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A stunning masterclass on the creative process, the craft of writing, and the art of finding inspiration from Stephen King, Elizabeth Gilbert, Amy Tan, Khaled Hosseini, Roxane Gay, Neil Gaiman, and more of the most acclaimed writers at work today "For artists in need of a creative fix, Light the Dark is as good as a visit from the divine muse." -Bookpage What inspires you? That's the simple, but profound question posed to forty-six renowned authors in LIGHT THE DARK. Each writer begins with a favorite passage from a novel, a song, a poem—something that gets them started and keeps them going with the creative work they love. From there, incredible lessons and stories of life-changing encounters with art emerge, like how sneaking books into his job as a night security guard helped Khaled Hosseini learn that nothing he creates will ever be truly finished. Or how a college reading assignment taught Junot Díaz that great art can be a healing conversation, and an unexpected poet led Elizabeth Gilbert to embrace an unyielding optimism, even in the face of darkness. LIGHT THE DARK collects the best of The Atlantic's much-acclaimed "By Heart" series edited by Joe Fassler and adds brand new pieces, each one paired with a striking illustration. Here is a guide to creative living and writing in the vein of Daily Rituals, Bird by Bird, Draft No. 4, and Big Magic for anyone who wants to learn how great writers find inspiration—and to find some of your own. CONTRIBUTING AUTHORS: Elizabeth Gilbert, Junot Díaz, Marilynne Robinson, Jonathan Lethem, Michael Chabon, Aimee Bender, Mary Gaitskill, Stephen King, Neil Gaiman, Roxane Gay, Angela Flournoy, Jonathan Franzen, Yiyun Li, Leslie Jamison, Claire Messud, Edwidge Danticat, David Mitchell, Khaled Hosseini, Ayana Mathis, Kathryn Harrison, Azar Nafisi, Hanya Yanagihara, Jane Smiley, Nell Zink, Emma Donoghue, Jeff Tweedy, Eileen Myles, Maggie Shipstead, Sherman Alexie, Andre Dubus III, Billy Collins, Lev Grossman, Karl Ove Knausgaard, Charles Simic, Jim Shepard, T.C. Boyle, Tom Perrotta, Viet Thanh Nguyen, William Gibson, Mark Haddon, Ethan Canin, Jesse Ball, Jim Crace, and Walter Mosley. "As [these authors] reveal what inspires them, they, in turn, inspire the reader, all while celebrating the beauty and purpose of art." -Booklist
My first memory was of a slap, hard across the face: the sting on my cheek and the jarring of my bones as I slammed back into my bed. It was my dad who had hit me. I had been four. Most of my memories were much of the same and no one ever saw, no one ever fought to help, no one ever cared. Then we moved. My new neighbor cared, rescued the twelve-year-old I had been from a beating. Always thought I'd suffer the nightmare alone, I was wrong. Mace Donati saved me that day in all the ways a person could be saved. And his daughter, Mia, she became the friend I had always wanted, my conscience when my own faltered, the light that led me home when I had lost my way. The girl who grew into the only woman I would ever love. But when you realize you're more like your father than the good people who took you in and gave you a home, the only way to return their kindness is to let them go. I let them go, got so far lost in the shadows I couldn't remember who I was anymore. Mia never gave up on me. She fought for me, kept the light on so I'd find my way back. And when I did, life threw us a curveball. I had to hurt Mia in order to save her. But when my past comes back to haunt me and I almost lose her, I'm ready to fight for her...fight to find a way back into her heart while keeping the demons from my past from finishing what they started. Cole Campbell
In the land of darkness lives a shaggy but lovable creature. He is pining away because he has lost his home and has lived in the dark ever since. One day, the shaggy creature is overcome with curiosity and ventures out to the edge of the darkness. There, bathed in sunlight and bright colors, lives a very different and gentle creature. The two inhabitants of these different world become friends, and with his new friend, the shaggy creature overcomes his loss and finds his way back to the world of color. A quietly poetic story, told by Kerstin Hau, which gives hope and courage in difficult times. With contrasting imagery by Julie Völk, this book shows that life can be light, colorful, black, grey, and everything in between.
What will become of us in these trying times? How will we pass the time that we have on earth? In gorgeously rendered graphic form, Light in Dark Times invites readers to consider these questions by exploring the political catastrophes and moral disasters of the past and present, revealing issues that beg to be studied, understood, confronted, and resisted. A profound work of anthropology and art, this book is for anyone yearning to understand the darkness and hoping to hold onto the light. It is a powerful story of encounters with writers, philosophers, activists, and anthropologists whose words are as meaningful today as they were during the times in which they were written. This book is at once a lament over the darkness of our times, an affirmation of the value of knowledge and introspection, and a consideration of truth, lies, and the dangers of the trivial. In a time when many of us struggle with the feeling that we cannot do enough to change the course of the future, this book is a call to action, asking us to envision and create an alternative world from the one in which we now live. Light in Dark Times is beautiful to look at and to hold – an exquisite work of art that is lively, informative, enlightening, deeply moving, and inspiring.
As November stubs out the glow of autumn and the days tighten into shorter hours, winter's occupation begins. Preparing for winter has its own rhythms, as old as our exchanges with the land. Of all the seasons, it draws us together. But winter can be tough. It is a time of introspection, of looking inwards. Seasonal sadness; winter blues; depression--such feelings are widespread in the darker months. But by looking outwards, by being in and observing nature, we can appreciate its rhythms. We can learn to see and celebrate winter in all its shadows and lights. In this moving and lyrical evocation of a British winter and the feelings it inspires, Horatio Clare raises a torch against the darkness, illuminating the blackest corners of the season, and delving into memory and myth to explore the powerful hold that winter has on us. By learning to see, we can find the magic, the light that burns bright at the heart of winter: spring will come again.
Light in the Dark is the culmination of Gloria E. Anzaldúa's mature thought and the most comprehensive presentation of her philosophy. Focusing on aesthetics, ontology, epistemology, and ethics, it contains several developments in her many important theoretical contributions.
The International Bestseller On April 10, 2019, award-winning astrophysicist Heino Falcke presented the first image ever captured of a black hole at an international press conference—a turning point in astronomy that Science magazine called the scientific breakthrough of the year. That photo was captured with the unthinkable commitment of an intercontinental team of astronomers who transformed the world into a global telescope. While this image achieved Falcke’s goal in making a black hole “visible” for the first time, he recognizes that the photo itself asks more questions for humanity than it answers. Light in the Darkness takes us on Falcke’s extraordinary journey to the darkest corners of the universe. From the first humans looking up at the night sky to modern astrophysics, from the study of black holes to the still-unsolved mysteries of the universe, Falcke asks, in even the greatest triumphs of science, is there room for doubts, faith, and a God? A plea for curiosity and humility, Light in the Darkness sees one of the great minds shaping the world today as he ponders the big, pressing questions that present themselves when we look up at the stars.
From the celebrated film critic and author of The Biographical Dictionary of Film--an essential work on the preeminent, indispensable movie directors and the ways in which their work has forged, and continues to forge, the landscape of modern film. Directors operate behind the scenes, managing actors, establishing a cohesive creative vision, at times literally guiding our eyes with the eye of the camera. But we are often so dazzled by the visions on-screen that it is easy to forget the individual who is off-screen orchestrating the entire production--to say nothing of their having marshaled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through their work, studies the very nature of film direction. With his customary candor about his own delights and disappointments, Thomson analyzes both landmark works and forgotten films from classic directors such as Orson Welles, Alfred Hitchcock, Jean Renoir, and Jean-Luc Godard, as well as contemporary powerhouses such as Jane Campion, Spike Lee, and Quentin Tarantino. He shrewdly interrogates their professional legacies and influence in the industry, while simultaneously assessing the critical impact of an artist's personal life on his or her work. He explores the male directors' dominance of the past, and describes how diversity can change the landscape. Judicious, vivid, and witty, A Light in the Dark is yet another required Thomson text for every movie lover's shelf.
Light pervades the world, and when it is not light, darkness emerges and is combated by electric illumination. Despite this globally shared human experience in which spaces appear radically different depending on time, season, and weather, social science investigation on the subject is meager. From Light to Dark fills this gap, focusing on our interaction with daylight, illumination, and darkness. Tim Edensor begins by examining the effects of daylight on our perception of landscape, drawing on artworks, particular landscapes, and architectural practice. He then considers the ways in which illumination is often contested and can be used to express power, looking at how capitalist, class, ethnic, military, and state power use lighting to reinforce their authority over space. Edensor also considers light artists such as Olafur Eliasson and festivals of illumination before turning a critical eye to the supposedly dangerous, sinister associations of darkness. In examining the modern city as a space of fantasy through electric illumination, he studies how we are seeking—and should seek—new forms of darkness in reaction to the perpetual glow of urban lighting. Highly original and absorbingly written, From Light to Dark analyzes a vast array of artistic interventions, diverse spaces, and lighting technologies to explore these most basic human experiences.
Picture two people, young and in love. Picture them being separated from one another. Picture them keeping their love alive through letters. So far, so simple. Now imagine they've not just been separated geographically, but also historically. Imagine that their love and letters now defy time and place, life and death. By now you realize that this novel is unique. And, when you learn how it has made Russian literary-prize history, and has to-date been sold in twenty-two languages, you begin to sense just how unique...