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A thematically rich, provocative, and lyrical study of one of Germany’s most important, world-famous, and imaginative writers Heinrich Heine (1797–1856) was a virtuoso German poet, satirist, and visionary humanist whose dynamic life story and strikingly original writing are ripe for rediscovery. In this vividly imagined exploration of Heine’s life and work, George Prochnik contextualizes Heine’s biography within the different revolutionary political, literary, and philosophical movements of his age. He also explores the insights Heine offers contemporary readers into issues of social justice, exile, and the role of art in nurturing a more equitable society. Heine wrote that in his youth he resembled “a large newspaper of which the upper half contained the present, each day with its news and debates, while in the lower half, in a succession of dreams, the poetic past was recorded fantastically like a series of feuilletons.” This book explores the many dualities of Heine’s nature, bringing to life a fully dimensional character while also casting into sharp relief the reasons his writing and personal story matter urgently today.
Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten
In 1843 Heine returned from exile to journey through the homeland he hadn't seen for years. This verse satire was the result. [A] sparkling new translation--TLS. [A] superb translation--The Cambridge Review. Exceptionally successful in catching
First English translation of Heine's controversial though masterful polemic, with introduction and commentary.In 1840, Heinrich Heine, the major German poet of Jewish origin of the age, published a book on Ludwig Börne, the major German political writer of Jewish origin of the period, who had died three years before. Regarded by Heine andothers as his best-written book, it was also his most disastrously conceived. Intended to recover the high ground of revolutionary principle and philosophy against the attacks mounted on him by Börne and his supporters, the bookwas instead met by a storm of outrage from which it seemed Heine's reputation might never recover. In the course of time, the evaluation was reversed; Heine was increasingly celebrated as a true herald of revolution. His vocabulary of Hellenism and Nazarenism, employed for the first time in Börne, was transmitted into English usage by Matthew Arnold. But Börne itself is Heine's only major work that has never been fully translated into English. The commentary to the edition clarifies the conflict between the two most prominent German-Jewish public intellectuals of their time, corrects the misapprehensions constantly in circulation about their relationship and the book,and reveals the many peculiarities of the text. Jeffrey L. Sammons is Leavenworth Professor of German Emeritus at Yale University and the author of four books on Heine.commentary to the edition clarifies the conflict between the two most prominent German-Jewish public intellectuals of their time, corrects the misapprehensions constantly in circulation about their relationship and the book,and reveals the many peculiarities of the text. Jeffrey L. Sammons is Leavenworth Professor of German Emeritus at Yale University and the author of four books on Heine.commentary to the edition clarifies the conflict between the two most prominent German-Jewish public intellectuals of their time, corrects the misapprehensions constantly in circulation about their relationship and the book,and reveals the many peculiarities of the text. Jeffrey L. Sammons is Leavenworth Professor of German Emeritus at Yale University and the author of four books on Heine.commentary to the edition clarifies the conflict between the two most prominent German-Jewish public intellectuals of their time, corrects the misapprehensions constantly in circulation about their relationship and the book,and reveals the many peculiarities of the text. Jeffrey L. Sammons is Leavenworth Professor of German Emeritus at Yale University and the author of four books on Heine.
German poet Heinrich Heine was bedridden with a debilitating illness for the last eight years of his life, during which time he reassessed many of his previous views on life. By the Rivers of Babylon examines the changes in his thinking about history, philosophy, and religion during that period and shows how those changes are reflected in his later poetry. Roger Cook offers an analysis of Heine's vehement renunciation of the Hegelian ideas that had shaped his earlier conception of history. Refuting accepted opinions that this shift in thought was a displaced opposition to social developments, Cook contends that these late writings represent Heine's consistent rejection of idealist philosophy and reveal Heine's new understanding of poetry's role as a transmitter of myth. Cook shows how Heine transcended the boundaries of European culture and Judeo-Christian religion by aligning his work with alternative cultures on the margins of society.