mysterious. But today, being Christmas Eve, it seemed even more so. And as she grasped the wooden doorknob and pushed open the door, she thought she heard the faint jingling of sleigh bells. What is the mystery behind the wee dancer trapped in the crystal ball? Could it be connected to her hunt for a Christmas tree fairy?"--Publisher information. Suggested level: primary.
Agee's colleague at Time in the 1940s, John Hersey, writes a major evaluation of Agee's work and the Agee legend in a new introduction to this literary classic. 64 pages of photos.
A delightful new illustrated series that little girls will love! Lily is the littlest angel at Amelia's Angel Academy, and it's time for her to sit a test to qualify for her wings and a proper place at the academy. However, there is only one place available, and two angels are vying for it. When everything keeps going wrong for Lily, she begins to wonder if the other angel might be sabotaging her ...
Twenty-one writers answer the call for literature that addresses who we are by understanding where we are--where, for each of them, being in some way part of academia. In personal essays, they imaginatively delineate and engage the diverse, occasionally unexpected play of place in shaping them, writers and teachers in varied environments, with unique experiences and distinctive world views, and reconfiguring for them conjunctions of identity and setting, here, there, everywhere, and in between. Contents I Introduction Writing Place, Jennifer Sinor II Here Six Kinds of Rain: Searching for a Place in the Academy, Kathleen Dean Moore and Erin E. Moore The Work the Landscape Calls Us To, Michael Sowder Valley Language, Diana Garcia What I Learned from the Campus Plumber, Charles Bergman M-I-Crooked Letter-Crooked Letter, Katherine Fischer On Frogs, Poems, and Teaching at a Rural Community College, Sean W. Henne III There Levittown Breeds Anarchists Film at 11:00, Kathryn T. Flannery Living in a Transformed Desert, Mitsuye Yamada A More Fortunate Destiny, Jayne Brim Box Imagined Vietnams, Charles Waugh IV Everywhere Teaching on Stolen Ground, Deborah A. Miranda The Blind Teaching the Blind: The Academic as Naturalist, or Not, Robert Michael Pyle Where Are You From? Lee Torda V In Between Going Away to Think, Scott Slovic Fronteriza Consciousness: The Site and Language of the Academy and of Life, Norma Elia Cantu Bones of Summer, Mary Clearman Blew Singing, Speaking, and Seeing a World, Janice M. Gould Making Places Work: Felt Sense, Identity, and Teaching, Jeffrey M. Buchanan VI Coda Running in Place: The Personal at Work, in Motion, on Campus, and in the Neighborhood, Rona Kaufman
The electrifying diaries that are essential reading for anyone moved and fascinated by the life and work of one of America's most acclaimed poets. Sylvia Plath began keeping a diary as a young child. By the time she was at Smith College, when this book begins, she had settled into a nearly daily routine with her journal, which was also a sourcebook for her writing. Plath once called her journal her “Sargasso,” her repository of imagination, “a litany of dreams, directives, and imperatives,” and in fact these pages contain the germs of most of her work. Plath’s ambitions as a writer were urgent and ultimately all-consuming, requiring of her a heat, a fantastic chaos, even a violence that burned straight through her. The intensity of this struggle is rendered in her journal with an unsparing clarity, revealing both the frequent desperation of her situation and the bravery with which she faced down her demons.