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Giftable 50th anniversary commemorative with never-before-seen images and original interviews. Hear from performers and attendees in their own voices! Featuring Janis Joplin, Jimi Hendrix, and The Grateful Dead, as well as unsung audience members and folks behind the scenes. This compendium remembers all the people who made the three days of peace and music an impossible success. The world today feels far removed from the one in which Woodstock was possible, where half a million strangers congregated peacefully for three days. Longtime music writer Daniel Bukszpan offers insights on how the festival is still making an impact on pop culture, while candid interviews, set lists, and beautiful photographs relive the beautiful chaos and once-in-a-lifetime performances at Yasgur's farm. With images by renowned photographers, including Amalie R. Rothschild and Elliott Landy, including the cover photo of Janis Joplin.
Intimate portraits by photojournalist Richard F. Bellak of the musical festival’s counterculture attendees celebrating peace, love, and rock and roll. In the summer of 1969, 400,000 people from across the country came together and redefined the music scene forever. Though the legacy and lore of Woodstock lives on in the memory of its attendees, a new generation can experience the real and unedited festival through Richard Bellak’s never-before-seen photographs and John Kane’s incredible new interviews. Pilgrims of Woodstock offers a vivid and intimate portrait of the overlooked stars of the festival: the everyday people who made Woodstock unforgettable. The photographs and interviews capture attendees’ profound personal moments across hundreds of acres of farmland, as they meditated, played music, cooked food at night, and congregated around campfires. For three days, they helped and relied on each other in peace and harmony. For most, it was a life-changing event. Now, after the 50th anniversary of the famed festival, relive their experiences firsthand in Pilgrims of Woodstock.
For three days in the summer of 1969, 500,000 people spontaneously gathered like no others had before or since then, bringing together peace, love, aromatic smoke and the sounds of the greatest rock 'n' roll show in history. Sounds and smells wafted through the air, making this legendary event one that has never been duplicated. Barry Z Levine, a member of the Academy Award-winning Woodstock documentary film team, captured this entire event. Levine arrived days before the crowds when Woodstock was still a green, grassy pasture and continued to photograph long after the last person had departed the debris-strewn mud hole. Over the course of that tumultuous week, Levine had taken so many pictures, he had blisters on his index finger and thumb from clicking the shutter and advancing the film. Levine stopped only once, for a 45 minute nap on top of a piano cover that was on stage while Blood, Sweat & Tears performed. Along with 240 full-color photographs, the text by Linanne G. Sacket presents a chronological account of this historical event, capturing the performers, personalities, audience, excitement, mood, and actions. The Woodstock Story Book is a must for anyone who was at Woodstock, wishes they had gone, or just wanted a bird's eye view at the greatest historical event of the 1960s.
"We're all still at Woodstock" --Richie Havens The year was 1969. Richard Nixon was in the White House. Neil Armstrong was on the Moon. And revolution was in the air. In that backdrop, 500,000 young people gathered on a mid-August weekend in upstate New York for the promise of three days of peace and music. What they experienced at the Woodstock Music and Art Fair was something far greater. Celebrating "the greatest peaceful event in history," Woodstock 50th Anniversary: Back to Yasgur's Farm offers a dazzlingly and compelling front-row seat to the most important concert in rock history, an implausible happening filled with trials and triumphs that defined a generation. Author and Woodstock attendee Mike Greenblatt brilliantly captures the power of music's greatest performers such as Jimi Hendrix, Janis Joplin, Joe Cocker, Santana and the Who, while sharing stories both personal and audacious from the crowd of a half million strong who embraced not only the music but each other. The book features a Foreword by Country Joe McDonald, whose rousing solo acoustic version of "The Fish Cheer/I-Feel-Like-I'm-Fixin'-To-Die Rag" was one of the most memorable performances at Woodstock. In addition, all 32 performances at the festival are showcased. Equal parts circus and surreal, Woodstock 50th Anniversary: Back to Yasgur's Farm tells a transcendent tale of a musical and mythical moment in time.
Known as the "Father of Festival Sound," Bill Hanley (b. 1937) made his indelible mark as a sound engineer at the 1969 Woodstock Music and Arts Fair. Hanley is credited with creating the sound of Woodstock, which literally made the massive festival possible. Stories of his on-the-fly solutions resonate as legend among festivalgoers, music lovers, and sound engineers. Since the 1950s his passion for audio has changed the way audiences listen to and technicians approach quality live concert sound. John Kane examines Hanley’s echoing impact on the entire field of sound engineering, that crucial but often-overlooked carrier wave of contemporary music. Hanley’s innovations founded the sound reinforcement industry and launched a new area of technology, rich with clarity and intelligibility. By the early seventies the post-Woodstock festival mass gathering movement collapsed. The music industry shifted, and new sound companies surfaced. After huge financial losses and facing stiff competition, Hanley lost his hold on a business he helped create. By studying both his history during the festivals and his independent business ventures, Kane seeks to present an honest portrayal of Hanley and his acumen and contributions. Since 2011, Kane conducted extensive research, including over one hundred interviews with music legends from the production and performance side of the industry. These carefully selected respondents witnessed Hanley’s expertise at various events and venues like Lyndon B. Johnson’s second inauguration, the Newport Folk/Jazz Festivals, the Beatles' final tour of 1966, the Fillmore East, Madison Square Garden, and more. The Last Seat in the House will intrigue and inform anyone who cares about the modern music industry.
It defined a generation, exemplified an era: Woodstock was unlike anything that has ever happened before or since--and August 2009 marks the 40th anniversary of this seminal event. Relive the moment and "get back to the garden” with this day-by-day, act-by-act account of everything that went down on Yasgur’s Farm. With interviews and quotes from those who were there--the musicians, the fans, the organizers--and a wealth of photographs and graphic memorabilia, Woodstock is the ultimate celebration of a landmark in modern cultural history. Woodstock is organized in three parts: - Origins sets the stage by describing the counterculture of the time, along with the festival’s organization, fundraising, buzz-building tactics, ticket selling and publicity, and site building. - The Event--the heart of the project--includes a log with a run-down of each of the 32 acts, in the order they appeared, one spread to each name. Fans and politics are also featured prominently here. - The Aftermath focuses on media coverage, follow-up festivals, Michael Wadleigh and Thelma Schoonmaker’s documentary, and Woodstock’s enduring legacy.
Woodstock defined a generation and exemplified an era. Relive that unique moment and go "back to the garden" with this day-by-day, act-by-act account of everything that went down on Yasgur's Farm. This lavish 50th-anniversary edition features interviews from those who were there, a wealth of photographs and memorabilia, and updates on Woodstock today. It's the ultimate celebration of a landmark moment.
The definitive account of the most famous music festival of all time: Woodstock. “[A] vivid and lively account of those hectic and historic three days….The best fly-on-the-wall account, tantamount to having had a backstage pass to an iconic event.” —New York Post The Woodstock music festival of 1969 is an American cultural touchstone, and no book captures the sights, sounds, and behind-the-scenes machinations of the historic gathering better than Michael Lang’s New York Times bestseller, The Road to Woodstock. USA Today calls this fascinating, entertaining, and blissfully nostalgic look back, “Invaluable.” In The Road to Woodstock, Michael Lang recaptures the magic for the generation that was there…and for the generations that followed. Just in time for the 50th Anniversary of the Woodstock festival, this definitive volume tells you everything you need to know about the most famous three days in music history.
Taking Woodstock is the funny, touching, and true story of Elliot Tiber, the man who was instrumental in arranging the site for the original Woodstock Concert. Elliot, whose parents owned an upstate New York motel, was working in Greenwich Village in the summer of 1969. He socialized with the likes of Truman Capote, Tennessee Williams, and photographer Robert Mapplethorpe, and yet somehow managed to keep his gay life a secret from his family. Then on Friday, June 28, Elliot walked into the Stonewall Inn—and witnessed the riot that would galvanize the American gay movement and enable him to take stock of his own lifestyle. And on July 15, when Elliot learned that the Woodstock Concert promoters were unable to stage the show in Wallkill, he offered to find them a new venue. Soon he was swept up in a vortex that would change his life forever.
Sally Mann Romano, an attorney in her native Texas, is the proprietor of an animal sanctuary and deep-pocket money pit known as Rockit Ranch Rescue. She came to the law after her marriage to Spencer Dryden, drummer for Jefferson Airplane, having also spent a number of years working for, traveling with, and tending to Frank Zappa, the Grateful Dead, Grace Slick, Ten Years After, Stephen Stills, The Band, and other characters of similarly dubious repute. Sally has been featured in a number of photo essays of so-called "groupies" and women in rock by Baron Wolman, Henry Diltz, Jim Marshall, and other renowned rock-and-roll photographers. She is the subject of paintings by artists as diverse as Jim Bama and Alice McMahon, both of whom based their works on the iconic photo by Baron Wolman that originally appeared in Rolling Stone, and countless interviews and magazine articles. Her memoir, The Band's With Me, with a foreword by Grace Slick and photographs by Baron Wolman, Henry Diltz, Herb Greene, Rosie McGee, and others, chronicles her escapades in the kaleidoscopic world of music and entertainment in the late 1960s and 1970s, comes clean on affairs of the heart and otherwise, and offers a wry, unsparing take on some of the more unforgettable musicians who marked an equally unforgettable era. There are over 100 photos, many previously unpublished.