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Immersive, engrossing report on the European refugee crisis A mother puts her children into a refrigerator truck and asks, “What else could I do?” A runaway teenager comes of age on the streets, sleeping in abandoned buildings. A student leaves his war-ravaged country behind because he doesn’t want to kill. Everyone among the thousands of people who come to Europe in search of asylum each year possesses a unique story. But those stories don’t end as they cross into the West. In Lights in the Distance, acclaimed journalist Daniel Trilling draws on years of reporting to build a portrait of the refugee crisis as seen through the eyes of the people who experienced it firsthand. As the European Union has grown, so has a tangled and often violent system designed to filter out unwanted migrants. Visiting camps and hostels, sneaking into detention centers, and delving into his own family’s history of displacement, Trilling weaves together the stories of people he met and followed from country to country. In doing so, he shows that the terms commonly used to define them—“refugee” or “economic migrant,” “legal” or “illegal,” “deserving” or “undeserving”—fall woefully short of capturing the complex realities. The founding story of the EU is that it exists to ensure the horrors of the twentieth century are never repeated. Now, as it comes to terms with the worst refugee crisis since the Second World War, its declared values of freedom, tolerance and respect for human rights are being put to the test. Lights in the Distance is a uniquely powerful and illuminating exploration of the nature and human dimensions of the crisis.
“If justice had a Jericho trumpet, Chamoiseau would be it.”—Junot Díaz As migrants embark on perilous journeys across oceans and deserts in pursuit of sanctuary and improved living conditions, what is the responsibility of those safely ensconced in the nations they seek to enter? Moved by repeated tragedies among immigrants attempting to enter eastern and southern Europe, Patrick Chamoiseau assails the hypocrisy and detachment that allow these events to happen. Migrant Brothers is an urgent declaration of our essential interconnectedness that asserts the necessity to understand one another as part of one human community, regardless of national origin.
The past decade in the UK saw the rise of the British National Party, the country’s most successful ever far-right political movement, and the emergence of the anti-Islamic English Defence League. Taking aim at asylum seekers, Muslims, ‘enforced multiculturalism’ and benefit ‘scroungers’, these groups have been working overtime to shift the blame for the nation’s ills onto the shoulders of the vulnerable. What does this extremist resurgence say about the state of modern Britain? Drawing on archival research and extensive interviews with key figures, such as BNP leader Nick Griffin, Daniel Trilling shows how previously marginal characters from a tiny neo-Nazi subculture successfully exploited tensions exacerbated by the fear of immigration, the War on Terror and steepening economic inequality. Mainstream politicians have consistently underestimated the far right in Britain while pursuing policies that give it the space to grow. Bloody Nasty People calls time on this complacency in an account that provides us with fresh insights into the dynamics of political extremism.
Walking through the streets of London Lizzy meditates on her growth and development as she navigates the city. She also considers the pressures that women face in the modern world, from general societal expectations to the struggle just to walk down the street without being harrassed and made fearful.
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
The Code of Federal Regulations is the codification of the general and permanent rules published in the Federal Register by the executive departments and agencies of the Federal Government.
'Mulhall watches the extreme right revival from the inside - as an anti-fascist infiltrator criss-crossing the global networks of modern fascism - but he brings a deep analytical focus. By the end of it we understand one thing: the threat of a second fascist era is real.' Paul Mason, author of Postcapitalism 'An urgent missive from the global frontlines of the fight against fascism.' Nima Elbagir, CNN Senior International Correspondent A terrifying and timely look at the spread of far-right movements across the globe. Joe Mulhall knows what it's like to stare fascism in the face. For a decade, often undercover at significant personal risk, he has investigated hate groups. He infiltrated a US white supremacist militia, set up a fake Ku Klux Klan branch, has been on countless street marches with violent far-right groups across Europe, and got inside some of the most important 'alt-right' meetings ever held. Brazil, India and the US are still in thrall to authoritarian populism, and far-right views have become steadily normalised in mainstream politics. Mulhall's dramatic experiences on the front line of anti-fascist activism, coupled with his academic research, clearly explain the roots of both elected and non-elected far-right movements across the globe. Above all, he concludes, the far right should not be dehumanised - they are normal people, but with dangerous beliefs that can be defeated. 'Joe has had a unique view of the far right over the past decade as it transformed from a marginal subculture into one of the defining political currents of our time. He understands how these groups think and operate, and is perfectly placed to guide readers through this disturbing but vital story.' Daniel Trilling, journalist and author of Lights In The Distance: Exile and Refuge at the Borders of Europe 'Few, if any, are better placed to write a book of this breadth and scale than Joe Mulhall.' Mark Townsend, Home Affairs editor of the Observer