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Excerpt from Lights and Shadows of American Life "Unto the upright there ariseth light in the darkness." Psalm 112:4. The world owes to Christianity all that is meant by motherhood, fatherhood, brotherhood, sisterhood, and wifehood. Canon Farrar says that in all the ancient classics there is no reference to the joys of childhood, and for the very good reason that the childhood of the ancients had little joy in it. The Roman's child was counted among his household goods. In Sparta the child was the property of the state rather than of the parents, and a father had as much right to correct the children of his neighbor as his own. Home life was nothing, and to-day in some languages there is little difference between the meaning of home and house. Wherever the Bible is honored, as in England, the real home exists, but where the Bible is not read, even in so-called Christian countries, as in France, there is little of home life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Fear (Classic Reprint) and FEAR by Angelo Mosso are insightful explorations into the psychology of fear. Utilizing both anecdotal evidence and scientific analysis, Mosso provides an in-depth look at this powerful emotion. Whether you're a psychology student, a professional, or simply a curious reader, Mosso's works offer valuable insights into human emotion and behavior. Don't miss the opportunity to explore the intricate workings of the human mind with Fear (Classic Reprint) and FEAR. Order your copies today!
A collection of surprising, disarming and 'extremely funny' essays from the internationally bestselling author of Me Talk Pretty One Day (Sunday Times) Santaland Diaries collects six of David Sedaris's most profound Christmas stories into one slender volume perfect for use as a last-minute coaster or ice-scraper. This drinking man's companion can be enjoyed by the warmth of a raging fire, the glow of a brilliantly decorated tree, or even in the back seat of a police car. It should be read with your eyes, felt with your heart, and heard only when spoken to. It should, in short, behave much like a book. And oh, what a book it is! 'Sedaris writes with a gentle but unfailing acuity and a keen eye for the ridiculous ... extremely funny' -Sunday Times
Excerpt from A Book of Cambridge Verse Nevertheless, after all deductions have been made, how much true poetry is yet left! He must be hard to please who cannot find intense enjoyment in the Eclogues of Phineas Fletcher, in Cowley's epitaph on Harvey, in the Miltonic stanzas of Gray's Installation Ode, in a score of other pieces, grave, quaint, or classical in their allusive ness of phrasing. Especially grateful must we be to the number of poets, of exquisite feeling and easy mastery of form, who during the last fifty or sixty years have enriched the language with delicate and elegant verse, from which it has been only too difficult to choose because its quantity is so great and its merit so even. Of this we trust we have given a tolerably adequate selection but it would have been easy to multiply it fourfold. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
David Sedaris's beloved holiday collection is new again with six more pieces, including a never before published story. Along with such favoritesas the diaries of a Macy's elf and the annals of two very competitive families, are Sedaris's tales of tardy trick-or-treaters ("Us and Them"); the difficulties of explaining the Easter Bunny to the French ("Jesus Shaves"); what to do when you've been locked out in a snowstorm ("Let It Snow"); the puzzling Christmas traditions of other nations ("Six to Eight Black Men"); what Halloween at the medical examiner's looks like ("The Monster Mash"); and a barnyard secret Santa scheme gone awry ("Cow and Turkey"). No matter what your favorite holiday, you won't want to miss celebrating it with the author who has been called "one of the funniest writers alive" (Economist).
Despite a glut of black and white filters, the digital revolution in videography has all but abandoned the art, science, beauty, and power of cinematic lighting that literally illuminated the Golden Age of motion pictures. Film Noir Light and Shadow explores an era before CGI – a time when every photon mattered and the lighting of a set served a grander purpose than simply rendering its subjects visible. Edited by Alain Silver and James Ursini, the duo behind numerous critically acclaimed studies of other aspects of noir, this anthology presents a series of essays that examine the visual style of the filmmakers of cinema's classic period. Some focus on individual pictures or directors; others discuss elements of style or sub-groups of movies within the movement. All are sharply focused on what makes the noir phenomenon unique in American – and global – cinematic history. Aside from highlighting the innovative work of its editors and their late colleague Robert Porfirio, Film Noir Light and Shadow also shares its light with a bevy of contributors who have written and edited their own books on the subject – a list of luminaries that includes Sheri Chinen Biesen, Shannon Clute and Richard Edwards, Julie Grossman, Delphine Letort, Robert Miklitsch, R. Barton Palmer, Homer Pettey, Marlisa Santos, Imogen Sara Smith, and Tony Williams. As befits the topic, this volume is lavishly illustrated with 500 images that capture the richness and breadth of the classic period's imagery, making it an ideal companion for students of the genre, film historians, sprocket fiends, and the retrospectively inclined.