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Kate Grenville’s debut novel, complete with a special new introduction, is now available as a Text Classic. A must-read for fans of one of Australia’s most prominent writers.
Fate has brought them together. But will it also keep them apart? Having moved to a strange town, seventeen-year-old Joey Gray is feeling a little lost, until she meets a cute, mysterious boy near her new home. But there’s a very good reason why Tristan Halloway is always to be found roaming in the local graveyard... Perfect for fans of Stephenie Meyer and Lauren Kate, The Lost Boys is a magical, romantic tale of girl meets ghost.
This riveting nonfiction picture book biography explores both the failures and successes of self-taught engineer Emma Lilian Todd as she tackles one of the greatest challenges of the early 1900s: designing an airplane. Emma Lilian Todd's mind was always soaring--she loved to solve problems. Lilian tinkered and fiddled with all sorts of objects, turning dreams into useful inventions. As a child, she took apart and reassembled clocks to figure out how they worked. As an adult, typing up patents at the U.S. Patent Office, Lilian built the inventions in her mind, including many designs for flying machines. However, they all seemed too impractical. Lilian knew she could design one that worked. She took inspiration from both nature and her many failures, driving herself to perfect the design that would eventually successfully fly. Illustrator Tracy Subisak's art brings to life author Kirsten W. Larson's story of this little-known but important engineer.
Lillian's life spans the 20th century. Born in Suffolk in 1900, in service at the age of twelve, her life is greatly changed by the First World War, and even more by World War Two. These experiences colour the rest of her long life. The Great Depression, post-war austerity, the assassination of Kennedy, Neil Armstrong's walk on the moon, the miners' strike and the death of Princess Diana are amongst the cultural and political events of this turbulent century which are recorded through their effect on the lives of Lillian and her beloved family.
Kate Grenville’s debut novel, complete with a special new introduction, is now available as a Text Classic. A must-read for fans of one of Australia’s most prominent writers.
An elderly African American woman, en route to vote, remembers her family’s tumultuous voting history in this picture book publishing in time for the fiftieth anniversary of the Voting Rights Act of 1965. As Lillian, a one-hundred-year-old African American woman, makes a “long haul up a steep hill” to her polling place, she sees more than trees and sky—she sees her family’s history. She sees the passage of the Fifteenth Amendment and her great-grandfather voting for the first time. She sees her parents trying to register to vote. And she sees herself marching in a protest from Selma to Montgomery. Veteran bestselling picture-book author Jonah Winter and Coretta Scott King Illustrator Award winner Shane W. Evans vividly recall America’s battle for civil rights in this lyrical, poignant account of one woman’s fierce determination to make it up the hill and make her voice heard. "Moving.... Stirs up a potent mixture of grief, anger, and pride at the history of black people’s fight for access to the ballot box." —The New York Times "A much-needed picture book that will enlighten a new generation about battles won and a timely call to uphold these victories in the present." —Kirkus Reviews, Starred "A valuable introduction to and overview of the civil rights movement." —Publishers Weekly, Starred "An important book that will give you goose bumps." —Booklist, Starred
The first new novel in almost ten years from award-winning, best-selling author Kate Grenville.
NOW A NATIONAL INDIE BESTSELLER A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop. “In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street...” She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid advertising woman in the country. It was a job that, she says, “in some ways saved my life, and in other ways ruined it.” Now it’s the last night of 1984 and Lillian, 85 years old but just as sharp and savvy as ever, is on her way to a party. It’s chilly enough out for her mink coat and Manhattan is grittier now—her son keeps warning her about a subway vigilante on the prowl—but the quick-tongued poetess has never been one to scare easily. On a walk that takes her over 10 miles around the city, she meets bartenders, bodega clerks, security guards, criminals, children, parents, and parents-to-be, while reviewing a life of excitement and adversity, passion and heartbreak, illuminating all the ways New York has changed—and has not. Lillian figures she might as well take her time. For now, after all, the night is still young. “Transporting...witty, poignant and sparkling.” —People (People Picks Book of the Week)
Helga Sandburg is the youngest daughter of Carl Sandburg and his remarkable wife, Lilian Steichen. Her uncle was the great photographer Edward Steichen. Like so many other Americans today, she sought the story of her origins and inheritance, of the grandparents who were immigrants from Sweden and Luxembourg. This is the story of a daughter's search into her past, a story of beginnings and ends, of doubts and joys. It is the account of a great and glorious romance that flowered over the years and survives in this book.
A classic look at Hollywood and the American film industry by The New Yorker's Lillian Ross, and named one of the "Top 100 Works of U.S. Journalism of the Twentieth Century." Lillian Ross worked at The New Yorker for more than half a century, and might be described not only as an outstanding practitioner of modern long-form journalism but also as one of its inventors. Picture, originally published in 1952, is her most celebrated piece of reportage, a closely observed and completely absorbing story of how studio politics and misguided commercialism turn a promising movie into an all-around disaster. The charismatic and hard-bitten director and actor John Huston is at the center of the book, determined to make Stephen Crane’s The Red Badge of Courage—one of the great and defining works of American literature, the first modern war novel, a book whose vivid imagistic style invites the description of cinematic—into a movie that is worthy of it. At first all goes well, as Huston shoots and puts together a two-hour film that is, he feels, the best he’s ever made. Then the studio bosses step in and the audience previews begin, conferences are held, and the movie is taken out of Huston’s hands, cut down by a third, and finally released—with results that please no one and certainly not the public: It was an expensive flop. In Picture, which Charlie Chaplin aptly described as “brilliant and sagacious,” Ross is a gadfly on the wall taking note of the operations of a system designed to crank out mediocrity.