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How many times have you watched a popular movie and thought, "I'd like to write something like that," or "Even I can write better dialogue!" Here's your chance to learn how to write a novel...by watching movies like "Speed," "The Sixth Sense," "Clueless," "Die Hard," "While You Were Sleeping," and more! For the first time, a professional writing instructor and movie buff will take you through the steps necessary to craft your own commercial novel using techniques found in your favorite films. What can Hollywood's biggest features teach you about writing? How to watch movies with a writer's eye. Infusing character traits into scenes and plots. Using material goals to show internal motivation. Techniques for making scenes do double duty, including foreshadowing and flashback. What is a credibility gap, and how you should bridge it. Plus: Three 'tricks' for fixing holes in your plot, characters or anything else in your story. Thompson guides you frame by frame through the ins and outs of writing a hit, in a text that is packed with "Quick Tips" and "Quick Fixes." This is an indispensable reference work that will have you polishing your prose--and preparing it for publication--in no time!
A celebration of men's style and how it's evolved--from the ever stylish GQ creative director at large--Jim Moore. GQ is revered globally as the ultimate style guide for modern men, and Hunks and Heroes is an epic journey into the world of men's style as told and edited by Jim Moore. He began his career at GQ as an intern in 1979 and has since played a pivotal role in reshaping men's fashion during his nearly forty-year tenure at the magazine. From discovering new designers, distilling the latest men's trends, and extolling fashion advice and critiques in his popular online video series GQ Rules, to Channing Tatum wearing a "JIM F&%#ING MOORE" T-shirt, Moore's influence and impact on men's style is unequivocal. In these pages, Moore takes us through forty years of men's fashion: featuring the most iconic GQ fashion looks, the magazine's unforgettable covers and editorial shoots, essential styling tips like how to dress up denim or style a khaki suit, insights on developing your own personal style, and stories showcasing Moore's knack at reworking the look of everyday men the magazine literally pulled off the street. This volume features 250 of Moore's iconic men's fashion photographs produced with internationally renowned image makers like Peggy Sirota, Craig McDean, and Inez & Vinoodh, and includes seminal GQ images of cultural icons such as celebrities, athletes, and politicians. This is the must-have style bible for all readers interested in men's fashion, style, culture, and celebrity.
"Lights, Camera, Telemedicine" is an article written by Marilynn Larkin that originally appeared in the May-June 1997 issue of "FDA Consumer," a magazine published by the U.S. Food and Drug Administration (FDA). Larkin discusses the practice of telemedicine, which involves the use of computers and telecommunication equipment to provide health care over long distances. She discusses the benefits and obstacles of telemedicine. The FDA presents the article online.
This important volume addresses a number of central topics concerning how history is depicted in film. In the preface, the volume editors emphasize the importance of using film in teaching history: students will see historical films, and if they are not taught critical viewing, they will be inclined simply to accept what they see as fact. Authors of the individual chapters then explore the portrayal of history--and the uses of history--in specific films and film genres. Robert Rosenstone's "In Praise of the Biopic" considers such films as Reds, They Died with Their Boots On, Little Big Man, Seabiscuit, Cinderella Man, and The Grapes of Wrath. In his chapter, Geoff Pingree focuses on the big questions posed in Jay Rosenblatt's 1998 film Human Remains. Richard Francaviglia's chapter on films about the Middle East is especially timely in the post-9/11 world. One chapter, by Daniel A. Nathan, Peter Berg, and Erin Klemyk, is devoted to a single film: Martin Scorsese's urban history The Gangs of New York, which the authors see as a way of exploring complex themes of the immigrant experience. Finally, Robert Brent Toplin addresses the paradox of using an art form (film) to present history. Among other themes, he considers the impact of Patton and Platoon on military decisions and interpretations, and of Birth of a Nation and Glory on race relations. The cumulative effect is to increase the reader's understanding of the medium of film in portraying history and to stimulate the imagination as to how it can and how it should not be used. Students and teachers of history and cinema will benefit deeply from this informative and thoughtful discussion.
What is Red Light Camera A red light camera is a type of traffic enforcement camera that photographs a vehicle that has entered an intersection after the traffic signal controlling the intersection has turned red. By automatically photographing vehicles that run red lights, the photo is evidence that assists authorities in their enforcement of traffic laws. Generally the camera is triggered when a vehicle enters the intersection after the traffic signal has turned red. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: Red light camera Chapter 2: Traffic Chapter 3: Speed limit Chapter 4: Traffic enforcement camera Chapter 5: Traffic calming Chapter 6: Road traffic safety Chapter 7: Jaywalking Chapter 8: Moving violation Chapter 9: Seat belt laws in the United States Chapter 10: Speed limit enforcement (II) Answering the public top questions about red light camera. (III) Real world examples for the usage of red light camera in many fields. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of Red Light Camera.
A short biography of a 15-year-old girl who is a professional film maker and who uses her pet guinea pigs as actors.