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In this fresh, outspoken novel about contemporary relationships and the rules that guide (and misguide) them, Sheneska Jackson's "jazzy voice sounds smoother and sweeter than ever" ("Newsday").
The Cambridge Companion to African American Women's Literature covers a period dating back to the eighteenth century. These specially commissioned essays highlight the artistry, complexity and diversity of a literary tradition that ranges from Lucy Terry to Toni Morrison. A wide range of topics are addressed, from the Harlem Renaissance to the Black Arts Movement, and from the performing arts to popular fiction. Together, the essays provide an invaluable guide to a rich, complex tradition of women writers in conversation with each other as they critique American society and influence American letters. Accessible and vibrant, with the needs of undergraduate students in mind, this Companion will be of great interest to anybody who wishes to gain a deeper understanding of this important and vital area of American literature.
This book examines the various psychosocial and sexual ordeals of African American people living with HIV or AIDS (PLWH/PLWAs) as depicted in African American literary narratives dealing with HIV/AIDS published from 1980 to 2010. Central to these texts are the psychosocial and sexual challenges faced by the African American PLWH/PLWAs and the various adaptive strategies they choose to come to terms with their HIV/AIDS identity. Although PLWH/PLWAs irrespective of race confront these brutal realities, the intersection of a mythologized black sexuality, homophobia and intra-community marginalization places African American PLWH/PLWAs in an unenviable position. While abjection and social death rupture the social self of PLWH/PLWAs, the ostracization they suffer as a result of their diagnosis affects their sexual self, leading to sexual death. In addition to illustrating the social and sexual issues of PLWH/PLWAs in relation to race, sexuality and gender, the African American HIV/AIDS literary narratives studied here also foreground various coping strategies conscripted by PLWH/PLWAs to surmount the onerous psychosocial and sexual challenges they face. In view of the above concerns, this study analyses social death, sexual death and coping in relation to HIV/AIDS at three levels, namely the intersection of blackness, sexuality and HIV/AIDS; the impact of such an intersection on the sexual life of black PLWH/PLWAs; and, finally, the envisioned coping strategies for affirmative survival. This book offers insightful critical analysis of HIV/AIDS literary narratives by celebrated authors such as Samuel R. Delany, Cheryl L. West, Essex Hemphill, Michael B. Hunter, Steven Corbin, Charlotte Watson Sherman, Sapphire, Pearl Cleage, Sheneshka Jackson, Gil R. Robertson, and Marvelyn Brown.
Braelyn Townsend is a twenty-four-year-old Graphic Designer for her dad’s business. She seems to have her head on straight and knows exactly what she wants out of life. That is until she finds out her mother is sick and has to drop everything to go be with her. Braelyn struggles at first with being in a different state, but that doesn’t last long thanks to a pretty persistent new guy. His vibe is off to her for some reason and she can’t seem to figure out why. She tries to keep her distance, but eventually, he manages to win her over anyway. Just as she’s starting to fall for this new guy, she finds out a secret so big that all she wants to do is leave the state because if she doesn’t, she just may kill him. Augustus Brown is a twenty-four-year-old street boss. He’s all about stacking his money and staying out of the way. He has a troubled past and he tries his best to forget it. The only thing is the person he works the closest with is a daily reminder of his past. His past haunts him so bad that the only thing he can do to keep his mind off of it is to focus on his money. That is until he meets Braelyn. Braelyn is a whole new distraction that he never knew he needed. He hasn’t felt so connected and drawn to anyone in years. Little does he know, the reason he feels so connected to her is her connection to his past, and their connection just may be deadly. Can Augustus and Braelyn’s love for one another surpass Augustus’s big secret? Or is his secret so big that it awakens the savage within her?
Four women--Patricia, Zuma, Faye, and Sandy--search for happiness in their daily lives as they struggle with such difficult issues as adoption, infertility, abortion, child discipline, and female bonding.
Presents an alphabetical reference guide detailing the lives and works of authors associated with the English-language fiction of the twentieth and twenty-first centuries.
In book two of Steel MC Montana Charter: Pete ‘Cass’ Coe, is a guy who doesn’t settle for just one woman, which earned him the road name 'Cass' short for Casanova. Newly patched into the Steel MC Montana Chapter, he's learning to fit in and become truly a part of the MC world. Amelia Green, four months pregnant and fearful of her live-in boyfriend, Roger, ends up in the hospital with a broken leg. Additional complications have her in the ICU where fearing for her children's safety, she confides to a nurse about the violence Roger bestowed upon her. After the Steel MC is contacted regarding Amelia, they head out for a long trip to bring Amelia back to the ranch to see to her healing. During the trip back to the ranch, Cass finds himself drawn to the injured woman. Nicknaming her 'Lil’ Mama,' he finds himself her primary protector. For Amelia, having a man who allows her to make mistakes and call her beautiful on her worst day, dares the soon to be mother the right to dream of a place for herself and children. Cass knows the women they are set to save are damaged and need time to heal. Consequences be damned, though, he wants to fight for her. What happens when Amelia, like all the other women, is required to leave and never return to the MC once they’re healed? Will Cass be able to let her go?
Being a single mother is hard and no one knows this better than Lisa Jackson, a mother of a hyper-active 7 year old who's trying desperately to raise him to be a gentleman all while doing everything in her power to exclude his no good, cheating father from his life. Follow the lives of Lisa, Leslie and LJ as they learn the hard way that the "Co" in co-parenting stands for "cooperation".
Ja'ziya (JuJu) has blood on her hands. At least the law says so. After her best friend Tiki and Aunt Tae are "knocked off" police apprehend Ja'ziya for both murders. But her Eastside Crazy Crew cohorts Dirty E and ReRe know different. They suspect their sworn enemy Lil Man is behind the takedown of their associate. Lil Man wants to destroy the ECC and everyone connected to them. Even going so far as to employ the services of corrupt cops. Now with Ja'ziya's trial looming Lil Man's testimony could put her away for life. But not if Dirty E and ReRe find him first. Nor are they the only ones hunting for Lil Man. So is local gangster Young Meech. Who's seen those closest to him snuffed out at the hands of Lil Man. Meech wants to return the favor before he kills Lil Man, personally. But his vengeance is delayed when tragedy hits close to home, forcing Meech to choose between doing the right thing... and taking his pound of flesh. One thing however is certain, before all the players involved can move forward Lil Man... must die.