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Bob Dylan is the prince of self-reinvention and deflection. Whether it's the folkies of Greenwich Village, the student movement of the 1960s and 1970s, Born Again Christians, the Chabad Lubavitch community, or English Department postmodernists, specific intellectual and sociopolitical groups have repeatedly claimed Bob Dylan as their spokesperson. But in the words of filmmaker Todd Haynes, who cast six actors to depict different facets of Dylan's life and artistic personae in his 2009 film I'm Not There, "The minute you try to grab hold of Dylan, he's no longer where he was." In Light Come Shining, writer Andrew McCarron uses psychological tools to examine three major turning points - or transformations - in Bob Dylan's life: the aftermath of his 1966 motorcycle "accident," his Born Again conversion in 1978, and his recommitment to songwriting and performing in 1987. With fascinating insight, McCarron reveals how a common script undergirds Dylan's self-explanations of these changes; and, at the heart of this script, illuminates a fascinating story of spiritual death and rebirth that has captivated us all for generations.
Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. "In my book," she writes, "poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so." C.D. Wright was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island. "Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical ‘goblets of magnolialight,’ and recurrent, mysterious, semi-allegorical figures like ‘the snakeman’ and ‘the boneman’ share space with place names, lexicographies, exhortations and wacky graffiti (‘God is Louise’).… cherish Wright's latest ‘once-and-for-all thing, opaque and revelatory, ceaselessly burning.’"—Publishers Weekly "For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers—still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything—human and angry and beautiful."—Michael Ondaatje "C.D. Wright is entirely her own poet, a true original."—The Gettysburg Review
This heartwarming picture book reassures children that a parent’s love never lets go—based on the poignant lyrics of JJ Heller’s beloved lullaby “Hand to Hold.” “May the living light inside you be the compass as you go / May you always know you have my hand to hold.” With delightful illustrations and an engaging rhyme scheme, this book offers the promise of security and love every child’s heart longs to know. From skipping stones and counting stars to climbing trees and telling stories, every moment is wrapped snugly in the certain warmth of a parent’s presence and God’s blessing. With poignancy and joy, this bedtime read captures the unconditional love parents want their children to know but so often fail to express amid the chaos of daily life.
After reading Thought Into Form, your life will become enriched. Your thoughts will overflow with your vision. You will see before you what you have been thinking about. This is because you will learn to understand the intimate process of thoughts becoming form. YOU CAN HAVE EVERYTHING YOUR HEART DESIRES We all hold the keys to our happiness within determined by the thoughts we are thinking. Thought Into Form shows you how to remember and recognize the way back to yourself and more importantly how to stay there in every moment.
The subject of In the Frame is poetic ekphrasis: poems whose starting point or source of inspiration is a work of visual art. The authors of these sixteen essays, several of whom are poets as well as critics, have a twofold purpose: calling attention to the contribution women poets have made to this important genre of poetic writing and re-thinking ekphrastic poetry's motives and purposes. From Marianne Moore and Elizabeth Bishop to Mary Jo Salter, C. D. Wright, and Susan Wheeler, many of our best women poets have done important work in this genre, and when they describe, confront, or speak for an image that is itself wordless, their motives are not only formal but aesthetic. Their poems also raise important questions, from a perspective that is often, but not always, gender-inflected about how art is made and displayed, experienced and valued, celebrated and commodified. Jane Hedley is K. Laurence Stapleton Professor of English at Bryn Mawr College. Willard Spiegelman is the Hughes Professor of English at Southern Methodist University, and editor-in-chief of the Southwest Review. Nick Halpem is an associate professor in the English Department at North Carolina State University.
"A powerful, revealing story of hope, love, justice, and the power of reading by a man who spent thirty years on death row for a crime he didn't commit"--
A boy struggling to process an unexpected loss believes he has been given a series of clues to the biggest puzzle of all—the meaning of life—in this deeply felt debut novel. “An exquisitely beautiful and compelling novel about love, loss, and life.”—Rachel Joyce, New York Times bestselling author of Miss Benson’s Beetle Meet Ollie. He’s eleven years old. He hasn’t yet met a Killer Sudoku he can’t solve, but he finds the world around him difficult. People don’t say what they mean, and he hates being wrong. And now, a sudden tragedy teaches him there is no easy answer to the problem of grief. When Ollie’s happy-go-lucky father, Rich, dies of brain cancer, his mother, Ruth, has no idea how to keep living, and the entire family is thrown into disarray. The only thing that makes sense to Ollie is the puzzle he’s convinced his father left behind: one gift for each member of the family. If Ollie can find the connection between a pink vase and an old pair of binoculars, then somehow he’ll discover the secret he believes Rich wanted to share with them all: what it means to be alive. Interweaving the voices of each character in turn, this deeply felt novel paints a portrait of a family learning to come together through the darkest times. This Shining Life is a poignant yet ultimately uplifting meditation on grief, healing, and love.
'An absorbingly creepy travelogue through the corridors, tunnels and basements of our most famous cultural repository. With Noah Angell as our guide, the British Museum becomes a haunted prison filled with imperial plunder and restless spirits clamouring for attention.' - Malcolm Gaskill, author of The Ruin Of All Witches 'Fascinating and illuminating' - Peter Ackroyd 'Brilliantly delicate, pointed, shivery... You could read it as a guide to which galleries to avoid - or to where the push for repatriation should be most urgent.' - Erin L. Thompson, professor of art crime at the City University of New York 'Achieves a near-impossible marriage between paranormal pop-culture, folklore and hauntology' - Roger Clarke, author of A Natural History of Ghosts 'A heady cocktail of history and folklore that leaves a haunting aftertaste... Spine-tingling' - Lindsey Fitzharris, New York Times bestselling author of The Facemaker What if the British Museum isn't a carefully ordered cross section of history but is in instead a palatial trophy cabinet of colonial loot - swarming with volatile and errant spirits? When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a deluge as staff old and new - from overnight security to respected curators - brought him testimonies of their supernatural encounters. It became clear that the source of the disturbances was related to the Museum's contents - unquiet objects, holy plunder, and restless human remains protesting their enforced stay within the colonial collection's cabinets and deep underground vaults. According to those who have worked there, the institution is heaving with profound spectral disorder. Ghosts of the British Museum fuses storytelling, folklore and history, digs deep into our imperial past and unmasks the world's oldest national museum as a site of ongoing conflict, where restless objects are held against their will. It now appears that the objects are fighting back.
“Dylan remains the rare singer whose work is worth reading on the page. His words are consistently funny, alive to the sound of language, and of course appealingly cryptic.” —The New York Times Book Review A new collection of Bob Dylan’s most essential lyrics—one hundred songs that represent the Nobel Laureate’s incredible range through the entirety of his career so far. Bob Dylan is one of the most important cultural figures of our time, and the first American musician in history to win the Nobel Prize for Literature. 100 Songs is an intimate and carefully curated collection of his most important lyrics that spans from the beginning of his career through the present day. Perfect for students who may be new to Dylan’s work as well as longtime fans, this portable, abridged volume of these singular lyrics explores the depth, breadth, and magnitude of one of the world’s most enduring bodies of work.
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