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Lilith's Reflection explores the concept of possibilities rather than facts. If facts dominate most of our daily thinking, we'd leave out possibilities that might exist in our lives-the unseen from other dimensions that intercept our paths of life. Things or events exist for a reason, and there is more than one way to look into every situation. Lilith was introduced as an orphan and a tragic victim who was abandoned by her psychopathic father at the age of six. She was mentally not well, she thought at first. Now she realized her condition has never been that simple. Her illness wasn't strong enough to poison her mind, but something else was. Her mental illness was just the image she portrayed to others, but her true self was far beyond her sickness. Love, in this novel, is represented in an unnoticeable and unusual way rather than in a traditional way. There is no such thing as the "correct" or the "wrong" way of loving someone. Love could be in holiness, or love could be in such sinfulness, but love is love. Lilith, after countless struggles with her search for true love, she had found not only her greatest love of all, but also her "true" soul mate, not for one life, but for eternity. Author Brigitte Wynn Karey is a lover of words. The author expresses her thoughts not only to her audiences but also to herself. Her ability to use words to express her thoughts creatively in her own way was excellent. The imagination created in this book would let the audiences enjoy their mental imaginary visions as well as to open up the possibilities that they might have missed out.
At the same time that 1970s feminist psychoanalytic theorists like Jean Baker Miller and Nancy Chodorow were challenging earlier models that assumed the masculine psyche as the norm for human development and mental/emotional health, writers such as Anne Sexton, Olga Broumass, and Angela Carter were embarked on their own revisionist project to breathe new life into fairy tales and classical myths based on traditional gender roles. Similarly, in the 1990s, second-wave feminist clinicians continued the work begun by Chodorow and Miller, while writers of fantasy that include Terry Windling, Tanith Lee, Terry Pratchett, and Catherynne M. Valente took their inspiration from revisionist authors of the 1970s. As Schanoes shows, these two decades were both particularly fruitful eras for artists and psychoanalytic theorists concerned with issues related to the development of women's sense of self. Putting aside the limitations of both strains of feminist psychoanalytic theory, their influence is undeniable. Schanoes's book posits a new model for understanding both feminist psychoanalytic theory and feminist retellings, one that emphasizes the interdependence of theory and art and challenges the notion that literary revision involves a masculinist struggle with the writer's artistic forbearers.
The creation of man and woman.., where we being told the truth? Was the first book of Genesis edited so we wouldn't know the truth of our being? Or was it done because women weren't suppose to be stronger than a man? Lilith, the first wife to Adam and the story lost to time.
In Discworld, unlike our own frustrating Roundworld, everything makes sense. The world is held up by elephants standing on the back of a swimming turtle who knows where he’s going, the sun goes round the world every day, so it doesn’t have to be very hot, and things always happen because someone intends them to happen. Millions of fans are addicted to Pratchett’s Discworld, and the interest has only intensified since Pratchett’s recent death and the release of his final Discworld novel, The Shepherd’s Crown, in September 2015. The philosophical riches of Discworld are inexhaustible, yet the brave explorers of Discworld and Philosophy cover a lot of ground. From discussion of Moist von Lipwig’s con artistry showing the essential con of the financial system, to the examination of everyone’s favorite Discworld character, the murderous luggage, to the lawless Mac Nac Feegles and what they tell us about civil government, to the character Death as he appears in several Discworld novels, Discworld and Philosophy gives us an in-depth treatment of Pratchett’s magical universe. Other chapters look at the power of Discworld’s witches, the moral viewpoint of the golems, how William de Worde’s newspaper illuminates the issue of censorship, how fate and luck interact to shape our lives, and why the more simple and straightforward Discworld characters are so much better at seeing the truth than those with enormous intellects but little common sense.
Lilith is the mythological seductress that has been repressed since Biblical times. She is the representative of the essentially motherless form of the feminine Self that arose as an embodiment of the neglected and rejected aspects of the Great Goddess. Written by a Jungian analyst, this material can help modern men and women come to terms with this aspect of the feminine within.
"A novel in which a mystic named El Rami, a practitioner of the arts of healing drawn from the occult science of the ancient Egyptians, attempts to control and dominate the soul of a dead girl. El Rami travels from London to Syria where he meets a caravan in the desert with two ailing women in need of care and attention. He agrees to help, and he restores one, an old women, to health. The other, a young orphan girl called Lilith, succumbs to her illness and dies. El Rami practices his mysterious arts on Lilith in an attempt to demonstrate the existence of life after death. He administers an elixir that brings her body back to life, and returns to London with the breathing corpse of Lilith. He hides her in a room in his mansion for six years, and summoning all his powers succeeds in being able to summon her soul back to her body at will. The head of the Brotherhood of the Holy Cross of which El Rami was a member, Heliobas, arrives. Readers know him from The Romance of Two Worlds and Ardath. Heliobas is alarmed by El Rami's experiments, and tells him that he must release the girl and allow her to die. But El Rami is obsessed with the beautiful Lilith, and intends on making her his soulmate. Despite Lilith's pleas and warnings, as El Rami kisses her she crumbles to ashes in from of him. When El Rami recovers himself, he is taken to the Brotherhood's monastery in Cyprus, a mental wreck."--Synopsis from MarieCorelli.org.uk
There is, perhaps, no more powerful archetype of female resistance than Lilith. As women across the globe rise up against the patriarchy, Lilith stands beside them, misogyny's original challenger. This anthology--a chorus of voices hitting chords of defiance, liberation, anger and joy--reclaims the goodness of women bold enough to hold tight to their essence. Through poetry, prose, incantation, prayer and imagery, women from all walks of life invite you to join them in the revolutionary act of claiming their place--of reclaiming themselves.
This guide is a collection of engaging and provocative capsule reviews of films across the spectrum of cinema history, from Russian silent movies to American comedies, classic documentaries to Japanese anime, and beyond.