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A delightful e-short story from New York Times and USA TODAY bestselling author Katie MacAlister, featuring the vampire hero of her novella “Shades of Gray,” from the upcoming Pocket Books paranormal romance anthology The Undead in My Bed. Ladies, be sure to catch our interview with the reclusive, oh-so-sexy Dark One Grayson Soucek, when he talks to our reporter about what it's like to be one of the Otherworld's most eligible (and titled!) bachelors. Gray dishes all on what he's looking for in a permanent blood donor, his turn-ons and turn-offs, and what he likes on a date (hint—dinner in a romantic dungeon is one way to this vampire's heart). It's all in our next edition of Lifestyles of the Rich and Undead!
Betsy Taylor, Queen of the undead, has snagged a dream job in a shoe store (just like a normal person!). But when vampires start getting killed off, Betsy enlists the help of the sexy vampire Sinclair. Now she's really treading dangerous ground-but this time in brand-new high heels.
Newly widowed Pauline Cook was once the toast of the Windy City elite—but now she's practically broke. At least she's in better shape than her dear departed friend Ethan Campbell, whose corpse Pauline has had the misfortune to discover. A writer who chronicled the lives, loves, and ensembles of the Gold Coast's most elegant ladies, Ethan apparently took his own life—while inelegantly clad in old boxers, no less. And since no relatives are coming forward to claim Ethan's remains, it falls to Pauline to settle his final affairs . . . with her own dwindling funds. However, there are things about Ethan's suicide that don't seem to add up: the ratty undergarments he "chose" to die in, for example . . . and the multiple birth certificates the police turn up in his apartment. Before she can truly lay her friend to rest, plucky Pauline's determined to get to the bottom of his increasingly suspicious death.
Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects, inciting viewers to imitate cinematic violence or desensitizing them to atrocities. In The Naked and the Undead: Evil and the Appeal of Horror, Cynthia A. Freeland seeks to counter both aesthetic disdain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil?both human and cosmic. In exploring these films, the author argues against a purely psychoanalytic approach and opts for both feminist and philosophical understandings. She looks at what it is in these movies that serves to elicit specific reactions in viewers and why such responses as fear and disgust are ultimately pleasurable. The author is particularly interested in showing how gender figures into screen presentations of evil.The book is divided into three sections: Mad Scientists and Monstrous Mothers, which looks into the implications of male, rationalistic, scientific technology gone awry; The Vampire's Seduction, which explores the attraction of evil and the human ability (or inability) to distinguish active from passive, subject from object, and virtue from vice; and Sublime Spectacles of Disaster, which examines the human fascination with horror spectacle. This section concludes with a chapter on graphic horror films like The Texas Chainsaw Massacre. Written for both students and film enthusiasts, the book examines a wide array of films including: The Silence of the Lambs, Repulsion, Frankenstein, The Fly, Dead Ringers, Alien, Bram Stoker's Dracula, Interview with the Vampire, Frenzy, The Shining, Eraserhead, Hellraiser, and many others.
A sampler of exclusive eBooks from bestselling and debut authors in genres such as romance, women’s fiction, thrillers, and urban fantasy. Featuring material from: The Dark Lady by Maire Claremont, Dangerous Sanctuary by Michelle Diener, Shooting Monkeys in a Barrel by S.G. Browne, The Devil’s Scribe by Alma Katsu, Unstoppable by Laura Griffin, The French Maid by Deborah Gonzales, The Outlaw Among Us by Nathan Dodge, Worth Dying For by Cindy Gerard, Capturing Angels by V.C. Andrews, Identity by Mark Hosack, His Very Own Girl by Carrie Lofty, Lifestyles of the Rich and Undead by Katie MacAlister, A Little More Scandal by Carrie Lofty, and Geekomancy by Michael R. Underwood.
Since it first emerged from Britain’s punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth’s many dimensions—including its melancholy, androgyny, spirituality, and perversity—and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney. A number of the contributors are or have been participants in the subculture, and several draw on their own experiences. The volume’s editors provide a rich history of goth, describing its play of resistance and consumerism; its impact on class, race, and gender; and its distinctive features as an “undead” subculture in light of post-subculture studies and other critical approaches. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Brite, and Nick Cave; discussions of goths on the Internet; and readings of iconic goth texts from Bram Stoker’s Dracula to James O’Barr’s graphic novel The Crow. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson. Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the 1980s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism. Contributors: Heather Arnet, Michael Bibby, Jessica Burstein, Angel M. Butts, Michael du Plessis, Jason Friedman, Nancy Gagnier, Ken Gelder, Lauren M. E. Goodlad, Joshua Gunn, Trevor Holmes, Paul Hodkinson, David Lenson, Robert Markley, Mark Nowak, Anna Powell, Kristen Schilt, Rebecca Schraffenberger, David Shumway, Carol Siegel, Catherine Spooner, Lauren Stasiak, Jeffrey Andrew Weinstock
This demon fighting business used to be so simple. Get in, dust a pesky incubus, and get out with the cash. My rivals think it’s my boobs that get the job done. Nope. I have a thrall that’s cat nip to paranormals. With a vampire ancient trying to start an interspecies war, I’m forced to team up with the most infuriating vampire I’ve ever met to save the city, maybe the world, and most definitely, the man I love. I'll need to rely on my wits, my skills and worst of all, teamwork! We might all be doomed. Enjoy the first three books in the Clem Starr: Demon Fighter series in one enthralling volume. Page-turning urban fantasy adventures starring a butt kicking demon fighter, snarky vampires, and a whole lot of fun. Keywords: vampires, demons, demon hunter, paranormal, urban fantasy, humour, unicorns, female lead, kick ass
Work at a funeral home can be mundane. Until you accidentally start bringing the dead back to life. "...a clever, hilarious romp through a new magical universe" --Sarah Angleton, author of Gentleman of Misfortune Cassie Black works at a funeral home. She's used to all manner of dead bodies. What she's not used to is them waking up. Which they seem to be doing on a disturbingly regular basis lately. Just when Cassie believes she has the problem under control, the recently-deceased Busby Tenpenny insists he's been murdered and claims Cassie might be responsible thanks to a wicked brand of magic she's been exposed to. The only way for Cassie to get her life back to normal is to tame her magic and uncover Mr. Tenpenny's true killer. Simple right? Of course not. Because while Cassie works on getting her newly-acquired magic sorted, she's blowing up kitchens, angering an entire magical community, and discovering her past is more closely tied to Busby Tenpenny than she could have ever imagined. If you like contemporary fantasy with snarky humor, unforgettable characters, and paranormal mystery such as Ben Aaronovitch's Rivers of London series and Wilkie Martin's Inspector Hobbes, you'll find it hard to pry yourself away from this first book of the Cassie Black Trilogy. *Selected as one of Apple's Most Anticipated Books of 2021 *Winner of the Novel Excerpt Prize from the League of American PEN Women *Finalist in the Yeah You Write! Novel Contest The Cassie Black Trilogy is a giggle-inducing fish-out-of-water tale that takes you from the streets of Portland to the Tower of London. It's got magic and mystery, pastries and zombies, sentient gnomes and an evil wizard...because there's always an evil wizard, isn't there? Note: While this book delivers plenty of wry giggles and a few hexes, it's fairly clean with only an itty-bitty bit of light cursing, one fight scene, and no hanky panky or sexual situations.
The undead can really screw up your senior year . . . Marrying a vampire definitely doesn't fit into Jessica Packwood's senior year "get-a-life" plan. But then a bizarre (and incredibly hot) new exchange student named Lucius Vladescu shows up, claiming that Jessica is a Romanian vampire princess by birth--and he's her long-lost fiancé. Armed with newfound confidence and a copy of Growing Up Undead: A Teen Vampire's Guide to Dating, Health, and Emotions, Jessica makes a dramatic transition from average American teenager to glam European vampire princess. But when a devious cheerleader sets her sights on Lucius, Jess finds herself fighting to win back her wayward prince, stop a global vampire war--and save Lucius's soul from eternal destruction
What lurks out there in the fog? What was that eerie sound in the dead of night? What flitted by at the end of the street, just beyond the farthest street lamp? From earliest times, tales of the restless dead and their fellow travelers have terrified mankind. Whether around a remote campfire or in the middle of a bustling city, the unquiet spirits and attendant creatures that have tormented humanity since the prehistoric darkness haven’t gone away—they still have the power to strike fear in our hearts. Encyclopedia of the Undead traces those shadowy entities—vampires, werewolves, ghouls and monsters—that lurk just outside the range of human vision and inhabit our most frightening tales. Drawing on a wide range of beliefs and literature, it traces these horrors from their earliest recorded inceptions and charts their impact upon the human psyche. In this book, history and terror mix to create the things that lurk in the darkest corners of our minds. You’ll find detailed descriptions of terrors from all over the world—from the mist-shrouded mountains of Eastern Europe to the sweltering jungles of the Caribbean islands, from the dark, stone-lined tombs of the uncoffined dead beneath the remote New England hills to the dark magics that lurk beneath the thriving, colorful surface of a city like New Orleans. In addition to the more conventional creatures, Encyclopedia of the Undead also details some of the more obscure Things that gnaw at the edges of men’s minds—Incubi and Succubi, the Mara, and the dark legends that have influenced writers from Sheridan Le Fanu to H.P. Lovecraft. This is a book for all those who are interested in the darker side of the human mind—the side that examines and even embraces those beliefs and imaginings that form the basis of our most archetypical fears. This is the book for those brave enough to plumb the depths of our worst nightmares!