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Reprint of the original, first published in 1882.
The border between the United States and Mexico is a no-man’s land. Drugs, guns, and human beings are the cargo of choice in a multi-billion dollar illegal empire dominated by powerful cartels, murderous street gangs, and corrupt government officials. Against them stand the Special Agents of the United States Customs Service—men and women who fight to uphold the law and protect the U.S. on both sides of the border. Terry Kirkpatrick worked one of the toughest jobs in America: a U.S. Customs agent on the border between Arizona and Mexico. He’s seen it all and done more for over twenty years in a job that many officers quit before they make it six months. These are the gritty and graphic true stories of Terry and his fellow “Border Rats” as they patrol America’s modern badlands, where bullets are currency and blood is taken as payment. From the inhuman conditions people suffer under to get onto American soil, to working with blatantly crooked military leaders, to some of the most insane and unbelievable situations ever survived, readers will experience the chaos that has engulfed the U.S. border in the words of a man who has been there. 60 Miles of Border sheds an unsparing light into the life of customs agents, their dealings on the border, the effect on their daily lives—and an unsparing look at one of the most hotly debated and controversial topics in modern America.
Line in the Sand details the dramatic transformation of the western U.S.-Mexico border from its creation at the end of the Mexican-American War in 1848 to the emergence of the modern boundary line in the first decades of the twentieth century. In this sweeping narrative, Rachel St. John explores how this boundary changed from a mere line on a map to a clearly marked and heavily regulated divide between the United States and Mexico. Focusing on the desert border to the west of the Rio Grande, this book explains the origins of the modern border and places the line at the center of a transnational history of expanding capitalism and state power in the late nineteenth and early twentieth centuries. Moving across local, regional, and national scales, St. John shows how government officials, Native American raiders, ranchers, railroad builders, miners, investors, immigrants, and smugglers contributed to the rise of state power on the border and developed strategies to navigate the increasingly regulated landscape. Over the border's history, the U.S. and Mexican states gradually developed an expanding array of official laws, ad hoc arrangements, government agents, and physical barriers that did not close the line, but made it a flexible barrier that restricted the movement of some people, goods, and animals without impeding others. By the 1930s, their efforts had created the foundations of the modern border control apparatus. Drawing on extensive research in U.S. and Mexican archives, Line in the Sand weaves together a transnational history of how an undistinguished strip of land became the significant and symbolic space of state power and national definition that we know today.
The Southwestern border is one of the most fascinating places in America, a region of rugged beauty and small communities that coexist across the international line. In the past decade, the area has also become deadly as illegal immigration has shifted into some of the harshest territory on the continent, reshaping life on both sides of the border. In Hard Line, Ken Ellingwood, a correspondent for the Los Angeles Times, captures the heart of this complex and fascinating land, through the dramatic stories of undocumented immigrants and the border agents who track them through the desert, Native Americans divided between two countries, human rights workers aiding the migrants and ranchers taking the law into their own hands. This is a vivid portrait of a place and its people, and a moving story of the West that has major implications for the nation as a whole.
A record of literary properties sold at auction in the United States.
This project presents a unique collaboration between photographer Richard Misrach and composer and performer Guillermo Galindo. Misrach has been photographing the 2,000-mile border between the US and Mexico since 2004, with increased focus since 2009--the latest installation in his ongoing series Desert Cantos, a multifaceted approach to the study of place and man's complex relationship to it. Misrach and Galindo have been working together to create pieces that both document and transform the artifacts of migration. Using water bottles, clothing, backpacks, Border Patrol drag tires, spent shotgun shells, ladders and sections of the border wall itself, most of which were collected by Misrach, Galindo fashions instruments to be performed as unique sound-generating devices. He also imagines graphic musical scores, many of which also use Misrach's photographs as points of departure. A unique melding of the artist as documentarian and interpreter, the book includes several suites of photographs drawn from a number of distinct series or Cantos, some made with a large-format camera as well as an iPhone. The book contains a compilation of two dozen sculpture-instruments, graphic scores, instrument designs and links to videos of performances by Galindo.
Two ministers and three bishops representing the Presbyterian Church (USA), the United Methodist Church, the Board of Directors of Catholic Relief Services (CRS), the Episcopal Church, and the ELCA share their "spiritual autobiography" as it relates to their experience working on the Arizona border, the geographic flash point for the immigration debate.