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An esteemed planter, politician, and military leader influential in the affairs of both South Carolina and Texas, James Hamilton (1786--1857) so declined in reputation during the last twenty years of his life that his home state refused to acknowledge him when he died. Robert Tinkler's superb, first-published biography of Hamilton conveys the enormous drama, dignity, and pathos that marked Hamilton's pursuit of the greatness achieved by his prominent Revolutionary-era forebears and his subsequent profound reversal brought on by debt. While a member of Congress during the 1820s, Hamilton came to champion states' interests over a strong central national government. As governor of South Carolina, 1830--1832, he reached the pinnacle of his political and social glory when he presided over the Nullification Crisis of 1832. Hamilton's undoing began with a series of ill-advised cotton speculations that left him deeply and very publicly in arrears by 1839. He desperately sought relief -- even supporting the Compromise of 1850 in hopes of monetary benefit, while alienating his old allies in the process. To his fellow southerners, Hamilton became a scourge and embarrassment as one who compromised his political beliefs because of fiscal distress. Perhaps even more than his political apostasy, Hamilton's unforgivable offense may have been to remind planters of their own struggles with chronic debt. Tinkler's extraordinary research into both Hamilton's life and the dynamics of reputation and debt in the antebellum South suggests that many contemporaries simply wished to forget Hamilton's plight so as to avoid facing their own financial reality. Possessing the weight of tragedy, James Hamilton of South Carolina documents a powerful man's achievements and the events and personal flaws that led to his fall.
A fresh and lively biography of the revolutionary landscape painter John Constable. John Constable, who captured the landscapes and skies of southern England in a way never before seen on canvas, is beloved but little-understood artist. His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of color. His landscapes show that he had sharp local knowledge of the environment. His skyscapes show a clarity of expression rarely seen in other artist's work. The figures within show an understanding of the human tides of his time. And his late paintings of Salisbury Cathedral show a rare ability to transform silent, suppressed passion into paint. Constable was also an active and energetic correspondent. His letters and diaries reveal a man of opinion, passion, and discord. His letters also reveal the lives and circumstances of his extended family who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter. James Hamilton's biography reveals a complex and troubled man. Hamilton's portrait explodes previous mythologies about this timeless artist and establishes him in his proper context as a giant of European art.
A selection of the photographer's portraits of musicians--on stage, backstage, and offstage-- features such greats as James Brown, Count Basie, Carly Simon, Duane Allman, Dizzy Gillespie, Muddy Waters, John Cage, and Yoko Ono.
Drawing from a wealth of information, particularly from primary sources such as diaries, letters, plantation records, etc., the author has recreated the story of James Hamilton Couper and his times into an exciting, interesting, and readable account. The work begins with an introductory chapter. The Georgia Coast, a land of sluggish rivers, murkey blackwater swamps, and studded with a string of islands, is the home of a special breed of people. The are as wild, reckless, exciting, beautiful, and contradictory as the land itself.Bagwell examines the Couper heritage, from kings, war, and intrigue in Scotland to their firm establishment on the Georgia Coast. As colonial times move into antebellum, the Coupers progress, especially with James Hamilton Couper of Hopeton Plantation. On his grand tour of Europe, many on that continent commented on the abilities and potential of this young man.Couper made quite a name for himself in the area of politics, plantation management, scientific agriculture, archaeology, and architectural design. In the sinking of the Pulaski, he was hailed the hero of the occasion. The publication of this volume will be a valuable addition to the history and culture of the South, especially Georgia and its coast.
The definitive biography of J.M.W. Turner. 'A pleasure to read'.' A.S. BYATT 'With splendid clarity and shrewd humour, James Hamilton evokes the visceral world of a great artist and a fascinating character.' MIKE LEIGH In 1799, aged just 24, Turner became an Associate of the Royal Academy. While influential collectors competed to buy his paintings, he travelled widely, observing landscape and people and gathering material for a cycle of images that would come to express the collective identity of Britain. In this lucid blend of vibrant biography and acute art history, James Hamilton introduces Turner to a new generation of readers and paints a picture of a uniquely generous human being, a giant of the nineteenth century and a beacon for the twenty-first.
For over two centuries, Alexander Hamilton’s birth, youth, and family background have been shrouded in mystery. For the first time ever, Michael E. Newton has conducted a systematic examination of the primary source material to discover the truth about Alexander Hamilton’s early life. In the greatest and most significant collection of original Hamilton discoveries to be made in decades, Newton separates fact from fiction to create a new portrait of the tempestuous early years of America’s most remarkable and enigmatic Founding Father and the people that comprised his world. An icon in life and a legend in death, Alexander Hamilton continues to fascinate. Discovering Hamilton answers some of the most important and intriguing questions about Hamilton’s biography and introduces abundant new material about the lives of Alexander Hamilton, his family, friends, and colleagues.
Reprint of the original, first published in 1883.
In Exodus 34 Moses asks to see God's glory, and God reveals himself as a God who is merciful and just. James Hamilton Jr. contends that from this passage comes a biblical theology that unites the meta-narrative of Scripture under one central theme: God's glory in salvation through judgment. Hamilton begins in the Old Testament by showing that Israel was saved through God's judgment on the Egyptians and the Caananites. God was glorified through both his judgment and mercy, accorded in salvation to Israel. The New Testament unfolds the ultimate display of God's glory in justice and mercy, as it was God's righteous judgment shown on the cross that brought us salvation. God's glory in salvation through judgment will be shown at the end of time, when Christ returns to judge his enemies and save all who have called on his name. Hamilton moves through the Bible book by book, showing that there is one theological center to the whole Bible. The volume's systematic method and scope make it a unique resource for pastors, professors, and students.
Is the Bible just a random collection of old stories, or is there something more going on within the pages of Scripture? Is it possible that the ancient books of the Old and New Testaments are part of a single, unified story, begun long ago but extending into our world today? In this introduction to biblical theology, professor James Hamilton orients Bible readers afresh to the overarching story line of Scripture, helping Christians read and interpret the Bible as the biblical writers intended and as the early Christians read it. Examining Scripture's key symbols, patterns, and themes, Hamilton helps readers truly grasp—and be transformed by—the theology of redemption contained in God's Word.