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An exhibition of drawings by the Italian late-Renaissance and Mannerist artist.
DigiCat Publishing presents to you this special edition of "The Viper of Milan" (A Romance of Lombardy) by Marjorie Bowen. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The seventeenth century heralded a golden age of exploration, as intrepid travelers sailed around the world to gain firsthand knowledge of previously unknown continents. These explorers also collected the world’s most beautiful flora, and often their findings were recorded for posterity by talented professional artists. The Golden Age of Botanical Art tells the story of these exciting plant-hunting journeys and marries it with full-color reproductions of the stunning artwork they produced. Covering work through the nineteenth century, this lavishly illustrated book offers readers a look at 250 rare or unpublished images by some of the world’s most important botanical artists. Truly global in its scope, The Golden Age of Botanical Art features work by artists from Europe, China, and India, recording plants from places as disparate as Africa and South America. Martyn Rix has compiled the stories and art not only of well-known figures—such as Leonardo da Vinci and the artists of Empress Josephine Bonaparte—but also of those adventurous botanists and painters whose names and work have been forgotten. A celebration of both extraordinarily beautiful plant life and the globe-trotting men and women who found and recorded it, The Golden Age of Botanical Art will enchant gardeners and art lovers alike.
The Viper of Milan depicts 14th century Italy as a place of danger and fractious warfare, as disparate groups of nobles fought to achieve and maintain supremacy. A novel steeped in darkness and conflict, we are plunged into the rivalries which rend the province of Lombardy in the early Renaissance. That the reader be immersed, Marjorie Bowen researched the period extensively, noting the rise of the Visconti family who would dominate Milan for decades. Although this novel is not historically accurate, its general depiction of Italian society and nobility of the time - of its priorities, cruelties and caprices - is founded in factual incidents. Marjorie Bowen specialized in historical romances, publishing over a hundred fictional works set in a variety of time periods and locales, together with several biographies of famous figures of yore. Often they contain a romantic element, alongside a gothic or dark aspect; such idiosyncrasy made Bowen a favorite of authors such as Graham Greene. The Viper of Milan, which appeared in 1906, is her earliest published work, the warm reception spurring the young author to further writing.
An examination of the diverse roles exotic animals, both living species and depicted as motifs in art, played in the fashioning of the Medici’s courtly identity.
This volume considers Italy's history and examines how Italians became fascinated with the New World in the early modern period.
Today we are used to clear divisions between science and the arts. But early modern thinkers had no such distinctions, with ‘knowledge’ being a truly interdisciplinary pursuit. Each chapter of this collection presents a case study from a different area of knowledge.
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.
"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework, the art of pietre dure was developed in Renaissance Florence, where the manufacture of such objects was enthusiastically sponsored by Medici princes. Ideally suited for ostentatious display, the works sent an unmistakable message of wealth and political might that was understood in centers of power everywhere. From Italy the medium spread across Europeto Prague, Madrid, Naples, Paris, and later Saint Petersburg. Precious and fragile, pietre dure objects are rarely brought together in large numbers. This richly illustrated catalogue contains more than 150 masterworks from across Europe, dating from five centuries, including almost every artistic use of semiprecious stone during this time as well as some of the finest examples of the medium. Eight essays by European and American experts discuss the individualized development of pietre dure in every European region, the latest developments in scholarship, the interrelationships between art and dynastic politics and between cultures, and a variety of techniques used to produce these luxurious masterworks."--Metropolitan Museum of Art website.