Download Free Lightning Gods And Feathered Serpents Book in PDF and EPUB Free Download. You can read online Lightning Gods And Feathered Serpents and write the review.

El Tajín, an ancient Mesoamerican capital in Veracruz, Mexico, has long been admired for its stunning pyramids and ballcourts decorated with extensive sculptural programs. Yet the city's singularity as the only center in the region with such a wealth of sculpture and fine architecture has hindered attempts to place it more firmly in the context of Mesoamerican history. In Lightning Gods and Feathered Serpents, Rex Koontz undertakes the first extensive treatment of El Tajín's iconography in over thirty years, allowing us to view its imagery in the broader Mesoamerican context of rising capitals and new elites during a period of fundamental historical transformations. Koontz focuses on three major architectural features—the Pyramid of the Niches/Central Plaza ensemble, the South Ballcourt, and the Mound of the Building Columns complex—and investigates the meanings of their sculpture and how these meanings would have been experienced by specific audiences. Koontz finds that the iconography of El Tajín reveals much about how motifs and elite rites growing out of the Classic period were transmitted to later Mesoamerican peoples as the cultures centered on Teotihuacan and the Maya became the myriad city-states of the Early Postclassic period. By reexamining the iconography of sculptures long in the record, as well as introducing important new monuments and contexts, Lightning Gods and Feathered Serpents clearly demonstrates El Tajín's numerous iconographic connections with other areas of Mesoamerica, while also exploring its roots in an indigenous Gulf lowlands culture whose outlines are only now emerging. At the same time, it begins to uncover a largely ignored regional artistic culture of which Tajín is the crowning achievement.
An exploration of the Totonac native community of Papantla, Veracruz, during the last half of the eighteenth century. Told through the lens of violent revolt, this is the first book-length study devoted to Papantla during the colonial era. The book tells the story of a native community confronting significant disruption of its agricultural tradition, and the violence that change provoked. Papantla's story is told in the form of an investigation into the political, social, and ethnic experience of an agrarian community. The Bourbon monopolisation of tobacco in 1764 disturbed a fragile balance, and pushed long-term native frustrations to the point of violence. Through the stories of four uprisings, Jake Frederick examines the Totonacs increasingly difficult economic environment, their view of justice, and their political tactics. Riot! argues that for the native community of Papantla, the nature of colonial rule was, even in the waning decades of the colonial era, a process of negotiation rather than subjugation. The second half of the eighteenth century saw an increase in collective violence across the Spanish American colonies as communities reacted to the strains imposed by the various Bourbon reforms. Riot! provides a much needed exploration of what the colony-wide policy reforms of Bourbon Spain meant on the ground in rural communities in New Spain. The narrative of each uprising draws the reader into the crisis as it unfolds, providing an entree into an analysis of the event. The focus on the community provides a new understanding of the demographics of this rural community, including an account of the as yet unexamined black population of Papantla.
An archaeological examination of the Feathered Serpent Pyramid as a symbol of power in Teotihuacan.
If you are interested in understanding the meaning of your dreams, The Mythology of Sleep explores the similar healing themes from our ancient myths. The Mythology of Sleep: The Waking Power of Dreams is a groundbreaking look at the hero's journey through the dreamscape. Just as myths are stories about heroes in search of their destiny, the fantastic landscapes and cryptic symbols appearing in dreams present clues about our real identity. Discover the 3 parts of every dream that reveals the conflict, cause and it's resolution and how dreams describe the future. As if some aspect of the mind has an understanding that transcends time and self-awareness, the journey always awakens us to our full potential. Approaching dreams as the hero's journey through a landscape of wellness, this self-help book makes healing an adventure, and presents a new dimension in the study of dream interpretation.
Mary Ellen Miller’s rich visual and scholarly survey of pre-Hispanic art and architecture, including the most recent archaeological finds. Expanded and revised in its sixth edition, The Art of Mesoamerica surveys the artistic achievements of the high pre-Hispanic civilizations of Central America—Olmec, Maya, Teotihuacan, Toltec, and Aztec—as well as those of their lesser-known contemporaries. Providing an in-depth examination of central works, this book guides readers through the most iconic palaces, pyramids, sculptures, and paintings. From the Olmec colossal head 5 recovered from San Lorenzo to the Aztec calendar stone found in Mexico City’s Zocalo in 1790, this book reveals the complexity and innovation behind the art and architecture produced in pre-Hispanic civilizations. This new edition incorporates fifty new lavish color images and extensive updates based on the latest research and dozens of recent discoveries, particularly in Maya art, where excavations at Teotihuacan, the largest city of Mesoamerica, and Tenochtitlan, the capital of the Aztecs, have yielded new sculptures.
The recognition of Flower Worlds is one of the most significant breakthroughs in the study of Indigenous spirituality in the Americas. These worlds are solar and floral spiritual domains that are widely shared among both pre-Hispanic and contemporary Native cultures in Mesoamerica and the American Southwest. Flower Worldsis the first volume to bring together a diverse range of scholars to create a truly multidisciplinary understanding of Flower Worlds. During the last thirty years, archaeologists, art historians, ethnologists, Indigenous scholars, and linguists have emphasized the antiquity and geographical extent of similar Flower World beliefs among ethnic and linguistic groups in the New World. Flower Worlds are not simply ethereal, otherworldly domains, but rather they are embodied in lived experience, activated, invoked, and materialized through ritual practices, expressed in verbal and visual metaphors, and embedded in the use of material objects and ritual spaces. This comprehensive book illuminates the origins of Flower Worlds as a key aspect of religions and histories among societies in Mesoamerica and the American Southwest. It also explores the role of Flower Worlds in shaping ritual economies, politics, and cross-cultural interaction among Indigenous peoples. Flower Worlds reaches into multisensory realms that extend back at least 2,500 years, offering many different disciplines, perspectives, and collaborations to understand these domains. Today, Flower Worlds are expressed in everyday work and lived experiences, embedded in sacred geographies, and ritually practiced both individually and in communities. This volume stresses the importance of contemporary perspectives and experiences by opening with living traditions before delving into the historical trajectories of Flower Worlds, creating a book that melds scientific and humanistic research and emphasizes Indigenous voices. Contributors: Oswaldo Chinchilla Mazariegos, James M. Córdova, Davide Domenici, Ángel González López, Kelley Hays-Gilpin, Michael D. Mathiowetz, Cameron L. McNeil, Felipe S. Molina, Johannes Neurath, John M. D. Pohl, Alan R. Sandstrom, David Delgado Shorter, Karl A. Taube, Andrew D. Turner, Lorena Vázquez Vallín, Dorothy Washburn
The Resurrection Plate, a Late Classic Maya dish, is decorated with an arresting scene. The Maize God, assisted by two other deities, emerges reborn from a turtle shell. At the center of the plate, in the middle of the god’s body and aligned with the point of emergence, there is a curious sight: a small, neatly drilled hole. Art historian Andrew Finegold explores the meanings attributed to this and other holes in Mesoamerican material culture, arguing that such spaces were broadly understood as conduits of vital forces and material abundance, prerequisites for the emergence of life. Beginning with, and repeatedly returning to, the Resurrection Plate, this study explores the generative potential attributed to a wide variety of cavities and holes in Mesoamerica, ranging from the perforated dishes placed in Classic Maya burials, to caves and architectural voids, to the piercing of human flesh. Holes are also discussed in relation to fire, based on the common means through which both were produced: drilling. Ultimately, by attending to what is not there, Vital Voids offers a fascinating approach to Mesoamerican cosmology and material culture.