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At first, all Lily Austin knows about 19th–century explorer Mary Kingsley is that, 100 years before, she was the first white woman to venture into the heart of Africa. But as Lily begins reading about Mary Kingsley, she becomes more and more fascinated – and discovers in Mary a kindred spirit. In her own life, Lily feels trapped – on the one hand, she craves family and intimate connection; on the other hand, she has no healthy or satisfying role models. Consequently, as she nears graduation from the University of Virginia, she finds herself uncertain about what to do with her life. As she researches Mary's life – she has begun writing a play about her – Lily comes to witness Mary's incredible bravery and startling originality, qualities that prove inspirational to Lily, whose own bravery is required as she attempts to navigate dysfunctional and destructive relationships with her young husband, her extended family – and a legacy of abuse dating back to her childhood.
Real families aren't always the ones you know about... A Family Affair is where it all began...Heartache, Betrayal, Forgiveness, Redemption...all wrapped up in the people you will love to love, and those you will love to hate! When Christine Blacksworth’s larger-than-life father is killed on an icy road in Magdalena, New York, a hundred miles from the “getaway” cabin he visited every month, she discovers a secret that threatens everything she’s always held to be true. Her father has another family that includes a mistress and a daughter. Determined to uncover the truth behind her father’s secret life, Christine heads to Magdalena, prepared to hate the people who have caused her to question everything she thought she knew about her father. But what she finds is a woman who understands her, a half sister who cherishes her, and a man who could love her if she’ll let him. The longer she’s around them, the more she questions which family is the real one. Truth In Lies Series: Book One: A Family Affair Book Two: A Family Affair: Spring Book Three: A Family Affair: Summer Book Four: A Family Affair: Fall Book Five: A Family Affair: Christmas, a novella Book Six: A Family Affair: Winter Book Seven: A Family Affair: The Promise Book Eight: A Family Affair: The Secret Book Nine: A Family Affair: The Wish Book Ten: A Family Affair: The Gift Book Eleven: A Family Affair: The Weddings, a novella Book Twelve: A Family Affair: The Cabin, a novella Book Thirteen: A Family Affair: The Return Book Fourteen: A Family Affair: The Choice Book Fifteen: A Family Affair: The Proposal Book Sixteen: A Family Affair: Bonus Scenes Book Seventeen: A Family Affair: The Homecoming Book Eighteen: A Family Affair: The Decision Meals From Magdelena A Family Affair Cookbook BONUS: An Excerpt from A Family Affair Spring, Book Two at the end of this book. Attention Book Clubs! Click here for a Book Club Discussion Guide for A Family Affair. This story is filled with moral ambiguity, difficult choices, and second chances—all great topics for conversation and contemplation.
"Young playwrights don't come much hotter than Phyllis Nagy" (Daily Telegraph) Includes her three Royal Court -performed plays Weldon Rising "Here is the best new play I have seen in many months...This play is exciting because it is well written, unusually constructed and morally serious." (Financial Times); in Butterfly Kiss "Nagy captures the texture of a life and writes short, vivid, often disturbingly erotic scenes...it's a play that leaves me proclaiming Nagy a writer of real talent" (Guardian), Disappeared (winner of the Mobil Prize,1995) "A piece that gets right under your skin...There's no neat solution to Nagy's conundrum, just a fog of fear, despair, and most remarkably of all, a final mirage of escape. Spine-tingling stuff" (Daily Telegraph) The Strip, "kaleidoscopic and hugely accomplished dissection of fate, love and chance" (Independent) "Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)
It began in the 1800s. In the Texas town of Mineral Wells, people drinking the strange-tasting water claimed to be cured of insanity, rheumatism, and terminal illness. Discovery of the phenomenon beguiled thousands of tourists, curiosity seekers, and the afflicted who desperately sought cures. Yet, the town that promoted its “crazy water” attracted eccentric citizens, including wealthy Will and Anna Johnson, who, unable to cope with the deaths of their children, spared no expense in preserving the bodies for entombment in a mausoleum; paperclip inventor David Galbraith, the builder of a house in the shape of a honeycomb; and influential mortician Bob Beetham, who gained power by keeping the town’s secrets. In Texas Gothic, author James Pylant also uncovers the mysterious life of beautiful and ambitious Mineral Wells resident Corinne Griffith. After becoming a famous star of the silent screen and one of America’s richest women, she made a shocking courtroom claim that she was not the “real” Corinne Griffith. Under the looming 14-story Baker Hotel, Mineral Wells thrived with visits from movie stars; yet, the “crazy water” beckoned exploiters and predators. Texas Gothic reveals true tales of the town’s forgotten past: murder, white slavery, prostitution, and mysterious deaths.
A Special Relationship provides not only a historical overview of the British in Hollywood, but also a detailed study of the contributions made by American individuals and companies to British cinema from the beginning of the twentieth century onwards. The story begins with Ohio-born Charles Urban who came to London in 1898 and deserves credit for major involvement in the creation of a British film industry. While Ireland was still a part of Britain, the New York-based Kalem Company made films there from 1910 to 1913. British producers realized the importance of American stars, and many actors, beginning with Florence Turner (who was arguably also the first American star), made numerous British films. In the 1920s, such Hollywood stars as Mae Marsh, Betty Blythe, and Dorothy Gish remained active in Britain. In the 1930s, as their careers came to a halt, more than one hundred former American stars made the trip to England, partly as a vacation and partly in the hope of reenergizing their careers. Chapters discuss American cinematographers at work in Britain in the 1920s and 1930s and the introduction of Technicolor to British films. Diversity is represented by African American performers (most notably Paul Robeson), the Chinese American star Anna May Wong, along with female filmmakers from Hollywood. With Britain's declaration of war on Germany, there were Americans who stayed, such as Bebe Daniels and Ben Lyon, contributing to the war effort. America became actively involved in British cinema after World War II, with many Hollywood studios producing films there. As the years progressed, the British film industry became an international film industry. The book concludes with the Harry Potter and James Bond series, indicative of a new international cinema, with financing and behind-the-camera talent coming from the United States, but with British locales and British stars.