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Like Memory, Caverns is an elegiac book, mourning losses from the personal to the planetary. Though personal in tone, these graceful, meditative poems reach insistently outward to the natural and social worlds, moving beyond today's confessionalism. In fact, the self keeps disappearing, as the world as it is seen seems to replace the seer. This poetry explores the tenuousness of each individual moment while affirming a necessary--if difficult--existence of the free spirit. Elizabeth Dodd writes a remarkably musical free verse, with her eye kept focused on the tangible significant detail of natural imagery.
Like Memory, Caverns is an elegiac book, mourning losses from the personal to the planetary. Though personal in tone, these graceful, meditative poems reach insistently outward to the natural and social worlds, moving beyond today's confessionalism. In fact, the self keeps disappearing, as the world as it is seen seems to replace the seer. This poetry explores the tenuousness of each individual moment while affirming a necessary--if difficult--existence of the free spirit. Elizabeth Dodd writes a remarkably musical free verse, with her eye kept focused on the tangible significant detail of natural imagery.
"Borneo : memory of the caves" is the account of an extraordinary adventure, told by the protagonists who made the exceptional discovery of the rock art murals of Kalimantan which are over ten thousand years old. Their findings shed new light on how populations developed between Southeast Asia and Australia.
“Hieroglyphics is a novel that tugs at the deepest places of the human soul—a beautiful, heart-piercing meditation on life and death and the marks we leave on this world. It is the work of a wonderful writer at her finest and most profound.” —Jessica Shattuck, author of The Women in the Castle After many years in Boston, Lil and Frank have retired to North Carolina. The two of them married young, having bonded over how they both—suddenly, tragically—lost a parent when they were children. Now, Lil has become deter­mined to leave a history for their own kids. She sifts through letters and notes and diary entries, uncovering old stories—and perhaps revealing more secrets than Frank wants their children to know. Meanwhile, Frank has become obsessed with the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is now raising her son. For Shelley, Frank’s repeated visits begin to trigger memories of her own family, memories that she’d hoped to keep buried. Because, after all, not all parents are ones you wish to remember. Empathetic and profound, this novel from master storyteller Jill McCorkle deconstructs and reconstructs what it means to be a father or a mother, and to be a child trying to know your parents—a child learning to make sense of the hieroglyphics of history and memory.
In The Veiled Mirror and the Woman Poet, Elizabeth Dodd explores the lives and work of four women poets of the twentieth century - H. D., Louise Bogan, Elizabeth Bishop, and Louise Gluck. Dodd argues that sexist and male-dominated cultural forces in their personal and professional lives challenged these women to find a unique mode of expression in their poetry, a practice Dodd defines as personal classicism. Dodd uses the term personal classicism to examine modern and contemporary poetry that appears torn between two major modes of poetic sensibility, the Romantic and the Classical. While the four poets she addresses exhibit a poetic sensibility that is primarily Romantic - valuing Wordsworth's "spontaneous overflow of powerful feelings"; adopting a natural, spoken tone; and relying on personal subject matter - they have nonetheless employed masking and controlling strategies that are more nearly Classical. Combining feminist theory and biographical studies with close readings of individual poems, Dodd moves historically from H. D., one of the best-known Imagists, through the Confessional movement, to the major contemporary poet Louise Gluck. In the final chapter Dodd brings us to the present, where she finds women writers still struggling with the recent Confessional legacy of such highly anthologized poets as Anne Sexton and Sylvia Plath. The Veiled Mirror and the Woman Poet combines thoughtful consideration of both formal and theoretical issues in a graceful prose that reaffirms poetry as an art vitally connected to life. It will be of significant interest to students of modern and contemporary poetry, as well as to those concerned with women's studies.
Chilly Gonzales is one of the most exciting, original, hard-to-pin-down musicians of our time. Filling halls worldwide at the piano in his slippers and a bathrobe—in any one night he can be dissecting the musicology of an Oasis hit, giving a sublime solo recital, and displaying his lyrical dexterity as a rapper. In his book about Enya, he asks: Does music have to be smart or does it just have to go to the heart? In dazzling, erudite prose Gonzales delves beyond her innumerable gold discs and millions of fans to excavate his own enthusiasm for Enya's singular music as well as the mysterious musician herself, and along the way uncovers new truths about the nature of music, fame, success and the artistic endeavour.
By prominent writers such as P. J. O'Rourke, Susan Orlean, and Alix Kates Shulman, these contributions are alternately nostalgic, irreverent, and sincere, and offer us a personal sense of place.
Caves have been used in various ways across human society but despite the persistence within popular culture of the iconic caveman, deep caves were never used primarily as habitation sites for early humans. Rather, in both ancient and contemporary contexts, caves have served primarily as ritual spaces. In Sacred Darkness, contributors use archaeological evidence as well as ethnographic studies of modern ritual practices to envision the cave as place of spiritual and ideological power and a potent venue for ritual practice. Covering the ritual use of caves in Europe, Asia, Australia, Africa, Mesoamerica, and the US Southwest and Eastern woodlands, this book brings together case studies by prominent scholars whose research spans from the Paleolithic period to the present day. These contributions demonstrate that cave sites are as fruitful as surface contexts in promoting the understanding of both ancient and modern religious beliefs and practices. This state-of-the-art survey of ritual cave use will be one of the most valuable resources for understanding the role of caves in studies of religion, sacred landscape, or cosmology and a must-read for any archaeologist interested in caves.