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For over twenty years Liliane Tomasko has explored the themes of dreams, sleep, and the unconscious. This book follows the development of her work as a painter. It begins with figurative works in oil on canvas in which she captures the material qualities of unmade beds, piles of clothes, and other melancholy still lifes and somber interiors. It then traces the gradual dissolution of these initial motifs and the emergence of her abstract paintings in which intertwined lines and layers of color are woven into visual structures and materialized as emotions that allow us to look deep into our innermost being.
Each volume in the MFA Spotlight series illuminates a significant work in the collection of the Museum of Fine Arts, Boston, offering a brief and engaging introduction to its creation and history.0The life of Paul Gauguin is one of the richest and most mythic in the history of Western art. Abandoning a career in banking, a family, and his homeland, in the last decade of the nineteenth century he sailed from France to the South Seas to seek a life ‘in ecstasy, in peace, and for art’. During his years in Tahiti, although beset by sometimes appalling poverty, illness, and despair, Gauguin brought forth a wealth of astonishing and deeply felt paintings, culminating in this monumental meditation on what he called the ‘ever-present riddle’ of human existence posed in the work’s title. This compact introduction to Gauguin’s masterpiece explores its relation to European models as well as to the artist’s own companion pieces, emphasizing not only that the painting responded to current French art but also that its creator always intended it to find its ultimate audience in Paris. It also provides an enlightening entry into the work’s formal composition and complex symbolism, drawing on Gauguin’s writings to help explore the philosophical and personal struggles that led to the creation of this endlessly mysterious, profoundly beautiful work.
A collecton of brief biographies of individuals from the United States, Mexico, and Canada.
The Mitte district of Berlin is marked by numerous reconstructions of buildings, one of which is the newly erected Humboldt Forum. Daniel Theiler has investigated this quarter's cultural history and sociocultural context, while examining the manifestations of hierarchical power politics. This has resulted in a series of works by the artist/architect on the reconstruction of the Berlin Castle, which plays a major role in this volume, entering into a dialogue with interdisciplinary essays on the current debates about reconstruction. This first comprehensive catalogue of the artist's work compiles pieces from the last five years. Featuring a conversation between Natalie Keppler and Daniel Theiler, as well as essays by Ortrun Bargholz, Bertolt Meyer, Constanze Müller, Elke Neumann, Juliane Richter, Johannes Warda, Elisabeth Würzl, and a foreword by Anke Hannemann. DANIEL THEILER (*1981) is a German-Turkish artist and architect. He was a graduate student under Nina Fischer at the University of the Arts Berlin and studied architecture at the TU Berlin, the ETH Zurich, and the University of Strathclyde in Glasgow.
An extensive, accessible guide to the most groundbreaking and influential art from 1989 to the present The years since the collapse of the Berlin Wall in November 1989 have seen the rise of a new freedom to define art—Who makes it? Where can it be found? What is its commercial value?—and, consequently, the reevaluation of art’s place in society. Kelly Grovier surveys the dynamic developments in art practice worldwide since 1989, focusing on artists whose fresh visual vocabulary and innovation reflect these past turbulent decades. The book’s ten chapters examine the key themes in contemporary art—portraiture in the age of face transplants and facial recognition software, political activism, science, and religion, to name a few—by artists including Jeff Koons, Louise Bourgeois, Damien Hirst, George Condo, Marlene Dumas, Sean Scully, Cindy Sherman, Banksy, Ai Weiwei, Antony Gormley, Christo and Jean-Claude, Jenny Holzer, Chuck Close, and Cornelia Parker. A chapter-length timeline at the end of the book traces the evolution of art from 1989 to today by closely examining one key artwork from each year. Illustrated with the work of over 200 key artists, Art Since 1989 is a lucid and engaging look at what may prove to be one of the more tempestuous eras in human history, if not the history of art.
"An exhibition catalog for Sean Scully's Landline"--
"Can a sculpture be a river? Can contemporary art unite conflicting systems of belief? Do other species appreciate culture? And can public art revive communities and ecosystems? Cristina Iglesias' horizontal fountains, submerged rooms and tropical mazes bring together language, architecture and botany to create immersive spaces of contemplation. In this publication an international roster of curators, art critics, philosophers, architects and scientists discuss the social and ecological potential of art in urban and rural space. Spanish artist CRISTINA IGLESIAS (*1956) creates profound spaces of the imagination. Renowned for her sculptures woven, cast or constructed from metal, wood and alabaster, Iglesias also creates outdoor structures and installations using water. Her work can be found in inner cities or remote islands, as a site of pilgrimage for humans or as a habitat for animals."--Page 4 de la couverture
Jan-Ole Schiemann (*1983) belongs to a young artist generation, subjecting painting to a critical actualisation. On the fringes of figuration and abstraction, he extracts fragments of advertisement, comics, architecture from their original context. Almost transparently, he interweaves and layers structures, logos, topographies, graffiti, and everyday textures. This complex surface mesh, always full frontal, yet equally deep, dissolves the fabric of reality as a flashing, constantly renewed and self-generating hyper-text, into which one can actively immerse oneself or trace the origins of individual elements. Exhibition: Nino Mier Gallery, Los Angeles, USA (15.02.-13.03.2020).
Text by Norman Rosenthal, Maria Baibakova.
This catalogue presents the artwork of three fictitious Russian artists, all inventions of Ilya Kabakov, and intervviews of Ilya Kabakov.