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In the third book in the Rosewood Chronicles return to a world that effortlessly combines the charm of The Princess Diaries and the immersive magic of Harry Potter. Ellie is a rebellious princess hiding her real identity. Lottie is her Portman, acting as the princess for the public to shield Ellie from scrutiny. Jamie is Ellie's Partizan, a lifelong bodyguard sworn to protect the princess at any cost. Together they are attempting to stay safe from Leviathan, a group determined to take the princess for unknown reasons. When Leviathan force them to travel to their beloved Rosewood Hall's sister school in Japan, the threesome find that nowhere is beyond Leviathan's long reach. The only solace they find is a secret band of students called Banshee who are fighting against the evil organisation's hold. But when long-buried secrets are uncovered, the lives of Lottie, Ellie and Jamie will never be the same again...
At fourteen, Liliana Velásquez walked out of her village in Guatemala and headed for the U.S. border, alone. On her two-thousand-mile voyage she was robbed by narcos, rode the boxcars of La Bestia, and encountered death in the Sonoran Desert.
A polyvocal memoir chronicling the experiences of one Jewish family in fascist Italy, as reconstructed from diaries and interviews by a young cousin.
Children in the Holocaust and World War II is an extraordinary, unprecedented anthology of diaries written by children all across Nazi-occupied Europe and in England. Twenty-three young people, ages ten through eighteen, recount in vivid detail the horrors they lived through. As powerful as The Diary of Anne Frank and Zlata's Diary, children's experiences are written with an unguarded eloquence that belies their years. Some of the diarists include: a Hungarian girl, selected by Mengele to be put in a line of prisoners who were tortured and murdered; a Danish Christian boy executed by the Nazis for his partisan work; and a twelve-year-old Dutch boy who lived through the Blitzkrieg in Rotterdam. And many others. These heartbreaking stories paint a harrowing picture of a genocide that will never be forgotten, and a war that shaped many generations to follow. All of their voices and visions ennoble us all.
On a hot June day, Liliana, a brilliant, young woman of Native American, Hispanic and Anglo-Saxon heritage is irresistibly drawn to a cowboy despondently leaning on his truck on the side of the highway as she drives home to Grants. "Reflections of Love and Loathing" takes place in New Mexico, where Liliana loses her loving parents when she is five. Secret resources enable her abusive, alcoholic grandmother, Carla, to keep her; so Liliana is forced to live with the persistent stalking of a serial pedophile, Joe, who is her great-grandfather. When Terry sees her recklessly cross the highway to come to his aid, he begins the wild ride into Liliana's life. After meeting Carla and Joe, he has his doubts about being with Liliana, but soon he realizes that love binds him to her. After driving Terry to his destination in Texas, Liliana learns that Carla has accused her of killing Joe and flees in panic. She wakes to find herself broken and alone; her truck wrecked in a deep arroyo. Only her love for Terry gives her the strength to fight for survival in the flashflood that threatens to finish her off and only Terry's mysterious link to her allows him to find and rescue her. While she lies broken in the hospital, Terry learns of the perversions and misuse of power that maintained multigenerational sexual abuse that destroyed the lives of three generations of women and dominated Liliana's life with Carla. Then begins Liliana's true challenge. As her body heals, she will have to rise above the emotional damage caused by Carla and the nightmare mirror image of Joe that tempts her to drive Terry away rather than face her fears and believe that she is worthy of Terry's love. The most difficult challenge of all.
Displaced Memories analyzes the representation of traumatic memories--political imprisonment, torture, survival, and exile--in the literary works of Alicia Kozameh, Alicia Partnoy, and Nora Strejilevich, survivors of Argentina's "Dirty War" (1976-1983). Beginning with an examination of the history of Argentina's last dictatorship, the conditions that led the authors to exile, and the contexts in which the texts were published, Portela provides the theoretical tools for the understanding of narratives of trauma and displacement caused by political violence. The author proposes a theory that critiques post-structuralist paradigms of trauma, which present trauma as an unclaimed experience impossible to apprehend, as she argues for an analysis of the symbolic uses of language, presenting trauma as a claimed experience that can be brought into representation and therefore create the conditions of possibility for working through.
PULITZER PRIZE WINNER • NATIONAL BOOK AWARD FINALIST • A NEW YORK TIMES NOTABLE BOOK • “A searing account of grief and the quest to bring her sister’s murderer to justice years after the fact” (The Boston Globe), from “one of Mexico’s greatest living writers” (Jonathan Lethem). “Part memoir, part true-crime story, Garza’s chronicle is both personal and political.”—The Washington Post A BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, Time, Chicago Public Library, She Reads, Electric Lit October 18, 2019. Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. “My name is Cristina Rivera Garza,” she writes in her request to the attorney general, “and I am writing to you as a relative of Liliana Rivera Garza, who was murdered on July 16, 1990.” It’s been twenty-nine years. Twenty-nine years, three months, and two days since Liliana was murdered by an abusive ex-boyfriend. Inspired by feminist movements across the world and enraged by the global epidemic of femicide and intimate partner violence, Cristina embarks on a path toward justice. Liliana’s Invincible Summer is the account—and the outcome—of that quest . In luminous, poetic prose, Rivera Garza tells a singular yet universally resonant story: Liliana is a spirited, wondrously hopeful young woman who tried to survive in a world of increasingly normalized gendered violence. Rivera Garza traces her sister’s history, depicting everything from Liliana’s early romance with a handsome but possessive and short-tempered man to that exhilarating final summer of 1990 when she loved, thought, and traveled more widely and freely than she ever had before. Using her skills as an acclaimed scholar, novelist, and poet, Rivera Garza collected and curated evidence—handwritten letters, police reports, school notebooks, interviews with Liliana’s loved ones—to document her sister’s life. Through this remarkable and genre-defying memoir, she confronts the trauma of losing her sister and examines how this tragedy continues to shape who she is—and what she fights for—today.
This volume contains writings of or about war from the following authors : Nina Macdonald, Rebecca West, Vera Brittain, Edith Wharton, Mary Borden, Ellen La Motte, Colette, Helen Zenna Smith, Dorothy Canfield Fisher, Amy Lowell, Willa Cather, Mary Lee, Elizabeth Shepley Sergeant, Gertrude Stein, Kathe Kollwitz, Charlotte Mew, Katherine Mansfield, Louise Bogan, Toni Morrison, Jane Addams, Emmeline Pethick-Lawrence, Edna St. Vincent Millay, Martha Gellhorn, Frances Davis, Dorothy Parker, Gertrud Kolmar, Virginia Woolf, Dorothy Thompson, Ding Ling, Anna Akhmatova, Olivia Manning, Elizabeth Bowen, Bryher, H.D., Mary Lee Settle, Elizabeth Vaughan, Iris Origo, Christabel Bielenberg, Etty Hillesum, Sara Nomberg-Przytyk, Charlotte Delbo, Elsa Morante, Mitsuye Yamada, Hirabayashi Taiko, Kikue Tada, Doris Lessing, Kathryn Hulme, Kay Boyle, Gwendolyn Brooks, Marguerite Higgins, Martha Gelhorn, Mary McCarthy, Grace Paley, Huong Tram, Lady Borton, Margaret Atwood, Muriel Rukeyser, Susan Griffin, Karla Ramirez, Margaret Thatcher, Molly Moore, Fadwa Tuqan, Dahlia Ravikovitch, Meena Alexander, Marta Traba, Lina Magaia, and Margaret Drabble.