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"Aidan, a transgender boy, experiences complicated emotions as he and his parents prepare for the arrival of a new baby"-- Provided by publisher.
A big brother loves his little brother, no matter what silly situations the two monkeys get into.
"The Heart's Highway" by Mary Eleanor Wilkins Freeman. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
“This splendid reference describes every woman in Jewish and Christian scripture . . . monumental” (Library Journal). In recent decades, many biblical scholars have studied the holy text with a new focus on gender. Women in Scripture is a groundbreaking work that provides Jews, Christians, or anyone fascinated by a body of literature that has exerted a singular influence on Western civilization a thorough look at every woman and group of women mentioned in the Bible, whether named or unnamed, well known or heretofore not known at all. They are remarkably varied—from prophets to prostitutes, military heroines to musicians, deacons to dancers, widows to wet nurses, rulers to slaves. There are familiar faces, such as Eve, Judith, and Mary, seen anew with the full benefit of the most up-to-date results of biblical scholarship. But the most innovative aspect of this book is the section devoted to the many females who in the scriptures do not even have names. Combining rigorous research with engaging prose, these articles on women in the Hebrew Bible, the Apocryphal/Deuterocanonical Books, and the New Testament will inform, delight, and challenge readers interested in the Bible, scholars and laypeople alike. Together, these collected histories create a volume that takes the study of women in the Bible to a new level.
Megan Harrison has already been burned once by billionaire Max Pierce. Burned badly. He was her first true love, and she'd given him everything she had to offer. She'd thought he loved her too - that is, until he ended their relationship by leaving her a casual note "wishing her well." Now, after three years of licking her wounds, Megan finds herself unavoidably thrown into daily contact with Max when he enters into her professional life. But this time, things are different. No longer a naIve university student who believes in true love, Megan is in the driver's seat. Despite Max's protestations that leaving her was a mistake and that he is a changed man, Megan knows better. Max might seem to have everything else - power, success, looks - but he can't have her. No matter how much he says he loves her, no matter how much he is there for her, she can't let history repeat itself. Or can she?
Centered on the musical experiences of homosexual men in St. Petersburg and Moscow, this ground-breaking study examines how post-Soviet popular music both informs and plays off of a corporeal understanding of Russian male homosexuality. Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico offers an expert technical analysis of Russian rock, pop, and estrada music, dovetailing into an illuminating discussion of homosexual men's physical and bodily perceptions of music. He also outlines how popular music performers use song lyrics, drag, physical movements, images of women, sexualized male bodies, and other tools and tropes to implicitly or explicitly express sexual orientation through performance. Finally, Amico uncovers how such performances help homosexual Russian men to create their own social spaces and selves, in meaningful relation to others with whom they share a "nontraditional orientation."
Set during the Napoleonic wars at a time of national economic struggles, "Shirley" is an unsentimental yet passionate depiction of conflict among classes, sexes, and generations. Struggling manufacturer Robert Moore considers marriage to the wealthy and independent Shirley Keeldar, yet his heart lies with his cousin Caroline. Shirley, meanwhile, is in love with Robertas brother, an impoverished tutor. As industrial unrest builds to a potentially fatal pitch, can the four be reconciled?