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The availability of electric lighting has changed the lives of people the world over, yet as a major user of electricity it has come under increasing scrutiny in recent years. This scrutiny has focused largely on the environmental consequences, with little consideration of the benefits of lighting. Human Factors in Lighting, Third Edition restores
Fundamentals of Lighting, 3rd Edition, continues to focus on the basics of lighting systems and the interrelationship of lighting and design. This new edition includes updated standards and new technologies, and an updated art program with over 300 photographs of global interiors and new lighting systems.
This book explores new criteria and characteristics for integrating human psychology in the design of modern urban lighting. It identifies a new area of lighting design research and practice that focuses on the nocturnal urban experience in terms of people’s emotional, cognitive and motivational perceptions to achieve more accessible, sociable and sustainable cities. In turn, the book compares new tools and research methodologies for tackling complex issues concerning the ties between lighting, people and the city. Moreover, it presents a series of case studies to provide an in-depth understanding of the influence of urban lighting in terms of luminous atmosphere perception, positive social affect, social enhancement, accessibility and hospitability. Lastly, the book proposes a multidisciplinary qualitative and quantitative methodology for assessing the spatial experience of outdoor lighting.
This book goes right to the heart of what every professional and student needs to know above all - how to effectively meet real-world lighting design challenges.
Lighting is one of the most important aspects of any photograph. The best images create dimension and drama, which goes beyond formulas and lighting recipes. In Lighting for Photographers: An Introductory Guide to Professional Photography, commercial photographers and instructors Joe Lavine and Brad Bartholomew offer a unique philosophy of lighting, starting with an understanding of the characteristics of lighting to build great shots. Including interviews from professional photographers and illustrated with over 200 images, this book introduces basic photographic concepts and equipment needs, and takes the reader from the lighting process through to starting a successful career in photography both in the studio and on location. Readers will learn a comprehensive approach to lighting including what light does, composition, experimentation, practical tools and techniques, equipment, metering and histograms, and how to launch and grow their career. With downloadable instructor resources featuring discussion questions and quizzes, this fully updated edition is ideal for introductory level photography and lighting courses as well as the amateur photographer looking to apply the appropriate lighting to realize their conceptual and aesthetic goals.
Data from a post-occupancy evaluation (POE) of 912 work stations with lighting power density (LPD), photometric, and occupant response measures were examined in a detailed, second-level analysis. Seven types of lighting systems were identified with different combinations of direct and indirect ambient lighting, and task lighting and daylight. The mean illuminances, with body shadow, at the primary task location were within the IES target values for office tasks with a range of mean illuminances from 32 to 75 fc, depending on the lighting system. The median LPD was about 2.36 W/sq.ft, with about one-third the work stations having LPD's at or below 2.0 W/sq.ft. Although a majority of the occupants (69%) were satisfied about their lighting, the highest percentage of those expressing dissatisfaction (37%) with lighting had an indirect fluorescent furniture mounted (IFFM) system. The negative reaction of so many people to the IFFM system suggests that the combination of task lighting with an indirect ambient lighting system had an important influence on lighting satisfaction, even though task illuminances tended to be higher with the IFFM system. Concepts of lighting quality, visual health, and control were explored, as well as average luminance to explain the negative reactions to the combination of indirect lighting with furniture mounted lighting.
Now in full color, this guide helps the lighting designer with all of the many creative and operational challenges you face. Providing respected and clear coverage of the process of programming automated lighting fixtures, Brad Schiller brings you from basic principles to pre-production preparations. Concepts, procedures, and guidelines to ensure a successful production are covered as well as troubleshooting, much needed information on work relationships, and of course all of the fun technology including LED lighting, console networking, digital lighting, and more. The final chapter brings the creative thinking of some of the heaviest hitting lighting designers of today, featuring Butch Allen, Jason Badger, Mike Baldassari, Richard Belliveau, Allen Branton, John Broderick, Dall Brown, Mark Butts, David Chance, Christian Choi, Vickie Claiborne, David Davidian, Patrick Dierson, C. Andrew Dunning, Mike Falconer, John Featherstone, Cory Fitzgerald, Laura Frank, Demfis Fyssicopulos, Craig Gaff, Steve Garner, Jon Griffin, Tim Grivas, Rob Halliday, Bryan Hartley, Bud Horowitz, Steve Irwin, Seth Jackson, Mark "Junior" Jacobson, Shannon January, David "Gurn" Kaniski, Mats Karlson, Eric Kennedy, Tom Kenny, Hillary Knox, Marcus Kromer, Jim Lenahan, Steve Lieberman, Esteban Lima, Heath Marrinan, Michael Nevitt, Adrian Ngieng, Paul Normandale, Jim Ohrberg, Steve Owens, Mitch Peebles, Paul Pelletier, John Rayment, Benoit Richard, Scott Riley, Larry "Uncle Fester" Robbins, Timothy F. Rogers, Susan Rose, Arnold Serame, Marsha Stern, Henry M. Sume, Howard Ungerleider, Lawrence Upton, Jon "Hillbilly" Weir, and Ross Williams.
This book is about building evaluation in the broadest sense and it transcends the meaning and conventional boundaries of the evolving field of "post-occupancy evalu ation" by focusing on evaluation throughout the building delivery process. This process is seen not just as being linear with a product in mind, i. e. , the completed and occupied building, but rather, it is seen as a cyclic evolution which has as its goal the continuous improvement of the quality of buildings. This goal can only be accomplished if evaluation occurs throughout the building delivery process, and if: 1. the evaluation that does occur is systematic and rigorous, 2. the data that is obtained can be fed into data bases and clearinghouses for use in future generations of buildings, and; 3. there is continuity in information flow. The idea for this book originated with a symposium that was part of a conference held at the Technical University in Delft, Netherlands, in July of 1988, i. e. , lAPS 10, the tenth biannual conference of the "International Association for the Study of People and their Physical Surroundings. " Authors presented papers based on their book chapters, and discussions ensued about the expanded boundaries of the field, about theoretical, methodological, and practical issues, as well as applications in building evaluation. Other relevant topics were identified and several additional authors were invited to participate in order to round out the contents of this book.