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This a true account of an interesting and marvelous man. This story of a sad beginning and a good life and all kinds of emotions in between. Stacie tells the story of her alter ego, Michael Eriksson and how their lives have effected others and how their lives were effected by others. Read the story that can be only told by the one person that lived it.
There’s more to life than being fabulous... but it’s a start Roz and Jamie have moved to leafy Suffolk from London in search of a quiet life, so it’s a shock to find the village embarking on its riotous annual drag competition. Fuelled by large quantities of alcohol and boisterous community spirit, they are soon caught up in a battle for the identity of the village itself against those who’d prefer to stay stuck in the past. Meanwhile in San Francisco, Drew is facing his own challenge to save his drag club and the livelihoods of his closest friends. When he finds out about a small English village putting on a drag competition, inspiration strikes – and worlds collide. Appearances are not everything and sometimes human connections can surprise us, but will these realisations be too late to save the village and Drew’s club? A gorgeously fun, heartwarming and tender story of unexpected friendships and acceptance. 'This is like an edgy Jilly Cooper – lots of eccentric characters and a lot of fun!' Katie Fforde 'Truly terrific...I love this book' Judy Astley 'High jinks and high heels... Imagine The Archers in drag, with a huge heart and lots of laughs' Veronica Henry
Cross-dressing entertainers of both genders include comedic performers such as Jerry Lewis and Milton Berle, plus Barbra Streisand (Yentl), Dustin Hoffman (Tootsie), and others. 17 dolls and 30 costumes. Mature content.
This book is about.wonderful hopes, and shattered dreams, the pain of growing up, and the pains of loosing family. It is about..what we think we cannot live through, but find we can. It is about conquering our mind and changing to what God wants us to be. It is about those things that we can conquer in life and how to be proud of those accomplishments, but more important it is what we can be if we do not give up. This life is not easy! What seems today as the worst day in our life, tomorrow just becomes a memory. I am so glad I did not give up during those difficult times. It is a story of redemption and salvation. It is a story of tragedy and triumph, of despair and being able to overcome what looks to be hopeless!He has been an accomplished survivor for over 70 years. He went from early family tragedy and low self-worth, to marriages and divorces, children, the military, dark days, the cheers of thousands as a female impersonator, singer, dancer, M.C., comedian, and stripper, to alcoholism and the very sexual 60s and 70s, and finally the humbleness of Gods Grace.
Longlisted for the Polari First Book Prize 2020 Life's a drag... Why not be a queen? 'Stories like the one where you shagged a 79-year-old builder and knocked over his sister's ashes while feeding him a Viagra. Or the time you crashed your car because you were giving a hand job in barely moving traffic and took your eye off the car in front. That's the kind of dinner-party ice-breaker I'm talking about.' Northern, working-class and shagging men three times her age, Crystal writes candidly about her search for 'the one'; sleeping with a VIP in an attempt to become a world famous journalist; getting hired and fired by a well-known fashion magazine; being torn between losing weight and gorging on KFC; and her need for constant sexual satisfaction (and where that takes her). Charting her day-to-day adventures over the course of a year, we encounter tucks, twists and sucks, heinous overspending and endless nights spent sprinting from problem to problem in a full face of make-up. This is a place where the previously unspeakable becomes the commendable - a unique portrayal of the queer experience. (c) 2019, Crystal Rasmussen (P) 2019 Penguin Audio
A heart-breaking and hilarious memoir about the author’s fight to be true to themself WINNER OF THE POLARI FIRST BOOK PRIZE 2020 WINNER OF A SOMERSET MAUGHAM AWARD
When life's a drag, you've gotta drag it up. JT feels like his life's hit a dead end. It looks like he'll always be stuck in Florida. His parents are anti-supportive. And his boyfriend, Seth, seems to be moving toward a bright future a long way from home.Scholarship money is nonexistent. After-school work will only get JT so far. There's only one shot for him -- to become the next Miss Drag Teen in New York City.The problem with that? Well, the only other time JT tried drag (at a school talent show), he was booed off the stage. And it's not exactly an easy drive from Florida to New York. But JT isn't going to give up. He, Seth, and their friend Heather are going to drag race up north so JT can capture the crown, no matter how many feisty foes he has to face. Because when your future is on the line, you have to be in it to win it, one fraught and fabulous step at a time.
Faux Queen: A Life in Drag is the memoir of a ballet-obsessed girl who moves to San Francisco from the suburbs and finds her people at the drag club. It joyously chronicles Monique Jenkinson’s creation of her drag persona Fauxnique, the people and cultural practices that crash her identity into being, her journey through one of the most experimental moments in queer cultural history, and her rise through the nightlife underground to become the first cisgender woman crowned as a major pageant-winning drag queen. Jenkinson finds authenticity through the glee of drag artifice and articulation through the immediacy of performing bodies. She pens a valentine to gay men and their culture while relaying the making of an open-minded feminist and queer ally. Faux Queen finds deep healing in irreverence and posits that it might be possible for us to come together in fabulous difference on the dance floor.
Dragging: Or, In the Drag of a Queer Life is an assemblage of fragments that collectively tell stories about a diverse group of artists and activists for whom drag serves as inspiration, method, object, and aim. Methodologically grounded in ethnography, Dragging incorporates auto-theoretical material that lays bare the intimacies of research, teaching, and loving, as well as their painful failures. Drag is more than gender impersonation, and it is more than resistance to norms. It is productively messy and ambivalent, and in these and other ways can serve to attune us to political and aesthetic alternatives to the increasingly widespread desire to be led. One of very few books about drag by an anthropologist, and using a uniquely personal approach, Dragging is an ethnography of artists and activists.