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A Lit Hub Best Book of 2016 • One of Electric Literature's Best Novels of 2016 • An Entropy Best Book of 2016 “The duchess herself would be delighted at her resurrection in Margaret the First...Dutton expertly captures the pathos of a woman whose happiness is furrowed with the anxiety of underacknowledgment.” —Katharine Grant, The New York Times Book Review Margaret the First dramatizes the life of Margaret Cavendish, the shy, gifted, and wildly unconventional 17th–century Duchess. The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when "being a writer" was not an option open to women. As one of the Queen's attendants and the daughter of prominent Royalists, she was exiled to France when King Charles I was overthrown. As the English Civil War raged on, Margaret met and married William Cavendish, who encouraged her writing and her desire for a career. After the War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was "Mad Madge," an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of London—a mainstay of the Scientific Revolution—and the last for another two hundred years. Margaret the First is very much a contemporary novel set in the past. Written with lucid precision and sharp cuts through narrative time, it is a gorgeous and wholly new approach to imagining the life of a historical woman. "In Margaret the First, there is plenty of room for play. Dutton’s work serves to emphasize the ambiguities of archival proof, restoring historical narratives to what they have perhapsalways already been: provoking and serious fantasies,convincing reconstructions, true fictions.”—Lucy Ives, The New Yorker “Danielle Dutton engagingly embellishes the life of Margaret the First, the infamousDuchess of Newcastle–upon–Tyne.” —Vanity Fair
This is the biography of American writer, adventurer and social critic Margaret Fuller.
When the thirteen year old Margaret Tudor, eldest daughter of Henry VII and his wife Elizabeth of York, married King James IV of Scotland in a magnificent proxy ceremony held at Richmond Palace in January 1503, no one could have guessed that this pretty, redheaded princess would go on to have a marital career as dramatic and chequered as that of her younger brother Henry VIII. Left widowed at the age of just twenty three after her husband was killed by her brother's army at the battle of Flodden, Margaret was made Regent for her young son and was temporarily the most powerful woman in Scotland - until she fell in love with the wrong man, lost everything and was forced to flee the country. In a life that foreshadowed that of her tragic, fascinating granddaughter Mary Queen of Scots, Margaret hurtled from one disaster to the next and ended her life abandoned by virtually everyone: a victim both of her own poor life choices and of the simmering hostility between her son, James V and her brother, Henry VIII.
A GUARDIAN BOOK OF THE YEAR * A TIMES BOOK OF THE YEAR * A SUNDAY TIMES BOOK OF THE YEAR * A DAILY MAIL BOOK OF THE YEAR 'An original, memorable and substantial achievement' TLS'A masterpiece' Mail on Sunday'I honked so loudly the man sitting next to me dropped his sandwich' ObserverShe made John Lennon blush and Marlon Brando clam up. She cold-shouldered Princess Diana and humiliated Elizabeth Taylor. Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. John Fowles hoped to keep her as his sex-slave. Dudley Moore propositioned her. Francis Bacon heckled her. Peter Sellers was in love with her. For Pablo Picasso, she was the object of sexual fantasy. "If they knew what I had done in my dreams with your royal ladies" he confided to a friend, "they would take me to the Tower of London and chop off my head!" Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding. In her 1950's heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death, she had come to personify disappointment. One friend said he had never known an unhappier woman. The tale of Princess Margaret is pantomime as tragedy, and tragedy as pantomime. It is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled. Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues and essays, Ma'am Darling is a kaleidoscopic experiment in biography, and a witty meditation on fame and art, snobbery and deference, bohemia and high society. 'Brown has been our best parodist and satirist for decades now ... Ma'am Darling is, as you would expect, very funny; also, full of quirky facts and genial footnotes. Brown has managed to ingest huge numbers of royal books and documents without losing either his judgment or his sanity. He adores the spectacle of human vanity' Julian Barnes, Guardian
Princess Margaret was one of the most controversial royal figures of the twentieth century. Widely admired as a young woman, she was famous for her beauty and charisma, but also for her sense of loyalty and duty. The charismatic Princess not only brought colour and sex appeal into an otherwise colourless royal family, but did much to help bring the monarchy and its attitudes into the modern world. In recent years, dogged by accidents and ill - health, much of the Princess's youthful vigour and charm, not to mention her hard work, has been forgotten. Following her death on 9 February, in the Queen's golden jubilee year, and poignantly close to the anniversary of George VI's death, the story of her life is once again front pages news. In this fully updated memorial edition of his acclaimed study, originally undertaken with the co - operation of the Princess and many of those closest to her, her authorized biographer Christopher Warwick looks again at the life and work of this enigmatic and individual royal figure, and brings her story to a close with her funeral in Windsor. Written with authority and insight, Princess Margaret - A Life of Contrasts is a fitting tribute to an exceptional, deeply complex woman. - This text refers to an out of print or unavailable edition of this title. Published one year on from her death, this new paperback edition of the acclaimed biography looks at this enigmatic and individual royal figure, and completes the story of her life. Author Christopher Warwick was the only author Princess Margaret ever co - operated with, a personal friend of the Princess and the only biographer to attend her funeral. Written with authority and insight, Princess Margaret - A Life of Contrasts is a fitting memorial tribute to an exceptional, deeply complex woman. One of the most controversial royal figures of the twentieth century, Princess Margaret was admired as well as vilified for most of her adult life. Described by the designer and hotelier Anouska Hemple as Witty, wicked and wonderful', this charismatic Princess not only brought colour and sex appeal into an otherwise colourless royal family, but did much to help bring the monarchy and its attitudes into the modern world. Adored younger daughter of King George VI and only sister of Queen Elizabeth II, Margaret was a pre - war princess whose world was hugely circumscribed by the strictures and protocol of another age, leading to conflict and misunderstanding in both her private and her public life. As one of the acknowledged beauties of her generation, Princess Margaret's appeal was so great that thousands at home and overseas would camp out in the hope of catching a glimpse of her. During the 1950s, her ill - starred love affair with the divorced fighter pilot, Group Captain Peter Townsend, laid the foundation for the Margaret legend'.
Faced with the difficulties of growing up and choosing a religion, a twelve-year-old girl talks over her problems with her own private God.
From the New York Times columnist, a portrait of a family and the cycles of joy and grief that mark the natural world: “Has the makings of an American classic.” —Ann Patchett Growing up in Alabama, Margaret Renkl was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she traces a tender and honest portrait of her complicated parents—her exuberant, creative mother; her steady, supportive father—and of the bittersweet moments that accompany a child’s transition to caregiver. And here, braided into the overall narrative, Renkl offers observations on the world surrounding her suburban Nashville home. Ringing with rapture and heartache, these essays convey the dignity of bluebirds and rat snakes, monarch butterflies and native bees. As these two threads haunt and harmonize with each other, Renkl suggests that there is astonishment to be found in common things: in what seems ordinary, in what we all share. For in both worlds—the natural one and our own—“the shadow side of love is always loss, and grief is only love’s own twin.” Gorgeously illustrated by the author’s brother, Billy Renkl, Late Migrations is an assured and memorable debut. “Magnificent . . . Readers will savor each page and the many gems of wisdom they contain.” —Publishers Weekly (starred review)
He became king before his first birthday, inheriting a vast empire from his military hero father; she was the daughter of a king without power, who made an unexpected marriage at the age of fifteen. Almost completely opposite in character, together they formed an unlikely but complimentary partnership. Henry VI and Margaret of Anjou have become famous as the Lancastrian king and queen who were deposed during the Wars of the Roses but there is so much more to their story. The political narrative of their years together is a tale of twists and turns, encompassing incredible highs, when they came close to fulfilling their desires, and terrible, heart-breaking lows. Personally, their story is an intriguing one that raises may questions. Henry was a complex, misunderstood man, enlightened and unsuited to his times and the pressures of kingship. In the end, overcome by fortune and the sheer determination of their enemies, their alliance collapsed. England simply wasn't ready for a gentle king like Henry, or woman like Margaret who defied contemporary stereotypes of gender and queenship. History has been a harsh judge to this royal couple. In this discerning dual biography, Amy Licence leads the way in a long-overdue re-evaluation of their characters and contributions during a tumultuous and defining period of British history.
A tale of the Wars of the Roses follows Elizabeth Woodville, who ascends to royalty and fights for the well-being of her family, including two sons whose imprisonment in the Tower of London precedes a devastating unsolved mystery.