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Contributed articles on the Urdu and Persian poet Amīr Khusraw Dihlavī, ca. 1253-1325.
Amir Khusrau, one of the greatest poets of medieval India, helped forge a distinctive synthesis of Muslim and Hindu cultures. Written in Persian and Hindavi, his poems and ghazals were appreciated across a cosmopolitan Persianate world that stretched from Turkey to Bengal. Having thrived for centuries, Khusrau’s poetry continues to be read and recited to this day. In the Bazaar of Love is the first comprehensive selection of Khusrau’s work, offering new translations of mystical and romantic poems and fresh renditions of old favourites. Covering a wide range of genres and forms, it evokes the magic of one of the best-loved poets of the Indian subcontinent.
The major religious traditions of South Asia are ‘religions of the book’. All accept basic arrays of texts of scriptures, often seen as sacred reservoirs of meaning and power. The West has viewed these texts as ‘bibles’ of their respective traditions, projecting onto them Western values and concerns. This book challenges such misconceptions by revealing the complex character of scripture and its interpretation in South Asian religions. Texts in Context explores the hermeneutical traditions of Hinduism, Buddhism, Jainism, Islam, and Sikhism. The question of how we should understand the diversity of text-traditions is approached by asking “How have traditional thinkers — the exegetes within these traditions —understood and utilized scripture?” The answers, though remarkably diverse, do reveal important similarities and take the discussion of scripture in India to a deeper level. This book makes accessible to the non-specialist sensibilities and approaches that have previously received little attention in the West, but have formed the basis for traditional efforts to understand and utilize scripture. It is a collaboration between contemporary thinkers and their traditional counterparts, whose voices emerge as they consider the sacred words of the religious traditions of South Asia.
Although pluralism and religious tolerance are most often associated today with Western Enlightenment thinkers, the roots of these ideologies stretch back to non-Western and premodern societies, including many under Muslim rule. This book explores the development of pluralism in Islam in South Asia through the work of the poet, historian and musician Amir Khusraw and sheds new light on how Islam developed its own culture of tolerance. Countering stereotypes of Islam as intrinsically intolerant, the book provides a better understanding of how rhetorics of pluralism develop, which may aid in identifying and encouraging such discourses in the present. Khusraw, a practicing Muslim who showed great affection toward Hindus and used much indigenous imagery in his poetry, is an ideal figure through whom to explore these issues. Addressing issues of ethnicity, religion and gender in the early medieval period, Alyssa Gabbay demonstrates the pre-modern precedents for pluralism, conveying the broad sweep of Perso-Islamicate culture and the profound transformations it underwent in medieval South Asia. Accurately depicting the paradoxicality and jaggedness involved in the development of its composite culture, this book will have great relevance to scholars and students of Islam in South Asia, gender, religious pluralism, and Persian literature.
An original, provocative and compelling reading of the subcontinent’s history In this remarkable study, well-known biographer Rajmohan Gandhi, underscoring the prominence in the Mahabharata of the revenge impulse, follows its trajectory in South Asian history. Side by side, he traces the role played by reconcilers up to present times, like the Buddha, Mahavira and Asoka. Encompassing myth and historical fact, the author moves from the circumstances of Drona’s death and Parasurama’s slaying of the Kshatriyas to the burst of Islam in India and Akbar’s success in gaining acceptance for it, the executions of Guru Arjan Dev and Guru Tegh Bahadur, and Shivaji’s achievement of self-rule. His explanation of the 1947 division of India identifies the role of the 1857 Rebellion in shaping Gandhi’s thinking and strategy, and reflects on the wounds of Partition. The survey of post-Independence India, Pakistan, Bangladesh and Sri Lanka also touches upon the tragic bereavements of six of their women leaders. Incisive and finely argued, Revenge and Reconciliation compels us to confront historical and contemporary realities of intolerance, while pointing to possible strategies of mutual accommodation in India and the rest of South Asia at the threshold of the twenty-first century.
Life of Amīr Khusraw Dihlavī, ca. 1253-1325, Urdu and Persian poet.
The rulers of the Mughal Empire of India, who reigned from 1526 to 1858, spared no expense as patrons of the arts, particularly painting and music. They left as their legacy an extraordinarily rich body of commissioned artistic projects including illustrated manuscripts and miniature paintings that represent musical instruments, portraits of musicians, and the compositions of ensembles. These images from the basis of Bonnie C. Wade's study of how musicians of Hindustan encountered and Indianized music from the Persian cultural sphere. Combining ethnomusicological and art historical methods with history and lore, Wade has written a truly interdisciplinary study of cultural life on the Indian subcontinent. Wade focuses first on Akbar, showing how political and cultural agendas intertwined in the portrayal of Mughal court life. She then follows the depictions of music-making through paintings of Akbar's successors, Jahangir and Shah Jahan, to trace the gradual synthesis of Persian and Indian culture. Because music of the period was not notated but was transmitted orally, Wade relies on this wealth of visual evidence to reconstruct the musical life of the Mughals and its relation to the Mughal political agenda. As a major untapped resource, these images suggest new interpretations of the history of the Mughal Empire -- including original ideas about the role of patrons in the production of the arts and, importantly, the role of women in Mughal court life -- that are confirmed and complemented by the written sources of the period. Imaging Sound is a contribution to many fields in its unique combination of sources and methods: it is the study of musical change; of image-making in the pastand the methodological use of images as "texts" in the present; of the role of patronage in the Mughal Empire; and of the development of South Asian culture. In her synthesis of music, literature, art, and culture, Wade deepens our knowledge of the manner in which the orally transmitted tradition of Hindustani music came to be what it is today. The book is beautifully illustrated with more than 180 reproductions of Mughal paintings and manuscripts. These rare images are the basis for a study that is fully immersed both in current intellectual debates and in three centuries of Mughal cultural life.
This book explores the institution of Sufism, the most dynamic face of Islam in the Indian subcontinent, as it sets out to study the mystical rituals and devotional practices that characterize Sufism's beliefs and traditions.
This book discusses the origin and growth of Indo-Persian historiography with specific emphasis on India's contribution to the literary heritage of the Persian world. Besides examining 'Awfi's Jawami'ul-Hikayat-wa-Livam'ul-Rivayat as a source of history, the volume also assesses the history of history writing by immigrant and Indian scholars, and is a pioneering attempt insofar as it attempts to study the social background and the religious and political ideals of each of the writers included in this book.
Ethnomusicology and its Intimacies situates intimacy, a concept that encompasses a wide range of often informal social practices and processes for building closeness and relationality, within the ethnomusicological study of music and sound. These scholarly essays reflect on a range of interactions between individuals and communities that deepen connections and associations, and which may be played out relatively briefly or nurtured over time. Three major sections on Performance, Auto/biographical Strategies, and Film are each prefaced by an interview with a scholar or practitioner with close knowledge of the subject that links the chapters in that section. Often drawing directly on fieldwork experience in a variety of contexts, authors consider how concepts of intimacy can illuminate the ethnographic study of music, addressing questions such as: how can we understand ethnomusicological and ethnographic research and performance as processes of musically mediated intimacy? How are the longstanding relationships we develop with others particularly intimated by and through musicking? How do we understand the musically intimate relationships of others and how do these inflect our own musical intimacies? How does music represent, inscribe, constrain, or provoke social or personal intimacies in particular contexts? The volume will appeal to all scholars with interests in music and how it is used to construct relationships in different contexts around the world.