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A military hero? Or a traitor to his comrades and his country? A gripping thriller full of suspense and intrigue, from master author Max Hennessy. When, in 1939, a letter cast doubts on the military reputation of a man likely to become Commander-in-Chief of the British Expeditionary Force if war with Germany should be declared, he had no alternative but to bring the matter to court. The case took the judge, the jury and a fascinated public back to a day in the winter of 1919 when British troops, in action against Bolshevik forces in South Russia, made the last charge of British horsed cavalry. Their commander was Lieutenant General Henry Prideaux: for this, ‘the Balaclava of the Russian Civil War’, he won the D.S.O. and made his name. But justifiably? ‘The truth,’ one of his subordinates in the action had written, 'is that before – and after – the action at Dankoi, when it came to leading and giving orders, Colonel Prideaux was noticeably not among those present.’ A scintillating story of deceit, conflict and the final days of British cavalry might, this is Max Hennessy at his very best, perfect for fans of Alistair MacLean, John Grisham and A Few Good Men.
Civil War historians have long been puzzled by Pickett’s seemingly suicidal frontal attack on the Union center at Gettysburg. Here, for the first time, Paul D. Walker reveals Robert E. Lee’s true plan for victory at Gettysburg: a simultaneous strike against the Union center from the front and rear—Pickett’s infantry to charge the front, while Stuart’s cavalry struck the rear. The frontal assault by Pickett went off as scheduled, but as Stuart’s forces approached from the rear, they encountered a Union cavalry contingent. As the forces joined, the Union cavalry leader was quickly killed, and command fell to one of the most dynamic figures in American history—George Armstrong Custer. What followed was America’s greatest cavalry battle: 7,500 Confederate horsemen ranged against 5,000 Union cavalry, Jeb Stuart against George Custer, with the outcome of the Civil War at stake.
Nine Historians and Writers Investigate the Role of Cavalry in the War for Independence.
During the Napoleonic Wars all the major combatants fielded large numbers of light cavalry. These nimble, fast-moving regiments performed a variety of vital roles, from reconnaissance and keeping contact with the enemy during the movement of armies, to raiding, skirmishing, and the pursuit to destruction of beaten enemies. In practice, light cavalry were often also employed for battlefield charges alongside the heavy cavalry. Featuring period illustrations and specially commissioned colour artwork, this is the second volume of a two-part study of the cavalry tactics of the armies of Napoleon and those of his allies and opponents. Written by a leading authority on the period, it draws upon drill manuals and later writings to offer a vivid assessment of how light cavalry actually fought on the Napoleonic battlefield.
Combines the drama of a libel trial between two British officers with the desperate events of combat against the Red Russians in 1919.
During the Napoleonic Wars the supreme battlefield shock weapon was the heavy cavalry – the French cuirassiers, and their British, Austrian, Prussian and Russian counterparts. Big men mounted on big horses, the heavy cavalry were armed with swords nearly a metre long, used for slashing or thrusting at their opponents; many wore steel armour, a practice revived by Napoleon. They were tasked with smashing a hole in the enemy's line of battle, with exploiting a weakness, or with turning a flank. Their classic manoeuvre was the charge; arrayed in close-order lines or columns, the heavy cavalry would begin their attack at the walk, building up to a gallop for the final 50 metres before impact. Illustrated with diagrams, relevant paintings and prints and specially prepared colour plates, this is the first volume of a two-part study of the cavalry tactics of the armies of Napoleon and those of his allies and opponents. Written by a leading authority on the period, it draws upon drill manuals and later writings to offer a vivid assessment of how heavy cavalry actually fought on the Napoleonic battlefield.
*Includes pictures *Includes descriptions of the charge made by survivors *Examines the myths and legends surrounding the charge *Includes a bibliography for further reading *Includes a table of contents The Charge of the Light Brigade is the most famous British cavalry charge in history, possibly also eclipsing the renown of any other mounted attack conducted by the armed forces of other nations in the general imagination. This cavalry action is certainly remembered far more vividly than the 1854 Battle of Balaclava during which it occurred, and even the wider Crimean War that led to the battle. Of course, the prominence of the Charge in popular and historical memory is due primarily to Alfred, Lord Tennyson's poem describing the events of that distant late October afternoon. The bearded Poet Laureate crafted a powerful, gripping poetic narrative that fixed the encounter firmly in both the popular imagination and in the English literary oeuvre. Millions of people who know nothing else of the Crimean War between Great Britain and the Russian Empire are familiar with Tennyson's memorable verses. At the same time, however, his words also created a narrative about the combat which has obscured much contrary evidence, replacing fact with legend and completely obscuring the true significance of the Charge of the Light Brigade. Indeed, its perception by historians and depiction in history books has been massively influenced by the sheer artistic power of Tennyson's poem. Sober historians have unwitting cherry-picked the existing original documents to support Tennyson's "version" of the events while disregarding much contrary evidence that provides a very different perspective of the Light Brigade's attack. In fact, a closer examination of source materials casts the Charge of the Light Brigade in a very different light than the widely accepted version of men so highly disciplined and obedient that they obeyed a suicidal order without question. So unquestioningly obedient were the British cavalrymen, the legend declares, that they were willing to charge into a cannon's mouth and die rather than raise a voice of protest against the imbecility of their incompetent officers. This mix of doomed courage and absolute, unfaltering compliance with the orders of their superiors, however idiotic, had given the Light Brigade and the British soldier in general a character of tragic heroism. Powerful as this vision of buffoonish commanders leading soldiers infused with ant-like obedience may be in the world of poetry, considerable documentation still exists which at least partially refutes such an interpretation. These documents, recently revisited by a handful of historians, greatly diminish the role of upper-echelon mistakes in causing the Charge. They restore agency and initiative to the ordinary British soldiers, highlighting them as fierce, independent-minded, and energetic actors in their own right, who very nearly changed the outcome of the entire Battle of Balaclava with their skill, courage, and daring. Ironically, it is possible to argue that the Charge of the Light Brigade was an attack mostly initiated by the rank and file, and that it was largely successful. The actual blunder was the failure of other commanders to support the charge by sending in infantry in its wake, which could potentially have led to the complete rout of the Russian forces. Instead, the British commanders did nothing to exploit the breakthrough created by the initiative, skill, and ferocity of the ordinary cavalryman, squandering the opportunity they had been offered. The Charge of the Light Brigade chronicles the history and legacy of the ill-fated cavalry charge. Along with pictures of important people, places, and events, you will learn about the Charge of the Light Brigade like never before, in no time at all.
Treasury of verse by the great Victorian poet, including the long narrative poem, Enoch Arden, plus "The Lady of Shalott," "The Charge of the Light Brigade," selections from The Princess, "Maud" and "The Brook," more.