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A true account of going through UCLA’s famed Daniel Freeman Paramedic Program—and practicing emergency medicine on the streets of Los Angeles. Nine months of tying tourniquets and pushing new medications, of IVs, chest compressions, and defibrillator shocks—that was Kevin Grange’s initiation into emergency medicine when, at age thirty-six, he enrolled in the “Harvard of paramedic schools”: UCLA’s Daniel Freeman Paramedic Program, long considered one of the best and most intense paramedic training programs in the world. Few jobs can match the stress, trauma, and drama that a paramedic calls a typical day at the office, and few educational settings can match the pressure and competitiveness of paramedic school. Blending months of classroom instruction with ER rotations and a grueling field internship with the Los Angeles Fire Department, UCLA’s paramedic program is like a mix of boot camp and med school. It would turn out to be the hardest thing Grange had ever done—but also the most transformational and inspiring. An in-depth look at the trials and tragedies that paramedic students experience daily, Lights and Sirens is ultimately about the best part of humanity—people working together to help save a human life.
This time-saving reference offers practical information on 15 types of emergency professionals and their experiences, featuring chapters that focus on specific professions, such as dispatchers, dog handlers, forest and park rangers, firefighters, EMTs, paramedics, ER personnel and more; complete profiles of each occupation - job descriptions, qualifications, required skills, necessary equipment, special risks and jargon; charts, lists, sidebars and sample scenarios that help you save time and get the information right; medications and equipment commonly used at emergency scenes - from what they do, to exactly how they are administered; and a detailed glossary of emergency injuries and illnesses and how they are treated.
Paramedic Hayden Kinsella is single and the life of the party. He likes driving fast and saving lives, and he doesn
A cardiac technician takes you to the front lines of emergency medicine—from tragic car accidents to gunshot wounds—in this “fast-moving” memoir (Booklist). This book takes the reader to the front lines of medicine, from a serious automobile accident on a dark country road to a woman in cardiac arrest to a young man with near‐fatal gunshot wounds. For these patients and countless others, treatment cannot wait until they are wheeled into a distant emergency room. If lives are to be salvaged, care must begin with the life‐saving skills of Emergency Medical Technicians. “I could never work on a rescue squad,” is a statement the author has heard over and over throughout her years of squad service and readily admits it once described her own feelings. “If I can do it, so can you,” is her response to those whose fear and self‐doubt hold them back. “Anything is possible.” EMT: Beyond the Lights and Sirens is more than a personal account of Pat Ivey’s rescue squad experiences. It is a story of courage and hope and letting go of past losses. It is a book for anyone who has ever struggled to go beyond who they are. Step aboard the ambulance. Witness the tender moments amidst tragedy. Experience the joy and the anguish, and share the tears and laughter of volunteer rescue squad personnel who respond around the clock to the cries of others. In this heartwarming and compelling book, Pat Ivey takes the reader beyond the lights and sirens on a journey they will never forget.
Chloe "Donny" Donavon is a Firefighter/Paramedic who discovers an attraction to, Caitlin "Caity," a dispatcher. She has known Caity for a few years but never thought of her as anything other than a friend and fellow member of the fire department. Their relationship goes against everything Donny has believed about keeping romantic entanglements away from the workplace, especially since she works with and supervises Caity's younger sister, Pauli. Kristi, who is Donny's mentor, supervisor, and friend at the station is behind Donny's sudden promotion - but that promotion could change her own career as well. Kristy is dealing with things from her past that she can no longer repress. How will that affect her relationships with her protege and crew? What happens when the strongest of the strong finds out that she can't remain an island forever? Lights and Sirens shows a crew of well meaning men and women who come together to battle fire, fight illness, injury, and death for others. Can they hold it together for one of their own?"
You’re The Lights... Sebastian had one rule. No women on the back of his bike. Period. The one time he broke that rule, he killed the woman that was carrying his child. Then comes Baylee Roberts. She makes Sebastian want to break every single rule he’d ever implemented. Hell, but she even makes him consider that dreaded H word. A helmet. To My... Baylee Roberts innocently walked into her bathroom never expecting that she’d find a man in there. It is her bathroom after all, and she lives alone. From the instant he placed his hat on her head to protect her from the sun, Baylee’s mind becomes filled with thoughts of a certain biker. She really shouldn't go there. There’s no telling what kind of dangerous things he does for The Dixie Wardens MC. Siren... Nothing is ever as easy as it should be. Their relationship’s one of them. Baylee’s brother is a cop. Baylee’s father is a cop. Which inevitably means that Baylee’s going to have certain hang-ups about being with a man like himself. Sebastian has a lot on his plate with his busy job as a firefighter, a single father, and the vice president of The Dixie Wardens MC. Not enough, though, to keep him away from Baylee. When a series of arsons rattle their hometown and puts Sebastian’s life on the line, Baylee finally realizes the only fire Sebastian can’t put out is the one inside her heart.
A New York Police Officer's relentless journey into the criminal netherworld, told with brutal truth and honesty. Perhaps Neitzsche described Rob Cea's life best, way before he was born: "Take care when chasing the animals; for you can very well become the animal you are chasing." No Lights, No Sirens is a sojourn so dirty and nasty it defies belief. Rob Cea starts off as an idealistic young cop, a true believer in the system for which he works tirelessly. He is sadly mistaken. The system he tried so hard to appease ultimately led to his downfall and the ruination of his life. What separates this from other cop—and—robber stories is the brutal authenticity from the cop himself. We will see and hear exactly what is discussed in a patrol car. We will see how the law was—and is—routinely bent to make collars stick any way possible. And we will see how Cea slowly spirals to depths of hell. No Lights, No Sirens is simplistic in its scope: A young idealistic boy becomes a man through fire, and then becomes exactly what he has been chasing for so long, a hardened man possessed by demons. With rapid fire and gritty narrative, Cea writes about his fall to the depths, and his salvation. We see the dark side of detective work in New York's most crime—riddled neighborhoods from a first-hand view never before seen.
The work of writing closed captions for television and DVD is not simply transcribing dialogue, as one might assume at first, but consists largely of making rhetorical choices. For Sean Zdenek, when captioners describe a sound they are interpreting and creating contexts, they are assigning significance, they are creating meaning that doesn t necessarily exist in the soundtrack or the script. And in nine chapters he analyzes the numerous complex rhetorical choices captioners make, from abbreviating dialogue so it will fit on the screen and keep pace with the editing, to whether and how to describe background sounds, accents, or slurred speech, to nonlinguistic forms of sound communication such as sighing, screaming, or laughing, to describing music, captioned silences (as when a continuous noise suddenly stops), and sarcasm, surprise, and other forms of meaning associated with vocal tone. Throughout, he also looks at closed captioning style manuals and draws on interviews with professional captioners and hearing-impaired viewers. Threading through all this is the novel argument that closed captions can be viewed as texts worthy of rhetorical analysis and that this analysis can lead the entertainment industry to better standards and practices for closed captioning, thereby better serve the needs of hearing-impaired viewers. The author also looks ahead to the work yet to be done in bringing better captioning practices to videos on the Internet, where captioning can take on additional functions such as enhancing searchability. While scholarly work has been done on captioning from a legal perspective, from a historical perspective, and from a technical perspective, no one has ever done what Zdenek does here, and the original analytical models he offers are richly interdisciplinary, drawing on work from the fields of technical communication, rhetoric, media studies, and disability studies."
“Sarah Stewart Johnson interweaves her own coming-of-age story as a planetary scientist with a vivid history of the exploration of Mars in this celebration of human curiosity, passion, and perseverance.”—Alan Lightman, author of Einstein’s Dreams WINNER OF THE PHI BETA KAPPA AWARD FOR SCIENCE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Times (UK) • Library Journal “Lovely . . . Johnson’s prose swirls with lyrical wonder, as varied and multihued as the apricot deserts, butterscotch skies and blue sunsets of Mars.”—Anthony Doerr, The New York Times Book Review Mars was once similar to Earth, but today there are no rivers, no lakes, no oceans. Coated in red dust, the terrain is bewilderingly empty. And yet multiple spacecraft are circling Mars, sweeping over Terra Sabaea, Syrtis Major, the dunes of Elysium, and Mare Sirenum—on the brink, perhaps, of a staggering find, one that would inspire humankind as much as any discovery in the history of modern science. In this beautifully observed, deeply personal book, Georgetown scientist Sarah Stewart Johnson tells the story of how she and other researchers have scoured Mars for signs of life, transforming the planet from a distant point of light into a world of its own. Johnson’s fascination with Mars began as a child in Kentucky, turning over rocks with her father and looking at planets in the night sky. She now conducts fieldwork in some of Earth’s most hostile environments, such as the Dry Valleys of Antarctica and the salt flats of Western Australia, developing methods for detecting life on other worlds. Here, with poetic precision, she interlaces her own personal journey—as a female scientist and a mother—with tales of other seekers, from Percival Lowell, who was convinced that a utopian society existed on Mars, to Audouin Dollfus, who tried to carry out astronomical observations from a stratospheric balloon. In the process, she shows how the story of Mars is also a story about Earth: This other world has been our mirror, our foil, a telltale reflection of our own anxieties and yearnings. Empathetic and evocative, The Sirens of Mars offers an unlikely natural history of a place where no human has ever set foot, while providing a vivid portrait of our quest to defy our isolation in the cosmos.
Explains the purpose of ambulances, what they contain, and the role of the EMTs.